Ghosts of Mississippi (1996)

User Rating:

6.4/10   

Director:

Rob Reiner

Writer (WGA):

Lewis Colick (written by)

Release Date:

20 December 1996 (USA)

Genre:

Drama

Tagline:

In 1963 civil rights leader Medgar Evers was murdered in his own driveway. For 30 years his assassin has remained free. Is it ever too late to do the right thing?

Plot:

The widow of murdered civil rights leader Medger Evers and a district attorney struggle to finally bring the murderer to justice.

Plot Keywords:

Trial | Civil Rights | Widow | Assassin | Activist

Awards:

Nominated for 2 Oscars. Another 1 win & 2 nominations

Cast

Alec Baldwin	...	Bobby DeLaughter
James Woods	...	Byron De La Beckwith
Virginia Madsen	...	Dixie DeLaughter
Whoopi Goldberg	...	Myrlie Evers
Susanna Thompson	...	Peggy Lloyd
Craig T. Nelson	...	Ed Peters
Lucas Black	...	Burt DeLaughter
Joseph Tello	...	Drew DeLaughter
Alexa Vega	...	Claire DeLaughter
William H. Macy	...	Charlie Crisco
Ben Bennett	...	Benny Bennett (as Lloyd 'Benny' Bennett)
Darrell Evers	...	Himself
Yolanda King	...	Reena Evers
Jerry Levine	...	Jerry Mitchell
James Van Evers	...	Van Evers

Also Known As:

Ghosts from the Past (UK)

Runtime:

130 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

SDDS (8 channels) | Dolby Digital

Certification:

Australia:M | Iceland:12 | USA:PG-13 (certificate #34924) | South Korea:15 | Argentina:16 | Canada:14A | Germany:12 (w) | Peru:14 | Portugal:M/12 | Spain:13 | Sweden:15 | UK:15 | Singapore:PG

Filming Locations:

Greenwood, Mississippi, USA

Company:

Castle Rock Entertainment

Trivia:

When Bobby DeLaughter and his new wife are in bed, she is reading "North Toward Home," a memoir by Jackson (Miss.) native Willie Morris, former editor of Harper's, who was an uncredited consultant on the movie and who later wrote about the making of the movie and its implications on Jackson.

Goofs:

Continuity: Although the film begins in 1989 and ends in 1994, the same child actors portraying Bobby DeLaughter's children are used from the beginning of the movie until the end, showing no signs of aging.

Quotes:

[about Medgar Evers' widow pursuing the murder case for decades]
Bobby DeLaughter: I think about her keeping this thing alive all this time. Imagine a woman loving a man so much.
Charlie Crisco: Hell, I can't even get a woman to love me while I'm still alive.

Movie Connections:

Referenced in Stardust: The Bette Davis Story (2006) (TV)

Soundtrack:

The Ballad Of Medgar Evers

The Last Mile Of The Way

Medgar Evers' tragic murder in Jackson, Mississippi, was overshadowed by the cold-blooded killing of three civil rights workers near Philadelphia, Mississippi, a year later. So too this film has been overshadowed by an earlier movie, "Mississippi Burning," about the Philadelphia homicides. I was even confused by the similar titles and accidentally rented "Ghosts of Mississippi," thinking it to be the earlier film. This is too bad because "Ghosts of Mississippi" is a winner all the way and Medgar Evers' assassination was as significant, if not more so, than the later dastardly acts of hate and malevolence.

Most of my generation remember one of Dylan's early recordings he wrote called "Pawn in the Game" about the Medgar Evers murder in which Dylan asserts that the coward who pulled the trigger and shot the civil rights leader in the back in front of his wife and three children was carrying out what the racist elements in Mississippi and in the nation as a whole had brainwashed the simple mind into executing. That the endemic racism in American was the real perpetrator of the heinous deed which deprived our society of one of its gifted leaders. "Ghosts of Mississippi" concentrates more on the scumbag who squeezed the trigger, played with élan by James Woods, almost a carbon copy of the killer in both speech, mannerisms, and looks.

James Woods is a member of a strong cast led by Whoopi Goldberg as the widow, Myrlie Evers, spending her life seeking a degree of justice for her husband and children. William H. Macy adds much needed humor in the role of Charlie Crisco, a member of the prosecution team. Unfortunately, his part is mainly limited to the middle section of the movie. Why director Rob Reiner and writer Lewis Colick decided to turn Macy's character into a cameo during the latter part of the film is unclear.

A subplot in the film is the growing involvement of prosecutor Bobby DeLaughter (Alec Baldwin) in the case, opening his eyes not only to the past evils of the society in which he lives but also hostile residue left by the civil rights movement in the state. Married to the daughter of one of Mississippi's most racist judges causes him to be blind to much of the injustice prevalent around him. Significantly, his wife is named Dixie (Virginia Madsen). The change that takes place in his character (which also involves a change in wives) as he is drawn deeper into the thirty-year-old case is pinpointed by his inability to continue to sing "Dixie" to his daughter to chase away the ghosts she sees at night. In explaining to her that the song might actually be encouraging the ghosts to reappear in her bedroom, the two opt for "Old McDonald" as a more suitable goodnight song.