This Spike Lee film examines the life of an aspiring actress in New York. She is upset by the treatment of women in the movie industry during one of her screen tests with 'QT'. Out of work ... See full summary »
Get on the Bus follows several Black men on a cross country bus trip to the Million Man March. On the bus are an eclectic set of characters including a laid off aircraft worker, a former Gang Banger, a Hollywood actor, a cop who is of mixed racial background, and a White bus driver, all make the trek discussing issues surrounding the march, manhood, religion, politics, and race. Written by
Robert Drake <firstname.lastname@example.org>
Opened on 1,207 screens earning $2.2 million in its first weekend. See more »
While driving from South Los Angeles to Washington DC, the bus takes the Pasadena Freeway north from downtown LA. This freeway ends in Pasadena and is not the way one would travel across the country. Furthermore, a bus of this size would not be permitted on this freeway. See more »
Why are you even going to the march?
Niggas and cars, cars and niggas. Niggas need cars like cars need niggas. I gotta make me some money. You think I'm gonna miss out on all that networking, shit nigga you must be crazy. I got a joke for ya, nigga: What do you get when you cross a million lesbians and the million man march?
Ok, what do you get when you cross one million lesbians and the million man march?
Two million mother-fuckers who don't do dick.
You niggas somethin' else.
[...] See more »
Recumbent riders: Carol and Ken Lyon, who just happened to ride through the set on their Cross-Country Ramble from Ventura, CA, to Galveston, TX. See more »
Written by Raymond Jones
Used by Permission of Unicity Music, Inc./ Zubaidam Music (ASCAP)
Administered by MCA Music Publishing, A Division of MCA, Inc.
Produced by Raymond Jones
Performed by Marc Dorsey
Courtesy of 40 Acres and a Mule Musicworks See more »
Let me begin by letting you know I am neither black or white. I say this so you don't think I speak from a particular bias. I firmly believe that Spike Lee captured the central epic struggle within the black community and its overall effect on the American landscape as a whole. I was happy to see that ALL aspects of the society were equally represented in this film without reinforcing dated stereotypes. This is clearly Lee's greatest work.
EVERYONE SHOULD SEE THIS MOVIE ONCE.
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