Simon Templar has no real family, no real home and Simon Templar isn't even his real name. Yet Simon Templar, also known as the Saint for his use of creating false identities using the ... See full summary »
This is the sequel to "Romancing the Stone" where Jack and Joan have their yacht and easy life, but are gradually getting bored with each other and this way of life. Joan accepts an ... See full summary »
Set in 1898, this movie is based on the true story of two lions in Africa that killed 35 people over a nine month period, while a bridge engineer and an experienced old hunter tried to kill them. Written by
Adil Siddiqi <firstname.lastname@example.org>
William Goldman first heard about the story when travelling in Africa in 1984, and thought it would make a good script. In 1989 he pitched the story to Paramount as a cross between Lawrence of Arabia (1962) and Jaws (1975), and they commissioned him to write a screenplay which he delivered in 1990. See more »
When Robert Beaumont asks Col. Patterson to build the bridge, the world map behind him shows countries like India, Pakistan, Sri Lanka and various African countries which were obviously not separate countries in 1896. See more »
This is the most famous and true African adventure.
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The beginning of the end credits is shown with a photograph of the real bridge as background. See more »
"The Ghost and the Darkness" is a marvellous movie, in the literal sense: the lions come out of the long grass in the daylight or the groundfog in the darkness like the devils they are thought to be. No true motives are ascribed to them, as how could they be?, and that actually serves to make them more demonically terrifying. But whether they are the devils come to prevent Val Kilmer's Patterson from building his bridge, or merely (!) animals hunting for the pleasure of it, they provide more suspense, more terror, and more death than most high-tech cgi aliens. Michael Douglas's Remington, dispossessed of home and family in the American civil war, is an interesting character, but it's Kilmer's British bridge-builder in a time where engineers had to know how to shoot tigers and manage Hindu-Muslim conflicts fully as much as how to put up their structures, who is the focus of the film, and rightly so. Kilmer's performance is quiet, almost understated, but one of the best I've seen him give; he's fully convincing, especially as he fights the belief that the lions are, in fact, out to get him personally. "They are just lions," he says halfway through the movie, and you can hear how much he wants to believe it. John Kani also gives a good performance, contained mostly in small moments that are so true they almost hurt. The cinematography is beautiful, especially the of the lion attacks and their passages through the grass. Again, no cgi effects could convey so much beauty and lurking menace. This movie is beautiful, intense, and dramatic; I highly recommend it.
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