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Though Joel and Ethan Coen jokingly claimed their 1996 film Fargo was based on a true story (it wasn’t), it was actually the brothers’ farcical follow-up, 1998’s The Big Lebowski, that drew heavily on real people and events. Lebowski superfans, or “Achievers” in the parlance of our times, are likely aware of the movie’s real-world antecedents, but more casual viewers may still be in the dark. Chief among the movie’s inspirations was Jeff “The Dude” Dowd, a 1960s radical protester turned indie-movie marketing guru. The Coens first met the colorful, eccentric Dowd in the early 1980s when they were in post-production on their debut film, Blood Simple. Years later, he became the model for Lebowski’s pot-addled protagonist, also called “The Dude” and brought to cinematic life by Jeff Bridges. As part of a week-long celebration of The Big Lebowski, Uproxx has created a seven-minute documentary »
- Joe Blevins
For the past three years, “The Americans” has been a staple of Emmy “snub” lists. This season it’s a leading contender for Emmy Awards.
After winning a raft of accolades and kudos from other organizations (and even nabbing its first Emmy last year for Margo Martindale’s guest turn), FX’s critically-acclaimed series broke into the major Emmy categories with a series-best five nominations, including outstanding drama. Stars Matthew Rhys and Keri Russell are also up for acting honors, and showrunners Joel Fields and Joe Weisberg have been nominated for writing the season finale. Meanwhile, Martindale — the show’s Emmy trailblazer and possible “gateway drug” to the rest of the attention — earned her fourth consecutive nom.
“I dropped my daughter off at camp,” Weisberg says, explaining how he started his day. “Then I called my wife and said, ‘I’m gonna come home to get the bad news.’ It’s been three years when it’s »
- Geoff Berkshire
In consideration of keeping our readers from having to go through all 113 catagories, below are the list of biggest awards to be handed at the 68th Annual Emmy Awards. If you'd like to see all the rest you can click here!
Outstanding Drama Series
Outstanding Comedy Series
Outstanding Drama Actor
Outstanding Drama Actress
- firstname.lastname@example.org (Matt Malliaros)
Chris Longo Jul 15, 2016
The Television Academy has spoken! Here are your 2016 Emmy Nominations...
The time to fill out your Emmy Madness Bracket is now. Wait, wrong event. But that would be fun, wouldn’t it? Kirsten Dunst slugging it out versus her network foe Sarah Paulson for Emmy gold. How about perennial favorite Game Of Thrones pitted against underdog newcomer Mr. Robot in the championship round? In the “peak TV” era, maybe a bracket formatted competition is the only true way to determine the best in the world of television.
Anyway, we’ll have to settle for fan polls and speculation as we countdown to the 68th Annual Emmy Award on Sunday, Sept. 18th on ABC. Until then, here is the list of nominees for the major categories. You can find the full list here.
Outstanding Drama Series
Game of Thrones, The People Vs. Oj Simpson: American Crime Story and Fargo received multiple nominations in major categories for the 68th Primetime Emmy Awards. Other notable nods include Mr. Robot's for Outstanding Drama Series and for actor Rami Malek, The People Vs. Oj Simpson for Outstanding Limited Series and recognitions for Cuba Gooding Jr., Courtney B. Vance and Sarah Paulson; The Americans for Outstanding Drama Series and for Matthew Rhys and Keri Russell; and Veep for Outstanding Comedy Series and for Julia Louis-Dreyfus. The awards ceremony, which Jimmy Kimmel will host, »
The Television Academy has announced the nominations for the 68th Emmy Awards at the newly-opened Saban Media Center. Television Academy Chairman and CEO Bruce Rosenblum joined Anthony Anderson and Lauren Graham at the nominations ceremony to announce this year's candidates.
