Set in 1898, this movie is based on the true story of two lions in Africa that killed 35 people over a nine month period, while a bridge engineer and an experienced old hunter tried to kill... See full summary »
Simon Templar has no real family, no real home and Simon Templar isn't even his real name. Yet Simon Templar , also known as the Saint for his use of creating false identities using the ... See full summary »
British railway workers in Kenya are becoming the favorite snack of two man-eating lions. Head engineer Bob Hayward becomes obsessed with trying to kill the beasts before they maul everyone on his crew.
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Steven Hilliard Stern
Raju lives a poor lifestyle in rural India along with his parents. He meets with a wealthy city girl, both fall in love, and get married much to the chagrin of her father who decides to ... See full summary »
Set in 1898, this movie is based on the true story of two lions in Africa that killed 35 people over a nine month period, while a bridge engineer and an experienced old hunter tried to kill them. Written by
Adil Siddiqi <firstname.lastname@example.org>
"The Ghost and the Darkness" is a marvellous movie, in the literal sense: the lions come out of the long grass in the daylight or the groundfog in the darkness like the devils they are thought to be. No true motives are ascribed to them, as how could they be?, and that actually serves to make them more demonically terrifying. But whether they are the devils come to prevent Val Kilmer's Patterson from building his bridge, or merely (!) animals hunting for the pleasure of it, they provide more suspense, more terror, and more death than most high-tech cgi aliens. Michael Douglas's Remington, dispossessed of home and family in the American civil war, is an interesting character, but it's Kilmer's British bridge-builder in a time where engineers had to know how to shoot tigers and manage Hindu-Muslim conflicts fully as much as how to put up their structures, who is the focus of the film, and rightly so. Kilmer's performance is quiet, almost understated, but one of the best I've seen him give; he's fully convincing, especially as he fights the belief that the lions are, in fact, out to get him personally. "They are just lions," he says halfway through the movie, and you can hear how much he wants to believe it. John Kani also gives a good performance, contained mostly in small moments that are so true they almost hurt. The cinematography is beautiful, especially the of the lion attacks and their passages through the grass. Again, no cgi effects could convey so much beauty and lurking menace. This movie is beautiful, intense, and dramatic; I highly recommend it.
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