An elderly couple go about their routine of cleaning their gabbeh (a intricately-designed rug), while bickering gently with each other. Magically, a young woman appears, helping the two ... See full summary »
The movie focuses on one of the events in Zendegi Edame Darad (1992), and explores the relationship between the movie director, and the actors. The local actors play a couple who got ... See full summary »
Mohamad Ali Keshavarz,
Pretending to be Mohsen Makhmalbaf making his next movie, Hossain Sabzian enters the home of a well-to-do family in Tehran, promising it a prominent part in his next movie. The actual ... See full summary »
Irreverent city engineer Behzad comes to a rural village in Iran to keep vigil for a dying relative. In the meanwhile the film follows his efforts to fit in with the local community and how he changes his own attitudes as a result.
Roushan Karam Elmi
The whole village knows that Mashti Hassan loves his cow to death. One day he goes to the Tehran. His cow dies. The villagers are afraid of what might happen once Hassan finds out his cow is dead. What will happen when he finds out?
After the earthquake of Guilan, the film director and his son, Puya, travel to the devastated area to search for the actors of the movie the director made there a few years ago, Khane-ye ... See full summary »
A girl in traditional female clothing, and her arm in plaster, comes out of school one day and doesn't find her mother meeting her. She decides to travel home her self though she doesn't ... See full summary »
Mina Mohammad Khani,
An elderly couple go about their routine of cleaning their gabbeh (a intricately-designed rug), while bickering gently with each other. Magically, a young woman appears, helping the two clean the rug. This young woman belongs to the clan whose history is depicted in the design of the gabbeh, and the rug recounts the story of the courtship of the young woman by a stranger from the clan. Written by
Mike Myers <firstname.lastname@example.org>
This visually stunning film tells the story of an old couple's gabbeh-a finely crafted Persian carpet. One day when they go to a nearby spring to wash the carpet, an attractive young woman appears suddenly and mysteriously-she is the apotheosis of the people whose tale is told in the carpet's woof and warp.
The film is a surrealistic folk tale. As she helps the old woman wash the carpet, the young woman (the spirit of the carpet) begins the tale of her life, which becomes the film's story. The film's charm lies in the magical use of color and water to tell a story. Young girls are everywhere in native dresses that complement the picturesque scenery with as many dabs of color as a French impressionist painting. The filmmaker here is an artist, adept at sunsets, drifting cotton-white clouds on a pristine blue canvas. Pastels, ultramarines, burnt siennas, ochres-there is a sensuous joy in the very colors of the earth and sky.
The world of the film is a kaleidoscope of color. Exotic birds appear from nowhere like bursts of sunset. Young women dress in native Iranian costumes of reds, golds, blues, and greens. And through it all, the sounds of flowing water, like little bells or delicate wind chimes, is given a palpable presence.
The Persian carpet, no longer mute, beguiles the viewer with its simple, haunting tale of people and places at once so ancient and new. The wolf-like howls of a young woman's lover merge with the sound of the water as it rills and flows over stones, pebbles, and sand. The water is itself a comment on the people whose lives are lived within its boundaries. The magical and surrealistic elements of the peasant girl's story weave themselves into a fairy-tale. What enchantment there is in a young woman's quest for love and continuity. The very air is rich with the colors, sights, and sounds-the spices and incense of the Near East.
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