The Emmys will be telecast live from The Microsoft Theater in Los Angeles on Sunday, September 18th with the broadcast hosted by Jimmy Kimmel. Here's the list of the key nominees:
Outstanding Drama Series
The Americans (FX Networks)
Better Call Saul (AMC)
Downton Abbey (PBS)
Game Of Thrones (HBO)
House Of Cards (Netflix)
Mr. Robot (USA)
Outstanding Comedy Series
Master Of None (Netflix)
Modern Family (ABC)
Silicon Valley (HBO)
Unbreakable Kimmy Schmidt (Netflix)
Outstanding Lead Actor In A Drama Series
- Garth Franklin
This morning, the nominees for the 68th Annual Primetime Emmy Awards were announced. Here are the most prominent nominations. More to come. Drama Series The Americans Better Call Saul Downton Abbey Game of Thrones Homeland House of Cards Mr. Robot Comedy Series Black-ish Master of None Modern Family Silicon Valley Transparent Unbreakable Kimmy Schmidt Veep Limited Series American Crime Fargo The Night Manager The People v Oj Simpson Roots Lead Actor in a Drama Series Kyle Chandler, Bloodline Rami Malek, Mr. Robot Bob Odenkirk, Better Call Saul Matthew Rhys, The Americans Liev Schreiber, Ray Donovan Kevin Spacey, House of Cards Lead Actress in a Drama Series Claire Danes, Homeland Viola Davis, How To Get Away With Murder Taraji P. Henson, Empire Tatiana Maslany, Orphan Black Keri Russell, The Americans Robin Wright Penn, House of Cards Lead Actor in a Comedy Series Anthony Anderson, Black-ish Aziz Ansari, Master of None Will Forte, »
- Pilot Viruet
HBO’s epic fantasy drama “Game of Thrones” once again leads the pack of contenders for the Primetime Emmy Awards, grabbing 23 nominations for its sixth season. FX’s “The Americans” and USA Network’s “Mr. Robot” were among the breakthrough shows in a year when Emmy voters were overwhelmed with choices of shows seeking Emmy gold.
“Thrones” is up for the top drama series award that it won last year for the first time, along with 11 other trophies, setting a new record for wins in a single year. Vying with “Thrones” for drama series honors this year are “The Americans,” AMC’s “Better Call Saul,” PBS’ “Downton Abbey,” Showtime’s “Homeland,” Netflix’s “House of Cards” and “Mr. Robot.”
Contenders for comedy series honors are ABC’s “Blackish” and “Modern Family,” Netflix’s “Master of None” and “Unbreakable Kimmy Schmidt,” HBO’s “Veep” (the reigning champ) and “Silicon Valley” and Amazon’s “Transparent.”
- Cynthia Littleton
Nominations for the 68th Primetime Emmy Awards were announced on Thursday by Anthony Anderson (ABC’s black-ish) and Lauren Graham (of Netflix’s upcoming Gilmore Girls revival), and HBO’s Game of Thrones led the pack with 23 total nominations, including for best drama and with three supporting actress contenders.
RelatedEmmy Nominations 2016: Michael Ausiello’s Snappy Judgements
TVLine has detailed the major nominees below; visit Emmys.com for the full list. Your job here, as opinionated connoisseurs of TV, »
The critics spoke, and TV Academy members listened.
Two TV critic faves, “The Americans” and “Mr. Robot,” managed to break through and land Emmy nominations in the Outstanding Drama category this year, while the comedy category was also dominated by well-reviewed series, such as newcomer “Master of None.”
The Television Academy’s attempts in recent years to broaden its membership, expand categories and open up its voting process continues to pay off, as new blood managed to sneak into many of the major categories. Not only did “The Americans” and “Mr. Robot” break through on the series side, but several of the shows’ leads landed their first-ever Emmy acting nomination.
But many favorites also returned with a splash as well, including last year’s Outstanding Drama Series winner, “Game of Thrones.” The HBO juggernaut landed 23 nominations, the most of any program this year – and down just a tick from last »
- Michael Schneider and Liz Shannon Miller
From a screenplay co-written by Watts and Christopher Ford, the film stars Laura Allen (“Ravenswood,” “All My Children”), Andy Powers (In Her Shoes, “Oz”) and Peter Stormare (“American Gods,” “The Blacklist,” Fargo).
