| Allen Collins | |||
| Steve Gaines | ... | Himself (archive footage) | |
| Billy Powell | ... | Himself | |
| Artimus Pyle | |||
| Gary Rossington | |||
| Ronnie Van Zant | |||
| Leon Wilkeson | |||
| JoJo Billingsley | ... | Herself | |
| Cassie Gaines | ... | Herself (archive footage) | |
| Leslie Hawkins | ... | Herself | |
| rest of cast listed alphabetically: | |||
| Teresa Gaines | |||
| Judy Van Zant Jenness | |||
Directed by | |||
| Jeff G. Waxman | |||
Writing credits | ||
| Sanford Santacroce | (written by) | |
Produced by | |||
| Tony Grazia | .... | associate producer | |
| Edward 'Egg' Molito | .... | associate producer | |
| Tom A. Molito | .... | executive producer (as Tom Molito) | |
| Sanford Santacroce | .... | associate producer | |
| Judy Van Zant Jenness | .... | executive producer | |
| Jeff G. Waxman | .... | producer | |
Cinematography by | |||
| Brian J. Vazquez | |||
Film Editing by | |||
| Dave de la Parra | |||
Production Management | |||
| John Brescia | .... | production manager | |
Sound Department | |||
| Kurt Kassulke | .... | sound re-recording mixer | |
| Paul Ratajczak | .... | sound re-recording mixer | |
| Paul Ratajczak | .... | sound supervisor | |
| Dennis Sager | .... | re-recording engineer | |
| Brian Slack | .... | sound consultant: DTS | |
| Kerri Wilson | .... | audio post coordinator | |
Other crew | |||
| Wendy Guite | .... | production coordinator | |
| Recent Posts (updated daily) | User |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section |
I remember the days of 1976 (although I was only 13 at the time) and the BBC used to have a people's choice on New Year's Eve, the footage of Lynyrd Skynyrd performing "Freebird" at Knebworth won every year it was one of the choices. Unfortunately, this movie does not include this triumphant, jubilant performance and it is instead replaced by, in comparison, a pedestrian version from an altogether different source. Colour me disappointed.
While the music of Skynyrd is well represented, and for this alone I rate this at 7, the failure to include one of their greatest moments on stage ~ especially when the footage was available (clips of it are shown during the end credits while another song entirely provides the backing) ~ is an atrocious error in judgement.
Enjoy what is there, but remember it could have been so much better.