Monty Wildhorn, an alcoholic novelist of Westerns, has lost his drive. His nephew pushes him to summer in quiet Belle Isle. He begrudgingly befriends a newly single mom and her 3 girls who help him find the inspiration to write again.
A journalist, down on his luck in the US, drives to El Salvador to chronicle the events of the 1980 military dictatorship, including the assasination of Archbishop Oscar Romero. He forms an... See full summary »
Ghosts of Mississippi is a drama covering the final trial of Byron De La Beckwith (Woods), the assassin of the 1960s civil rights leader Medgar Evers. It begins with the murder and the events surrounding the two initial trials which both ended in hung juries. The movie then covers District Attorney, Bobby De Laughter's (Baldwin) transformation and alliance with Myrlie Evers (Goldberg), the widow of Medgar Evers, as he becomes more involved with bringing Beckwith to trial for the third time 30 years later. Some of the characters are played by the actual participants in this story. Written by
Joel Schesser <email@example.com>
Make-up artist Matthew W. Mungle was called in at the last minute by his colleague Deborah La Mia Denaver to assist with James Woods's aging make-up, at the recommendation of Woods himself. The three of them had previously collaborated on "Citizen Cohn" and enjoyed the experience. However, this left Mungle with only two days to sculpt and manufacture the complete make-up. See more »
When Bobby Delaughter is on the phone to Myrlie Evers and Charley attempts to interrupt him with the news that Byron was quoted of having confessed to killing Evers years earlier, Bobby is wearing his wedding ring. Shortly thereafter when he's in the hospital for his eldest son's injury (and first meets the doctor, his second wife), he is not wearing wedding ring. See more »
Based on fact and directed by Rob Reiner, Ghosts recounts the investigation, and retrial in 1994 - after two mistrials in the 60s - of Byron de la Beckwith for the racist shooting in 1963 of Medgar Evers, an NAACP activist. The film has gained renewed topicality with the recent conviction of another white supremacist for the Birmingham, Alabama, Baptist Church bombing, also in 1963.
Alec Baldwin gives a solid, and sometimes stolid, performance in the central role of prosecuting DA, Bobby DeLaughter (pronounced DeLaw), himself from Mississippi's white uppercrust, whose marriage hits the rocks because of his pursuit of the case. James Woods, convincingly made up to look over 70 for most of the movie, is electrifying as the arrogant, hateful Beckwith. Whoopi Goldberg portrays Medgar's widow with a lot of dignity and even a touch of humour, but it would have been understandable if she had also displayed a little more bitterness.
The movie is possibly not as powerful as Reiner hoped, partly no doubt because he was restricted by the facts. In particular, the retrial seems to have thrown up little or no new evidence, thus making the courtroom action less dramatic than in a fictional movie. Perhaps a greater criticism is that the intense focus on Baldwin/DeLaughter, who is in almost every scene, tends to turn him into the hero of the movie; whereas it should be Medgar Evers, who as a civil rights activist in one of the most bigoted areas of the USA deserves everyone's undying admiration.
Despite the movie's flaws, it is gripping for most of its 130 minutes, and this was certainly a story worth telling.
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