| Photos (See all 25 | slideshow) | Videos (see all 4) |
| Ben Stiller | ... | Mel Coplin | |
| Patricia Arquette | ... | Nancy Coplin | |
| Téa Leoni | ... | Tina Kalb | |
| Mary Tyler Moore | ... | Pearl Coplin | |
| George Segal | ... | Ed Coplin | |
| Alan Alda | ... | Richard Schlichting | |
| Lily Tomlin | ... | Mary Schlichting | |
| Richard Jenkins | ... | Paul Harmon | |
| Josh Brolin | ... | Agent Tony Kent | |
| Celia Weston | ... | Valerie Swaney | |
| Glenn Fitzgerald | ... | Lonnie Schlichting | |
| Beth Ostrosky | ... | Jane | |
| Cynthia Lamontagne | ... | Sandra | |
| David Patrick Kelly | ... | Fritz Boudreau | |
| John Ford Noonan | ... | Mitch | |
| Charlet Oberly | ... | B&B Lady | |
| Nadia Dajani | ... | Jill | |
| Don Creech | ... | Cop #1 | |
| Clarke Bittner | ... | Cop #2 | |
| Tony Kruk | ... | Detective | |
| Jonathan Teague Cook | ... | Sheriff | |
| Steve Moreno | ... | Deputy | |
| Tori Davis | ... | Flight Attendant | |
| Shawn Michael Howard | ... | Roger | |
| rest of cast listed alphabetically: | |||
| Suzanne Snyder | ... | Alternative Wife (unconfirmed) | |
| Kacee DeMasi | ... | Cop (uncredited) | |
Directed by | |||
| David O. Russell | |||
Writing credits(WGA) | ||
| David O. Russell | (written by) | |
Produced by | |||
| Christopher Goode | .... | associate producer | |
| Trea Leventhal | .... | co-executive producer (as Trea Hoving) | |
| Kerry Orent | .... | co-producer | |
| Dean Silvers | .... | producer | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
Original Music by | |||
| Stephen Endelman | |||
Cinematography by | |||
| Eric Alan Edwards | (as Eric Edwards) | ||
Film Editing by | |||
| Christopher Tellefsen | |||
Casting by | |||
| Risa Bramon Garcia | |||
| Ellen Parks | |||
Production Design by | |||
| Kevin Thompson | |||
Art Direction by | |||
| Judy Rhee | |||
Set Decoration by | |||
| Susan Block | |||
| Ford Wheeler | |||
Costume Design by | |||
| Ellen Lutter | |||
Makeup Department | |||
| Lilly Benyair-Gart | .... | makeup artist: Los Angeles/San Diego (as Lily Gart) | |
| Lisa Collins | .... | makeup artist: Arizona | |
| Mary A. D'Angelo | .... | makeup artist: New York (as Mary D'Angelo) | |
| Helen M. Gallagher | .... | hair stylist: New York (as Helen Gallagher) | |
| Christine M. Guararra | .... | hair stylist: Arizona (as Christine Guararra) | |
| Wayne Herndon | .... | hair stylist | |
| Lori Hicks | .... | makeup artist | |
| Renate Leuschner | .... | wig maker: Los Angeles/San Diego (as Renata Leufeher) | |
| Renate Leuschner | .... | wig maker: New York (as Renata Leufeher) | |
| Violet Ortiz | .... | hair stylist: Los Angeles/San Diego (as Violey Ortiz) | |
| Josephine Rosa | .... | assistant makeup artist: New York | |
| Linda Grimes | .... | makeup artist (uncredited) | |
Production Management | |||
| Julie Duvic | .... | unit production manager: Los Angeles/San Diego | |
| Jonathan Gordon | .... | executive in charge of production: Miramax | |
| Victoria McGarry | .... | unit production manager | |
Art Department | |||
| Joel Barkow | .... | assistant property master | |
| Julia Barraclough | .... | charge scenic (as Julia J. Barraclough) | |
| Martin Bernstein | .... | construction coordinator | |
| Clyde Betts | .... | art production assistant: Arizona | |
| Rodney Clark | .... | construction grip: New York | |
| Keith Cox | .... | construction coordinator: Los Angeles/San Diego | |
| Gregory Criscuolo | .... | carpenter | |
| Mark F. Dennett | .... | set dresser: Los Angeles/San Diego (as Mark Dennet) | |
| Arthur Dworin | .... | scenic: New York | |
| John Farina | .... | construction grip: New York | |
| Will Grant | .... | set dresser: Los Angeles/San Diego (as William Grant) | |
| Brian Hess | .... | set dresser: New York | |
| Tyler Kim | .... | prop assistant: New York | |
| Kevin Ladson | .... | property master: New York (as Kevin C. Ladson) | |
| Andrew Lassman | .... | property master (as Andy Lassman) | |
| John Leavey | .... | scenic | |
| Sarah Lindborg | .... | art department production assistant | |
| Jann McClary | .... | prop assistant: New York | |
| Eric M. Metzger | .... | set dresser (as Eric Metzger) | |
| Timothy Metzger | .... | leadman: Arizona | |
| Scott Miller | .... | propmaker: Los Angeles/San Diego | |
| Keith Mosca | .... | leadman: Arizona | |
| David C. Nute | .... | construction foreman: Los Angeles/San Diego (as David Nute) | |