Clo [Continued ...] »
Before he was tapped to helm the upcoming Spider-man: Homecoming, director Jon Watts not only made the very entertaining Kevin Bacon-led Cop Car but before ever that, he directed a terrifying horror film called Clown. Originally created as a fake trailer, Watts partnered with Hostel/Cabin Fever director Eli Roth to bring Clown to life and though it’s been a couple of years since filming it, the shocking and Very intense film is now set to hit Bluray/DVD on August 23rd via Anchor Bay.
Starring Laura Allen (“Ravenswood,” “All My Children”), Andy Powers (In Her Shoes, “Oz”) and Peter Stormare (“American Gods,” “The Blacklist,” Fargo), Clown is a story of a loving father who dons a clown outfit and makeup to perform at his son’s sixth birthday, only to later discover that the costume – red nose and wig included– will not come off and his own »
- Jerry Smith
Producer Eli Roth (Knock Knock, Hostel franchise) and director Jon Watts (Spider-Man: Homecoming, Cop Car) team up to bring audiences a haunting twist on the scary clown. Clown arrives on Blu-ray™and DVD August 23 from Dimension Films and Anchor Bay Entertainment. From a screenplay co-written by Watts and Christopher Ford, the film stars Laura Allen (“Ravenswood,” “All My Children”), Andy Powers (In Her Shoes, “Oz”) and Peter Stormare (“American Gods,” “The Blacklist,” Fargo).
Clown is a story of a loving father who dons a clown outfit and makeup to perform at his son’s sixth birthday, only to later discover that the costume – red nose and wig included– will not come off and his own personality changes in a horrific fashion. To break the curse of the evil outfit, the father must make grim choices with his own family facing danger.
Clown will be available on Blu-ray™ and DVD from »
- Tom Stockman
Dimension Films and Anchor Bay Entertainment have announced an August 23rd Blu-ray and DVD release of Clown, directed by Jon Watts (Spider-Man: Homecoming) and produced by Eli Roth (The Green Inferno):
Press Release: Beverly Hills, CA – (July 12, 2016) – Producer Eli Roth (Knock Knock, Hostel franchise) and director Jon Watts (Spider-Man: Homecoming, Cop Car) team up to bring audiences a haunting twist on the scary clown. Clown arrives on Blu-ray™ and DVD August 23 from Dimension Films and Anchor Bay Entertainment. From a screenplay co-written by Watts and Christopher Ford, the film stars Laura Allen (“Ravenswood,” “All My Children”), Andy Powers (In Her Shoes, “Oz”) and Peter Stormare (“American Gods,” “The Blacklist,” Fargo).
Clown is a story of a loving father who dons a clown outfit and makeup to perform at his son’s sixth birthday, only to later discover that the costume – red nose and wig included– will not come off »
- Derek Anderson
Set to enter production before the year’s end before a premiere in 2017, Coon will assume the role of Gloria Burgle, a “practical woman who grabs the fire extinguisher when the bacon catches fire and everyone else panics. Gloria is the chief of the Eden Valley police, and a newly divorced mother who is struggling to understand this new world around her where people connect more intimately with their phones than the people right in front of them.”
Joining Ewan McGregor in FX’s ensemble drama, one loosely based on Joel and Ethan Coen’s 1996 crime flick, Fargo season 3 is said to take place closer to the present day that its forebear, largely revolving around McGregor’s twin brothers, Emmit and Ray Stussy.
- Michael Briers
With all the talk of Peak TV, it’s possible we’ve reached a turning point for the Emmy Awards. Could this be the year the TV Academy makes some bold out-of-the-box choices and recognizes just how wide-ranging the past season’s TV achievements actually were? We’re not betting on it. When it comes to the Emmy Awards, the tried-and-true typically carry the day — with a modest mix of new faces sprinkled in. That’s why you may get a feeling of deja vu reading our predictions for this year’s nominees. We’ll find out who makes the cut when nominations are announced on Thursday, July 14 at 8:30 a.m. Pt.
