6.6/10
649
8 user 16 critic

For Ever Mozart (1996)

Jean-Luc Godard's densely packed rumination on the need to create order and beauty in a world ruled by chaos is divided into four distinct but tangentially related stories, including the ... See full summary »

Director:

Reviews

Watch Now

From $1.99 on Amazon Video

ON DISC
1 win & 1 nomination. See more awards »
Learn more

People who liked this also liked... 

Comedy | Crime | Drama
    1 2 3 4 5 6 7 8 9 10 6.6/10 X  

Carmen is a member of a terrorist gang who falls in love with a young police officer guarding a bank that she and her cohorts try to rob. She leads him on while dragging the two of them ... See full summary »

Director: Jean-Luc Godard
Stars: Maruschka Detmers, Jacques Bonnaffé, Myriem Roussel
Notre musique (2004)
Drama
    1 2 3 4 5 6 7 8 9 10 7/10 X  

Divided into three "kingdoms" -- Enfer (Hell), Purgatoire (Purgatory) and Paradis (Paradise) -- Notre Musique is an indictment of modern times.

Director: Jean-Luc Godard
Stars: Sarah Adler, Nade Dieu, Rony Kramer
Hail Mary (1985)
Drama
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

In this modern retelling of the Virgin birth, Mary is a student who plays basketball and works at her father's petrol station; Joseph is an earnest dropout who drives a cab. The angel ... See full summary »

Director: Jean-Luc Godard
Stars: Myriem Roussel, Thierry Rode, Philippe Lacoste
Drama
    1 2 3 4 5 6 7 8 9 10 6.5/10 X  

In part one there is talk of a project on the subject of love, with the example of three couples, one young, one mature and the other elderly. At this point the author comes into contact ... See full summary »

Director: Jean-Luc Godard
Stars: Bruno Putzulu, Cécile Camp, Jean Davy
Drama
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

An examination of sexual relationships, in which three protagonists interact in different combinations.

Director: Jean-Luc Godard
Stars: Isabelle Huppert, Jacques Dutronc, Nathalie Baye
Drama
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

Characterized by deconstructivism and philosophical references and by briefly exposing the good, bad, and ugly periods of the country's history, this post-modern film portrays the abstract ... See full summary »

Director: Jean-Luc Godard
Stars: Eddie Constantine, Hanns Zischler, Claudia Michelsen
Documentary | Drama
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

Director Jean-Luc Godard reflects in this movie about his place in film history, the interaction of film industry and film as art, as well as the act of creating art.

Director: Jean-Luc Godard
Stars: Jean-Luc Godard, Geneviève Pasquier, Denis Jadót
Comedy | Drama | Fantasy
    1 2 3 4 5 6 7 8 9 10 6.3/10 X  

A film with idiotic prince and Rita Mitsouko who records a new album.

Director: Jean-Luc Godard
Stars: Jane Birkin, Dominique Lavanant, Pauline Lafont
King Lear (1987)
Comedy | Drama | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 5.8/10 X  

Everything returns to normal after Chernobyl. That is, everything but art. Most of the great works are lost, and it is up to people like William Shakespear Junior the Fifth to restore the ... See full summary »

Director: Jean-Luc Godard
Stars: Woody Allen, Freddy Buache, Leos Carax
Détective (1985)
Comedy | Crime | Drama
    1 2 3 4 5 6 7 8 9 10 6.2/10 X  

In a palace of Paris. Two detectives are investigating a two-year-old murder. Emile and Francoise Chenal are putting pressure on Jim Fox Warner, a boxing manager, who owes them a huge ... See full summary »

Director: Jean-Luc Godard
Stars: Laurent Terzieff, Aurelle Doazan, Jean-Pierre Léaud
Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 6.2/10 X  

On a movie set, in a factory, and at a hotel, Godard explores the nature of work, love and film making. While Solidarity takes on the Polish government, a Polish film director, Jerzy, is ... See full summary »

Director: Jean-Luc Godard
Stars: Isabelle Huppert, Hanna Schygulla, Michel Piccoli
Drama
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  
Director: Jean-Luc Godard
Stars: Alain Delon, Domiziana Giordano, Jacques Dacqmine
Edit

Cast

Cast overview, first billed only:
Madeleine Assas ...
Camille
Ghalia Lacroix ...
Rosette
Bérangère Allaux ...
Actrice
Vicky Messica ...
Metteur en scène
...
Jérôme
Harry Cleven ...
Grand écrivain
Michel Francini ...
Baron
Sabine Bail ...
Sabine - amie du Baron
Max André ...
Conseiller
Sylvie Herbert ...
Maman
Cécile Reigher ...
Assistante opérateur
Dominique Pozzetto ...
Stagiaire
Nathalie Dorval ...
Journariste
Dan Thorens ...
Serb Corporal
Edit