| Ralph Perri | .... | construction grip: New York | |
| Mike Popovich | .... | scenic: Arizona | |
| David E. Robinson | .... | scenic: Los Angeles/San Diego (as Dave Robinson) | |
| Steve Roll | .... | construction coordinator: Arizona | |
| Jeffrey Rollins | .... | set dresser | |
| Karen Seifried | .... | charge scenic: Arizona | |
| Gregg Singer | .... | set dresser: Arizona | |
| Jim Steere | .... | scenic: New York | |
| Larry Steinberg | .... | construction grip (as Lawrence Steinberg) | |
| Jill Sternberg | .... | scenic | |
| Kimberly A. Street-Lennon | .... | assistant property master: Arizona (as Kim Street-Lennon) | |
| Roman Turovsky | .... | scenic: New York | |
| Tony Valdes | .... | carpenter: Arizona | |
| Alma Villavorta | .... | art department production assistant | |
| Rob Walsh | .... | construction production assistant (as Robert Walsh) | |
| Kerry Weeks | .... | lead person: New York (as Kerry A. Weeks) | |
| David D. Wheeler | .... | propmaker | |
Stunts | |||
| Eric Brown | .... | stunt driver | |
| Joyce R. Korbin | .... | stunt woman (as Joyce Korbin) | |
Casting Department | |||
| Mark Byrne | .... | extras casting assistant | |
| Kim Davis-Wagner | .... | extras casting (as Kim Davis) | |
| Susan Fried | .... | extras casting: New York (as Sue Fried) | |
| Daniel Irvine | .... | casting: Arizona | |
| Sunny Seibel | .... | extras casting: Arizona | |
Costume and Wardrobe Department | |||
| June Barney | .... | assistant wardrobe shopper: Arizona | |
| Kathleen Bartlett | .... | wardrobe assistant: New York | |
| Chuck Casey | .... | wardrobe assistant: New York (as Charles Casey II) | |
| Anita Ellis | .... | wardrobe assistant: New York | |
| Shari Gray | .... | costume designer: Los Angeles/San Diego | |
| James Hammer | .... | assistant costume designer (as Jim Hammer) | |
| Katrina Jeffries | .... | wardrobe supervisor: New York | |
| Laurie Johnson | .... | key set costumer: Los Angeles/San Diego | |
| Laurie Johnson | .... | wardrobe shopper | |
| Roseann Milano | .... | wardrobe supervisor | |
| Jeanne Munson | .... | wardrobe assistant: New York | |
| Patricia Sanftner | .... | wardrobe supervisor (as Pat Sanftner) | |
Editorial Department | |||
| Jane Pia Abramowitz | .... | additional assistant editor | |
| Karen Bermudez | .... | post-production assistant | |
| Tod Scott Brody | .... | post-production executive | |
| Mark Ginsberg | .... | color timer | |
| Gerritt Graham | .... | assistant to post-production executive | |
| G. Matt Hepler | .... | post-production assistant | |
| Debra Kanter Kohn | .... | apprentice editor | |
| George Larkin | .... | post-production coordinator (as George W. Larkin) | |
| K. Lorel Manning | .... | post-production assistant (as K. Lorrell Manning) | |
| Noëlle Penraat | .... | negative cutter | |
| Daniel Pimentel | .... | post-production assistant | |
| Arthur Schlenger | .... | second assistant editor | |
| Victoria Scoggins | .... | post-production assistant | |
| Misako Shimizu | .... | first assistant editor | |
| Ian Silverstein | .... | second assistant editor | |
| Joe Violante | .... | dailies advisor | |
| Chris Gennarelli | .... | dailies colorist (uncredited) | |
| Lou Iocca | .... | additional editor (uncredited) | |
| May Kuckro | .... | apprentice editor (uncredited) | |
| Sara Nicholson | .... | post-production assistant (uncredited) | |
Music Department | |||
| Lisa Brown | .... | music coordinator | |
| Emile Charlap | .... | music contractor | |
| Dominic DeRasse | .... | musician: trumpet | |
| Gordon Gottlieb | .... | musician: percussion (as Gordon Gotlieb) | |
| Bonnie Greenberg | .... | music supervisor | |
| Todd Kasow | .... | supervising music editor | |
| Dan Lieberstein | .... | music editor: Kickstart Films | |
| Richard Locker | .... | musician: cello | |
| Jill Meyers | .... | music business affairs | |
| Todd Milner | .... | assistant music editor | |
| Jeffrey Mironov | .... | music arranger: additional material and guitars (as Jeffery Mironov) | |
| John Moses | .... | musician: trumpet | |
| James Nichols | .... | score recordist (as James P. Nichols) | |
| Robert Papparozzi | .... | musician: harmonica | |
| Joe Passaro | .... | musician: percussion | |
| Amy Rockwell | .... | music assistant | |
| Richard Sortomme | .... | musician: synthesizer | |
