| Index | 4 reviews in total |
5 out of 6 people found the following review useful:
a powerful media commentary, 1 July 2002
Author:
kevinmatchstick from Chiba, Japan
A short (72 minutes), direct and to-the-point media-commentary thriller.
A
sleazy TV producer trying to exploit a quiet otaku (an obsessive hobbyist)
whose hobby is electronic eavesdropping ends up getting a lot more than he
bargained for when they eavesdrop on the wrong conversation and he prods
said otaku into helping him "investigate" the lead, only to find out that
some things (and people) are not always as they seem, when a minor
altercation causes things to take a rather nasty turn....
In a relatively quiet, but brutally direct way, this movie is an excellent
criticism of the trend towards "reality shows" and "reality news," and how
both tend to sensationalize violence and danger and exploit ordinary
people
in the service of "entertainment."
Adding to its power and feel of authenticity is the fact that it was shot
entirely from the perspective of the cinematographer, who also plays the
occasionally heard (but never seen) camera man. No sensationalizing; just
a
brilliant, powerful movie.
Excellent performances all around, but a special mention for Tadanobu
Asano,
who gives an outstanding performance as the beleaguered otaku, and
demonstrates why he is one of Japan's best and most sought-after
actors.
The subtitled (Region 2) DVD release is not widescreen, but considering
the
premise and perspective, the original probably wasn't and shouldn't've
been.
5 out of 7 people found the following review useful:
7 out of 10, 26 June 2000
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Author:
ray.cooper from Cologne, Germany
One of the most radically stylish, shocking, disturbing films to hit the screens in a long time, this media satire succeeds where NATURAL BORN KILLERS failed. In showing violence as disgusting, horrible and mind-blowing as in reality, the makers of this unpleasant film opt for a documentary-style, which is even more disturbing than the story about a young man going insane after a TV-team gets all too commanding of his hobby. The performances are all around terrific, but it's really hard to take. Not recommended, but excellent stuff. Too radical for some tastes.
Media criticism veers off course, 21 May 2008
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Author:
CountZero313 from Japan
TV journalist Iwai (Shirai Akira) is shooting an off-beat piece with
his small two-person crew of cameraman and lackey AD (Unno Keiko),
about Kanemura (Asano Tadanobu) who uses gadgetry to pick up stray
signals from mobile phones, police radios, etc. Shot exclusively
through the lens of the TV crew's camera, we are invited to share and
critique the voyeuristic and manipulative machinations of the
quasi-reporting that passes for TV News in Japan. Our distaste for
geeky Kanemura's obsessive eavesdropping pales in comparison to the
nausea engendered by the moral vacuity of Iwai and his apathetic
accomplices.
Isaka turns his budgetary constraints to his advantage through the
clever use of his framing device, giving a sense of immediacy to events
and creating a metaphor for our own complicity in consuming the
undignified fare the wide-shows and tabloids dish up. Crackling
performances from Iwai and Asano make the first 30 minutes tense and
compelling.
Then suddenly a gun is introduced, and with depressing inevitability
the audience knows it will get fired. When it does, the aftermath sees
the manipulator manipulated, the geek become aggressor, and the
apathetic forced to participate. At this point the criticism Isaka has
sustained so well is compromised by his own wish to exploit the action
(and his female actor) for cheap thrills. The turnaround is too pat,
and Asano's slide into psychosis is too quick and convenient.
Fine acting and brisk pacing make Focus worth watching. Like In The
Company of Men it sets up a trick that leaves a bad taste in the mouth,
and will have audiences arguing its merits afterwards. That's no bad
thing, and I hesitate to reveal more of the story because Focus works
well on many levels. Ultimately, however, it loses its way in terms of
message.
1 out of 2 people found the following review useful:
Focus - A Disturbing Intriguing Film, 27 September 2001
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Author:
nippon_newfie from Tokyo, Japan
The director of this film is a former TV documentary director and you can
see he really knows his stuff in this mock documentary.
The main topic seems to be how a documentary director can manipulate the
subjects of a documentary to achieve his own ends. The results are at
first
rather comic but become increasingly disturbing. Television documentary
makers in Japan have often been criticized for faking material and this
film
takes it to an extreme.
Shot on video you always feel like you are behind the camera and present
as
the events unfold - this can make it very difficult to watch. But like
being
present at a tragic accident it is difficult to look away.
As a comment on the media I think that this low budget movie is a
masterpiece as telling as (or perhaps more so than) Network or Broadcast
News.
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