Set in 1898, this movie is based on the true story of two lions in Africa that killed 35 people over a nine month period, while a bridge engineer and an experienced old hunter tried to kill... See full summary »
Simon Templar has no real family, no real home and Simon Templar isn't even his real name. Yet Simon Templar , also known as the Saint for his use of creating false identities using the ... See full summary »
This is the sequel to "Romancing the Stone" where Jack and Joan have their yacht and easy life, but are gradually getting bored with each other and this way of life. Joan accepts an ... See full summary »
Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan. In Japan, ... See full summary »
British railway workers in Kenya are becoming the favorite snack of two man-eating lions. Head engineer Bob Hayward becomes obsessed with trying to kill the beasts before they maul everyone on his crew.
When the daughter of a psychiatrist is kidnapped, he's horrified to discover that the abductors' demand is that he break through to a post traumatic stress disorder suffering young woman who knows a secret...
Set in 1898, this movie is based on the true story of two lions in Africa that killed 35 people over a nine month period, while a bridge engineer and an experienced old hunter tried to kill them. Written by
Adil Siddiqi <firstname.lastname@example.org>
The real John Patterson is credited with killing both lions on his own, and Val Kilmer's character John Patterson does indeed kill two lions on his own in the movie. The first is indeed a mane-less lion (as a Tzavo male lion might be, though not considered part of the Ghost/Darkness pair in the film) killed by Patterson on his first night in the encampment. The second is the second lion of the "Ghost/Darkness" pair. Patterson also wounded the first lion of the pair with a handgun and then (the fictional) Remington finished the lion off. See more »
During Patterson's initial interview, one of the maps shows Alaska as part of the United States. Alaska was not admitted to the Union until 50 years later. See more »
This is the most famous and true African adventure.
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The beginning of the end credits is shown with a photograph of the real bridge as background. See more »
"The Ghost and the Darkness" is a marvellous movie, in the literal sense: the lions come out of the long grass in the daylight or the groundfog in the darkness like the devils they are thought to be. No true motives are ascribed to them, as how could they be?, and that actually serves to make them more demonically terrifying. But whether they are the devils come to prevent Val Kilmer's Patterson from building his bridge, or merely (!) animals hunting for the pleasure of it, they provide more suspense, more terror, and more death than most high-tech cgi aliens. Michael Douglas's Remington, dispossessed of home and family in the American civil war, is an interesting character, but it's Kilmer's British bridge-builder in a time where engineers had to know how to shoot tigers and manage Hindu-Muslim conflicts fully as much as how to put up their structures, who is the focus of the film, and rightly so. Kilmer's performance is quiet, almost understated, but one of the best I've seen him give; he's fully convincing, especially as he fights the belief that the lions are, in fact, out to get him personally. "They are just lions," he says halfway through the movie, and you can hear how much he wants to believe it. John Kani also gives a good performance, contained mostly in small moments that are so true they almost hurt. The cinematography is beautiful, especially the of the lion attacks and their passages through the grass. Again, no cgi effects could convey so much beauty and lurking menace. This movie is beautiful, intense, and dramatic; I highly recommend it.
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