“Better Call Saul” (AMC)
“Downton Abbey” (PBS)
“Game of Thrones” (HBO)
“House of Cards” (Netflix)
“Mr. Robot” (USA)
“Orange is the New Black” (Netflix)
For the most competitive of all the categories, all of last year’s nominees are still »
- Geoff Berkshire and Debra Birnbaum
“Blood Father” follows John Link (Mel Gibson), an ex-convict and recovering alcoholic who runs a tattoo parlor out of his dusty trailer on the outskirts of Los Angeles. When his estranged daughter (Erin Moriarty) shows up out of the blue on the lam after a drug deal gone bad, Link is forced to protect her when a roving drug cartel comes after her with everything they’ve got. The film also features William H. Macy (“Fargo”), Elisabeth Röhm (“Angel”), Diego Luna (“Y tu mamá también”), Thomas Mann (“Me and Earl and the Dying Girl”), Dale Dickey (“Winter;s Bone”), and more. Watch the new trailer for the film below and check out a new poster as well.
- Vikram Murthi
September tends to be the time of year that movie studios start busting out the big guns, and 2016 finds the Criterion Collection following suit, as the boutique home video label will be releasing one of the most significant cinematic landmarks on which they’ve yet to put their stamp.
Krzysztof Kieślowski’s mammoth “Dekalog” makes the company’s September lineup something of a bumper crop in and of itself, but — lucky for us — it’ll be accompanied by an essential Kenji Mizoguchi classic, two ample doses of Jacqueline Susann-inspired campiness, some old school Coen brothers and much more. Check out the full release slate below, listed in rough order of our excitement for each title.
1.) “Dekalog” (dir. Krzysztof Kieślowski, 1988), Spine #837
This would be at the very top of the list regardless of what else Criterion is releasing in September. One of the greatest achievements in all of film (though »
- David Ehrlich
Yesterday, the Academy of Television Arts & Sciences opened voting for this year's Emmy nominations, including the public release of ballots showing who submitted themselves and in what categories. That means it's time for my annual thought exercise, where I pretend that I'm an Academy member and try to figure out how I would fill out my ballot in the major categories. The whole thing becomes trickier with each passing year, just because there are so many shows and performances worthy of at least consideration: when I made my first run through the ballot, jotting down contenders in each big category, I wound up with 26 potential Outstanding Comedy Series nominees, for instance. It does give me a sense of how challenging this must be for the actual Emmy voters, especially since most of them have much less time to actually watch TV than I do. I'm using the same rules as usual: 1)I only consider shows and performances that were submitted. So even if I wanted to put, say, Hugh Dancy on my ballot for his work in the final season of Hannibal, I couldn't, because he only submitted his work on Hulu's The Path. 2)I can't move things into other categories to suit my preference. I can't treat Horace and Pete like a limited series, even though that's clearly what it was, because the Academy let Louis C.K. submit it in the drama categories, and I can't take a largely dramatic half-hour like Transparent or Togetherness out of the comedy categories. 3)I don't consider shows and performances that I didn't watch much, if at all, this season. Based on the last time I was a regular viewer of Penny Dreadful and Orphan Black, for instance, I suspect Eva Green and Tatiana Maslany would both be incredibly strong contenders for the drama lead actress category, but I haven't seen a second of either show's eligible season. Back in the days before Peak TV, it would make me crazy when actors were obviously nominated based on their work from previous seasons, rather than anything they had done in the current year, so I'm not going to make any nominations based on similar assumptions. Also, because so much of the biggest action this year is in the limited series categories (even sans Horace and Pete), I'm going to make picks there, when usually I've stuck with the comedy and drama fields. So here we go... Outstanding Comedy Series black-ish (ABC) Master of None (Netflix) Review (Comedy Central) Transparent (Amazon) Veep (HBO) You're the Worst (FX) As I alluded to