Neal Cassady is living the beat life during the 1940s, working at The Tire Yard and and philandering around town. However, he has visions of a happy life with kids and a white picket fence.... See full summary »
David Allen Griffin is a cool killer- time and time again, he chooses a female victim, studies her for weeks till he knows her routine to the smallest detail, makes meticulous preparations ... See full summary »
Lama Norbu comes to Seattle in search of the reincarnation of his dead teacher, Lama Dorje. His search leads him to young Jesse Conrad, Raju, a waif from Kathmandu, and an upper class ... See full summary »
An aimless young man who is scalping tickets, gambling and drinking, agrees to coach a Little League team from the Cabrini Green housing project in Chicago as a condition of getting a loan from a friend.
There's nothing wrong with the Marshetta family that a little felony can't cure. Rupert doesn't want to follow in his father's blue-collar footsteps, so he and his quirky friend kidnap his ... See full summary »
Freddie is a former stripper marrying Sam to repay a debt owed to nightclub owner Red. But Freddie is in love with Jjaks, Sam's brother. Jjaks and Freddie run off together, and Sam finds where they have been hiding and calls the cops. Meanwhile someone calls to blackmail Sam and Jjaks. In the end will it all work out? Written by
Freddie (Cameron Diaz) tells Jjaks a story about meeting Ann-Margret in Las Vegas when she was a child, showing Jjaks a necklace Ann-Margret had given her. Three years later, in Any Given Sunday (1999), Ann-Margret played Christina Pagniacci's (Diaz's) mother. See more »
In the scene where Jjaks and Freddie escape and are driving in the red car, she opens the bottle of champagne and takes a drink with her right hand then hands it to Jjaks with the same right hand, but when the camera cuts to Jjaks, she is handing it with her left hand. See more »
Time is like an orange. It's round. It repeats itself. Everything happens for a reason.
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This film suffers from being a hybrid between the Coen brothers and Quentin Tarantino in part. It's not violent or ironic enough to be a Joel Coen creation and not obscenity-laden or gory enough to be a Tarantino product. There is humor, however, in the bumbling of Vinny D'Onofrio's character and in Reeve's typically understated role. You get the idea the real "bad guy" in the film is the neglectful, dope-smoking mother who allows the older brother to brutalize and bully the younger. It's topped off with more goofiness with Aykroyd's Krazy Kop and Delroy Lindo's Gangsta role (I particularly liked the red hair gimmick). I missed this one when it came out and rented the video because I found the name, Feeling Minnesota, remindful of the Coen Brother's Raising Arizona. I found it very watchable and rather liked the ridiculous situations very dysfunctional people get themselves into. The only glitch seemed to be Cameron Diaz who at times seemed unsure what her character was all about. Still, there is much in this film to recommend it. I would ignore the more negative reviews found here: I've no idea what these people were expecting or wanting. Check this movie out for yourself and you decide.
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