| Dale Stuckenbruck | .... | musician: singing saw | |
| Tom Swift | .... | score mixer | |
Transportation Department | |||
| Lynn Ashby | .... | driver: Arizona | |
| Art Bauer | .... | driver: Los Angeles/San Diego | |
| Wes Bloom | .... | transportation captain: Arizona | |
| John Burkhart | .... | driver: Arizona | |
| Joe Devane | .... | driver: Los Angeles/San Diego (as Joseph Devane) | |
| Douglas DuVal | .... | driver: Los Angeles/San Diego (as Doug Duval) | |
| Mark Gantt | .... | driver: Arizona | |
| Joe Getzwiller | .... | driver: Arizona | |
| Scott Hess | .... | driver: Arizona | |
| Patrick Knapp | .... | driver: Arizona (as Pat Knapp) | |
| Gary Mahr | .... | driver: New York | |
| Kenny Mason | .... | transportation coordinator: Arizona | |
| Denny McCoy | .... | driver: Arizona | |
| Ron Mitchell | .... | driver: Arizona | |
| Edward O'Donnell | .... | transportation captain (as Eddie O'Donnell) | |
| Walter Rubio | .... | driver: Los Angeles/San Diego | |
| Howard A. Small | .... | transportation coordinator: Los Angeles/San Diego (as Howard Small) | |
| Frank Weiss | .... | transportation co-captain | |
Thanks | |||
| Scott Busby | .... | thanks | |
| Janet Grillo | .... | special thanks | |
| Marlen Hecht | .... | special thanks | |
| Cheryl Miller Houser | .... | thanks (as Cheryl Miller-Houser) | |
| Jeffrey Kimball | .... | thanks | |
| John Lesher | .... | special thanks | |
| Meryl Poster | .... | thanks | |
| Jordan Roberts | .... | special thanks | |
| Seth Rose | .... | thanks | |
| Matthew Antonio Grillo Russell | .... | thanks | |
| Barbara Russell-Peloquin | .... | thanks | |
| Forrest Silvers | .... | thanks | |
| Marc Silvers | .... | thanks | |
| Sylvia Silvers | .... | thanks | |
| Tyler Silvers | .... | thanks | |
| Steven Starr | .... | thanks | |
| Nancy Tenenbaum | .... | thanks | |
|
|
|
|
|
| Happy Endings | American Beauty | Igby Goes Down | The Graduate | Saved! |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
`Flirting with Disaster' is definitely a typical Hollywood movie in many aspects but not in all of them. It fits the form of classical cinema or classical paradigm in that the director, David O. Russell, does not get distracted from telling the story with filmmaking techniques. It is a clear and precise comedy that never leaves the characters in action, and is done so in a way that works unlike many other films of this genre released today. The film is structured narratively, with a clearly defined conflict from the very beginning. Ben Stiller shines in his performance as a neurotic new father who is trying desperately to find his biological parents in order to name his newborn son. At one point in the film the viewer begins to become anxious and wonder if the same problem for the protagonist, Stiller, is going to continue on in the same form as it has in the past half of the movie, but luckily Russell then changes the flow of the film and brings it to a much more comedic finish than the first half.
The photography is shot in full and long shots throughout most of the movie. Russell must have used deep-focus shots when filming because the surrounding background is clear around the characters, using a wide-angle or short lens. The characters are never off of the screen except for a few instances when we see a plane flying or a car driving and then we have voice-overs. The dialogue is always continuous- there is never a break in the script which works well because the screenplay is well written and clever on its insights on the little inconveniences of everyday life. Although all of these events are too unbelievable too happen all at once, they are all real life comedic situations that could happen to anyone. When compiled together with this plot line, we have this film before us.
Although this is a typical movie in the sense that it does not break any barriers or do anything creatively in its techniques in telling the story, the plot and screenplay do enough justice in making the film entertaining for the audience and one of those films you can just sit down, relax, and have fun viewing because it makes sense and fits together. This aspect is not like many Hollywood films released today, with their gaping holes that leave the viewer feeling unfulfilled. Altogether this was a good film, even though it did fit many of the typical Hollywood stereotypes.