Storyline

Jean-Luc Godard's densely packed rumination on the need to create order and beauty in a world ruled by chaos is divided into four distinct but tangentially related stories, including the attempts by a young group of idealists to stage a play in war-torn Sarajevo and an elderly director's efforts to complete his film. Written by Anonymous

Plot Summary | Add Synopsis

Genres:

Comedy | Drama | War

Certificate:

See all certifications »
Edit

Details

Country:

|

Language:

Release Date:

4 July 1997 (USA)  »

Also Known As:

Para Sempre Mozart  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.66 : 1
See  »
Edit

Did You Know?

Connections

References She Wore a Yellow Ribbon (1949) See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
Disillusionment
4 April 2011 | by (Greece) – See all my reviews

Pointless, the negative reviews damn this film. Yes, but only if we arrive here expecting a narrative separated from the life and legacy of its author. But if we have apprenticed in Godard's work and stuck with him, for better or worse, the inscrutable film is a rich text which can be read, to various effects.

The prophecies of the ancient oracle at Delphii hinged on the presence of the coma, moving the coma to the next word the entire sentence attained new meaning. The prophecies were oral however, which means the coma was a later adoption, by the receiver. Moving the figurative coma here we get different interpretations, both meaningful in their contradiction.

A couple of young French intellectuals with aspirations for political activism embark on a trip to Sarajevo to stage a Musset play (or make a film, I'm not clear on this). Along with them tags halfheartedly their old uncle, a theatrical writer. When we see him sitting on a bed, a grizzly crone wearing a hat, ruminating quotes from a book in hand, we know who he is or is meant to be. In the 60's Godard spoke through radical, troubled youths like these, now he feels separate, of an older, bitter generation who fought its struggles and stepped aside, to let the following generation take its stab at the political chimera.

Two instances in the film, figurative comas, are important in this aspect.

One is the arrival of our youths at Sarajevo, criminal no man's land torn by a bloody civil war. Youth radicals from Western countries in the 60's enlisted in various revolutionary causes like the PLO, what used to be anticipated hopefully is now met by Godard with cruel, bitter disillusionment. Our protagonist are not greeted as brother guerillas come to join a cause that matters, instead they're summarily arrested. The dream of revolution is here crashed under torture, ridicule, ingloriously digging their own graves. A corrupt Yugoslavian general presides over the aimless carnage, now and then a soldier routinely makes the rounds of mortars planted in the middle of nowhere, casually firing rounds at unseen enemies. But is that failure one of ideas or people, we'll have to decide as viewers.

The other, personally poignant for Godard, is the uncle who abandons these youths before Sarajevo, running off with a truck of film equipment to make a film. Shifting the coma here we may read this variously, as Godard recognizing with the hindsight old age permits the folly of what is to come, or as Godard reflecting with some regret and shame that he wasn't more involved in that cause in his time and merely made films.

Whatever meaning we choose to ascribe, Godard here doesn't follow the revolution, he openly abandons it (which he did more than a decade ago, perhaps only now mustering the courage to clearly show on film). But, having withdrawn from the dream that used to matter, where does he turn next to devote himself?

We may know the answer from Godard's career, the films he chose to make, the subjects that troubled him next. On the set of the film-within which the uncle assists in making, he stages a second absurdist comedy, this time a biting satire of the debasement of filmmaking. He establishes this with running gags. Cinematographers always an f-stop off, walking around trying in vain to get light readings, a megalomaniac director who demands for his shots more water in the sea.

Both these points, politics and cinema, are met with disillusionment. If nothing exists after the end and this life is all that matters, as we're told in the film, then the life we're shown here doesn't amount to much, the struggle is solitary and disheartening. In many respects this is a continuation of Week End where in the end of it youths marched off with joyous clamor and violence to a revolution, only now Godard wastes no cheap shots mocking the bourgeois and includes himself and the revolution in the recipients of his ire.

At film's end, Godard, the uncle, is sitting alone with a book, overhearing a rehearsal of Mozart in a different room ("too many notes, they said"). The film then elucidates, bitterly or smartly, the events and decisions that brought him to where he is now, in 1996.


7 of 9 people found this review helpful.  Was this review helpful to you?

Message Boards

Discuss For Ever Mozart (1996) on the IMDb message boards »

Contribute to This Page

Create a character page for:
?