above, this was a tough one, especially since there are so many different kinds of "comedy" up for consideration. I could have surrounded Transparent and You're the Worst with a bunch of other half-hours that trended more towards the dramatic this year (say, Casual, Baskets, Togetherness, and Girls), or put on both of the CW's delightful Monday hour-long comedies in Jane the Virgin and Crazy Ex-Girlfriend, or loaded up on the resurgent broadcast network comedy scene and paired black-ish with the likes of The Grinder, The Carmichael Show, Brooklyn Nine-Nine, and Fresh Off the Boat. And I haven't even mentioned Broad City or Lady Dynamite or Catastrophe or Silicon Valley or Unbreakable Kimmy Schmidt or a bunch of others that I'm not happy to not have on my final list. But these six were ultimately the ones that stuck with me the most, in some cases very long after they first aired. Outstanding Drama Series The Americans (FX) Better Call Saul (AMC) Happy Valley (Netflix) Horace and Pete (LouisCK.net) The Leftovers (HBO) UnREAL (Lifetime) Because so many great shows like Fargo and American Crime and The People v. O.J. Simpson have gotten themselves categorized as limited series, this wasn't quite as impossible a category to cull down to six choices, even if I changed my mind five different times between including UnREAL, Mr. Robot, or Halt and Catch Fire for that last spot. The Leftovers was my favorite show of last year, and assuming its final season gets bumped to 2017, Horace and Pete and The Americans are the two front-runners to finish atop my best of list for this year. With Mad Men gone, and limited series more competitive, I'm holding out the faintest of hope that Americans can follow the Friday Night Lights pattern and start getting nominated late in its run after being largely ignored early on. Outstanding Limited Series American Crime (ABC) Fargo (FX) The People v. O.J. Simpson: American Crime Story (FX) Roots (History) Show Me a Hero (HBO) What an amazing resurgence for a format the rest of the TV business had all but ceded to HBO for the last decade. All six of these projects were extraordinary in different ways, and any one of them would be a more than deserving winner, though I'm assuming People v. O.J. is going to sweep its way through most of the limited series categories. Outstanding Lead Actor In A Comedy Series Anthony Anderson, black-ish Andrew Daly, Review Chris Geere, You're the Worst Rob Lowe, The Grinder Fred Savage, The Grinder Jeffrey Tambor, Transparent Some years, I set a rule that I will only nominate one actor per show, but I couldn't choose between the two Grinder leads, who were as perfect a crazy man/straight man pairing as TV has had in quite some time. Anderson and Geere did great work flipping back and forth between silliness and pathos this year (I still choke up thinking about Dre's Obama speech from the black-ish episode about how to talk to your kids about black people being shot by cops), Tambor was once again stunning in a largely dramatic performance (that is, again, eligible here, in a category that isn't Funniest Actor in a Comedy Series), and Daly's absolute commitment to the awfulness of Forrest MacNeil's life made the second Review season even funnier, and darker, than the first. Outstanding Lead Actor In A Drama Series Steve Buscemi, Horace and Pete Louis C.K., Horace and Pete Rami Malek, Mr. Robot Bob Odenkirk, Better Call Saul Matthew Rhys, The Americans Justin Theroux, The Leftovers Horace and Pete was another case of my inability to choose between two actors from the same show, as by the end, C.K.'s work was just as nuanced and devastating as the more experienced Buscemi's. Malek was so riveting that he made a lot of pieces of Mr. Robot work that would have failed utterly in the hands of an even slightly less gifted performer, Theroux's work in the last few Leftovers season 2 episodes left me a wreck, Odenkirk continues to demonstrate surprising depths as a dramatic actor, and it's absurd that Matthew Rhys has yet to be nominated for all he does on Americans. Outstanding Lead Actor In A Limited Series Or Movie Bryan Cranston, All the Way James Franco, 11.22.63 Oscar Isaac, Show Me a Hero Regé-Jean Page, Roots Courtney B. Vance, The People v. O.J. Simpson: American Crime Story Patrick Wilson, Fargo Cranston and Franco both