An elderly couple go about their routine of cleaning their gabbeh (a intricately-designed rug), while bickering gently with each other. Magically, a young woman appears, helping the two ...
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The wife of Nasim, an Afghan immigrant in Iran, is gravely ill. He needs money to pay for her care, but his day labor digging wells does not pay enough. A friend connects Nasim to a two-bit... See full summary »
A semi-autobiographical account of Makmahlbaf's experience as a teenager when, as a 17-year-old, he stabbed a policeman at a protest rally. Two decades later, he tracks down the policeman he injured in an attempt to make amends.
Makhmalbaf puts an advertisement in the papers calling for an open casting for his next movie. However when hundreds of people show up, he decides to make a movie about the casting and the ... See full summary »
Haji is severely traumatized by the war with Iraq. Back from the front, he's unable to adapt to civilian life. Despite family opposition, his fiancée stands by him as together they ... See full summary »
Mirza Ebrahim Khan, travels past in time to introduce cinematography to the previous king who can afford to pay for the new industry. But Nasser-e-din Shah takes an interest in the actress ... See full summary »
The Gardener is a surreal film made using documentary-style techniques via the cameras of father and son (the Makhmalbafs) who go to Israel to learn about a religion (Baha'i faith) that ... See full summary »
Ririva Eona Mabi,
Bal Kumari Gurung
The movie focuses on one of the events in Zendegi Edame Darad (1992), and explores the relationship between the movie director, and the actors. The local actors play a couple who got ... See full summary »
Mohamad Ali Keshavarz,
An elderly couple go about their routine of cleaning their gabbeh (a intricately-designed rug), while bickering gently with each other. Magically, a young woman appears, helping the two clean the rug. This young woman belongs to the clan whose history is depicted in the design of the gabbeh, and the rug recounts the story of the courtship of the young woman by a stranger from the clan. Written by
Mike Myers <email@example.com>
Is it racist to insist that this is the most beautiful film I have ever seen? I say racist, because much of what is 'merely' beautiful to me is part of a rich symbolic texture I couldn't always get; concentrating on aesthetics may seem to rob a film of its political force. That it has such force is proven by its being banned in its country of origin - Makhmalbaf's hiding behind allegory cannot disguise his impassioned analysis of poverty, the oppressiveness of tradition or the loneliness of women in a patriarchal society. This is a film full of nature's marvel, yet shows how 'nature' is often used to justify social repression - as the teacher's lesson demonstrates, if the creation of the gabbeh (an ornamental, narrative carpet) is art in nature's image, than nature (and the rules it inspires) is merely a recreation of ours.
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