Monty Wildhorn, an alcoholic novelist of Westerns, has lost his drive. His nephew pushes him to summer in quiet Belle Isle. He begrudgingly befriends a newly single mom and her 3 girls who help him find the inspiration to write again.
A journalist, down on his luck in the US, drives to El Salvador to chronicle the events of the 1980 military dictatorship, including the assasination of Archbishop Oscar Romero. He forms an... See full summary »
Ghosts of Mississippi is a drama covering the final trial of Byron De La Beckwith (Woods), the assassin of the 1960s civil rights leader Medgar Evers. It begins with the murder and the events surrounding the two initial trials which both ended in hung juries. The movie then covers District Attorney, Bobby De Laughter's (Baldwin) transformation and alliance with Myrlie Evers (Goldberg), the widow of Medgar Evers, as he becomes more involved with bringing Beckwith to trial for the third time 30 years later. Some of the characters are played by the actual participants in this story. Written by
Joel Schesser <firstname.lastname@example.org>
Delmar Dennis (a key witness against the murderer, Byron De La Beckwith) and his family can be seen as extras in the parade scene. At the film's end, a title card indicated that Bobby DeLaughter had run for a position as a judge and been defeated. That was true at the time. Subsequently, he was appointed to a judgeship and later elected overwhelmingly to that position. See more »
When Bobby Delaughter is on the phone to Myrlie Evers and Charley attempts to interrupt him with the news that Byron was quoted of having confessed to killing Evers years earlier, Bobby is wearing his wedding ring. Shortly thereafter when he's in the hospital for his eldest son's injury (and first meets the doctor, his second wife), he is not wearing wedding ring. See more »
[Addressing the jury in summation]
Today, thirty years later, I'm asking you twelve ladies and gentlemen to act boldly; to hold this defendant accountable and find him guilty... simply because it is right, it is just, and Lord knows, it is time. Is it ever too late to do the right thing?
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Glossy but highly effective thriller based on the true story of an attempt to bring a racially motivated killer to trial. The film suffers from a certain liberal obviousness: brave, charming white man (who loves his kids) and dignified black widow fight side by side for justice; but it's always compelling, and pertinent too. No magic, then, but a strong story: one of director Rob Reiner's better efforts.
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