gave tremendous performances in ultimately flawed projects. Isaac somehow made all the exposition and policy wonkery of Show Me a Hero entertaining and tragic, Page and Vance were enormously charismatic as men who were flashy on the outside and deeply pained on the inside, and Patrick Wilson basically turned into Gary Cooper and became the powerful, still center around which all the craziness of Fargo season 2 could orbit. Outstanding Lead Actress In A Comedy Series Rachel Bloom, Crazy Ex-Girlfriend Aya Cash, You're the Worst Gillian Jacobs, Love Ellie Kemper, Unbreakable Kimmy Schmidt Julia Louis-Dreyfus, Veep Michaela Watkins, Casual Louis-Drefyus will — deservedly — keep winning this category until either Veep ends or she pulls a Candice Bergen and withdraws herself from consideration. So it almost doesn't matter who gets nominated alongside her. But the other performances I chose were all wonderfully nuanced and complicated as they painted very different portraits of women who are all damaged in some way, and any of them would make an incredibly deserving winner if Louis-Dreyfus were to pull a Larry David and somehow offend everyone in Los Angeles at the same time. Outstanding Lead Actress In A Drama Series Shiri Appleby, UnREAL Kerry Bishé, Halt and Catch Fire Carrie Coon, The Leftovers Sarah Lancashire, Happy Valley Krysten Ritter, Jessica Jones Keri Russell, The Americans The Pov structure of Leftovers season 2 rendered everyone but Theroux a supporting player, but since Coon submitted herself here, I'm picking her, because when she was on screen, she was spectacular. Bishé was the highlight of the much-improved second season of Halt, Lancashire remains indelible on Happy Valley, Ritter lived up to all of my hopes for Jessica Jones, and refer to my Matthew Rhys comment when it comes to his TV spouse. The real surprise of the group is Appleby, who had never suggested the kind of depth and force that her role on UnREAL has allowed her to play. Outstanding Lead Actress In A Limited Series Or Movie Kirsten Dunst, Fargo Felicity Huffman, American Crime Riley Keough, The Girlfriend Experience Rachel McAdams, True Detective Sarah Paulson, The People v. O.J. Simpson: American Crime Story Lili Taylor, American Crime As with the corresponding male category, we've got a couple of performances here (Keough and McAdams) that transcended iffy shows. You could argue that any or all of Dunst, Huffman, and Taylor belong in the supporting field, but they were all wonderful, even if they all understandably seem destined to lose to Paulson. Outstanding Supporting Actor In A Comedy Series Louie Anderson, Baskets Andre Braugher, Brooklyn Nine-Nine Jaime Camil, Jane the Virgin Christopher Meloni, Wet Hot American Summer: First Day of Camp T.J. Miller, Silicon Valley Timothy Simons, Veep Honestly, I could make this an all-Veep category — say, with Simons, Tony Hale, Kevin Dunn, Gary Cole, Sam Richardson, and Matt Walsh (or swap any two of them out for Hugh Laurie and Reid Scott) — and it would be a completely respectable list. Instead, I decided to limit myself to one guy, and the New Hampshire election story has given Simons a chance to shine like never before. As for the others, Braugher is a national treasure, Camil may be playing the most reliable joke machine on television, Meloni stole First Day of Camp the same way he stole the original movie, and Miller got to add some surprising emotion to Erlich Bachman's usual hilarious buffoonery. And Anderson is, like Tambor, giving an almost entirely dramatic performance (and also playing a woman), but in a way that never feels like a gimmick. Outstanding Supporting Actor In A Drama Series Alan Alda, Horace and Pete Dylan Baker, The Americans Jonathan Banks, Better Call Saul Kevin Carroll, The Leftovers Peter Dinklage, Game of Thrones Lance Reddick, Bosch Even if the Academy at large didn't watch Horace and Pete, I expect Alda will be nominated on name recognition alone, and when they see him give the performance of his career, he'll hopefully win. Baker sketched out a complicated and tragic character in the space of 13 episodes, Banks continued finding new gravitas inside Mike Ehrmantraut, Carroll knocked me out as much as his more well-known co-stars, Dinklage remains so much fun that he can even carry a long scene where he's acting