Joy Adamson and her husband, Kenya game warden George Adamson, raise Elsa, a lion cub. When Elsa approaches maturity, Joy determines she must re-educate Elsa to living in the wild so that ... See full summary »
Amy is only 13 years old when her mother is killed in an auto wreck in New Zealand. She goes to Canada to live with her father, an eccentric inventor whom she barely knows. Amy is miserable in her new life...that is until she discovers a nest of goose eggs that were abandoned when developers began tearing up a local forest. The eggs hatch and Amy becomes "Mama Goose". The young birds must fly south for the winter, but who will lead them there? With a pair of ultralight airplanes, Amy, her dad and their friends must find a way to do it... Written by
Martin Lewison <firstname.lastname@example.org>
Based on the true story of William Lishman's and Joseph Duff's experiments on migrating birds. Lishman and Duff provided actual "imprinted" birds for the making of the film, as well as the actual aircraft used. See more »
The end of the movie mentions "all 16 geese including Igor", but there are a total of 17 geese including Igor. In flying scenes, 16 geese can be seen in the air while Igor remains on the ground or with Amy. See more »
If you don't like family films, watch this instead
People always seem to quote this movie as perfect family fair. I hate your typical Hollywood-produced family movie with ingratiatingly saccharine kids and perfect parents-with-a-message. Despite its plucked from the headlines (mostly) true story roots and workmanlike, rather than inspired scripting, this movie manages to transcend that due to a number of factors.
Beautiful cinematography of both the geese and southern Ontario. Decent supporting performances. But mostly due to the perfectly cast leads, Jeff Daniels and Anna Paquin, as the estranged father and daughter.
Everyone says Daniels is underrated, so I guess that means he isn't. He manages to make the father eccentric without ever falling into caricature.
Paquin creates a believable teen character, never straying from truth in favour of evoking our sympathy by being cute. Her naturalistic style of acting sometimes seems out of place with other more studied actors (e.g. the almost unwatchable Hurlyburly) but here she and Daniels and the minimal dialogue of the script work so well. Its about time someone gave her another decent lead role.
Finally, the opening credits sequence is a masterclass in storytelling economy, giving us the plot background without words, and setting up the whole downbeat tone of the movie with Mary Chapin Carpenter's haunting version of 10,000 Miles.
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