John Leguizamo's semi-falsified, one-man stand-up performance as...himself. This is his autobiographical story, about his life growing up, and his journey to try to be accepted by his ... See full summary »
Spike Lee's take on the "Son of Sam" murders in New York City during the summer of 1977 centering on the residents of an Italian-American South Bronx neighborhood who live in fear and distrust of one another.
Zack Homer takes over managing the barbershop after Joe is killed for trying to rip off his "investor", Mr. Lovejoy. All Zack wants to do is run a traditional barbershop giving traditional ... See full summary »
Get on the Bus follows several Black men on a cross country bus trip to the Million Man March. On the bus are an eclectic set of characters including a laid off aircraft worker, a former Gang Banger, a Hollywood actor, a cop who is of mixed racial background, and a White bus driver, all make the trek discussing issues surrounding the march, manhood, religion, politics, and race. Written by
Robert Drake <email@example.com>
This was the first time that Spike Lee did not appear in a film that he directed. See more »
While driving from South Los Angeles to Washington DC, the bus takes the Pasadena Freeway north from downtown LA. This freeway ends in Pasadena and is not the way one would travel across the country. Furthermore, a bus of this size would not be permitted on this freeway. See more »
...And here comes my mama, marching across the field with a big leather belt in her hands. This belt was so wide couldn't nobody even wear it; this belt was made for whoopin' ass.
See more »
Recumbent riders: Carol and Ken Lyon, who just happened to ride through the set on their Cross-Country Ramble from Ventura, CA, to Galveston, TX. See more »
Written by Q-Tip, Ali JD and Common
Used by permission of Zomba Music Publishing
Performed by A Tribe Called Quest Featuring Common
A Tribe Called Quest appears courtesy of Jive Records
Common appears courtesy of Relativity Recordings See more »
Armed with 16mm cameras, a miniscule budget financed independently by 15 different black businessmen, and a wonderful script, Spike shot "Get On The Bus" and released it to commemorate the one-year anniversary of the 1995 Million Man March. Set on a bus bound for Washington D.C., this film examines the problems and opinions of various of black men on racial issues in the 90's.
Family, misogyny, homosexuality, religion, violence, education, and economics are all addressed here as well as other issues. Spike does not only shed light on issues that pertain to black peoples involvement in White America, but the film also attacks color-consciousness among light-skinned and dark-skinned blacks (as he did in "School Daze"). Like "School Daze," this may be the only other Spike Lee film that seems to be aimed directly at Black America, and Spike shows the varying degrees of complexity with his cast of characters. There is a rage-filled actor, a homosexual couple in the midst of separating (one out-and-proud, the other closeted), a sensitive cop, a level-headed family man, a gangbanger turned Sunni Muslim, a naive filmmaker, and a tired, defeated elderly man. There is also an estranged father who sees the March as an opportunity to re-connect with his resentful, bound-for-crime teenage son. His son has been recently convicted of burglary and has been ordered to remain "chained" to his father for 48 hours, the irony of which does not escape the other members on the bus.
Given the film is almost set entirely on a bus, Spike restrains himself in dispensing out his evolving camera and editing styles, using only a brief sequence set in a desert to bleach the screen with a heavy yellow tint. Many Spike Lee regulars are in the film, like Ossie Davis and Isaiah Washington who give sound performances (Davis' "I lost everything" monologue is especially moving). The real notable acting is provided by Andre Braugher as an angry, egocentric actor whose rage is fortunately balanced for him with a healthy dose of articulated intelligence and Roger Guenever Smith as a sensitive, bi-racial cop who works in South Central Los Angeles. Those two really are the stand-outs in this film.
The dialogue is so flowing and casual in this film despite its topic matter, that you could listen to this film instead of watch it! I can't recommend this film enough for fans of Spike Lee or fans of great dialogue. As a Spike Lee worshipper, I rank this film in his top 5. Potent.
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