against thin air disguised as CGI dragons, and Reddick also did the best work of his career on the largely unheralded Bosch. Outstanding Supporting Actor In A Limited Series Or Movie Sterling K. Brown, The People v. O.J. Simpson: American Crime Story Ted Danson, Fargo Connor Jessup, American Crime Hugh Laurie, The Night Manager Zahn McClarnon, Fargo Bokeem Woodbine, Fargo Unfortunately, I assume John Travolta has one of these spots in the bag. And the only reason Jessup is here and not in the lead category is because he's young and relatively unknown. But this is still one of the most competitive groups in the whole field, and I'd love to see one of the more unheralded actors eligible win it, even though Danson and Laurie were both superb in the kinds of roles they don't usually play. Outstanding Supporting Actress In A Comedy Series Loretta Devine, The Carmichael Show Kether Donohue, You're the Worst Allison Janney, Mom Kate McKinnon, Saturday Night Live Amanda Peet, Togetherness Kristen Schaal, Last Man on Earth Janney, like Louis-Dreyfus, may have a stranglehold on her category for a while, and she's terrific enough — at both the light and dark parts of Mom — that I can't get too annoyed with it. This is another extremely deep category, which I tried to cover with a variety of different kinds of performances from different kinds of shows. There's Devine playing extremely big — and yet still human enough to be at the center of an episode about clinical depression — on Carmichael (where David Alan Grier would also be a fine nominee on the male side), McKinnon carrying SNL, Donohue and Peet doing a mix of utter silliness and something much messier, and Schaal turning out in time to be the very best part of Last Man. I'd have liked to find room for some of the Transparent actresses or Zosia Mamet or a bunch of others, but you've gotta make choices when you play this game. Outstanding Supporting Actress In A Drama Series Amy Brenneman, The Leftovers Ann Dowd, The Leftovers Regina King, The Leftovers Rhea Seehorn, Better Call Saul Alison Wright, The Americans Constance Zimmer, UnREAL Nope. Not gonna leave out one of the three Leftovers ladies here. (As a past winner, King is the most likely to get an actual nomination.) Seehorn, meanwhile, essentially became co-lead for much of Saul season 2, and was so likable and vulnerable and interesting that it felt like she was adding to Jimmy's story rather than taking away from it. Wright was stronger than ever on Americans, even though Martha was in crisis throughout, and Zimmer was every bit Shiri Appleby's dramatic equal as part of the UnREAL two-hander. Outstanding Supporting Actress In A Limited Series Or Movie Olivia Colman, The Night Manager Rachel Keller, Fargo Regina King, American Crime Cristin Milioti, Fargo Anika Noni Rose, Roots Jean Smart, Fargo Another category where I went with three from one show, reflecting both the great work of Keller, Milioti, and Smart, but also the relative shallowness of this particular field. King is one of several actors this year who, thanks to the proliferation of limited series and shows with shorter seasons, has a realistic shot at being nominated for two different performances. Colman had a bunch of great moments during The Night Manager (particularly the monologue about why her character was so interested in taking down Hugh Laurie), and Rose was one of the best parts of the outstanding Roots ensemble. What does everybody else think? What nominations are you most hoping to see? Alan Sepinwall may be reached at email@example.com »
- Alan Sepinwall
When it came to the lead acting races in last year’s limited series or movie category, the women mounted an impressive lineup. Three Academy Award winners (Frances McDormand, Jessica Lange, and Emma Thompson) and three Oscar nominees (Maggie Gyllenhaal, Queen Latifah, and Felicity Huffman) competed for the top prize, which went to McDormand for “Olive Kitteridge.”
This year, it looks to be the men’s turn, with a surprising number of Oscar nominees and winners eligible in the category, along with some big-name star power flexing its muscles. Academy Award winners in the running for lead actor include Anthony Hopkins (“The Dresser”), Cuba Gooding Jr. (“The People V. O.J. Simpson”), Richard Dreyfuss (“Madoff”), and Timothy Hutton (“American Crime”).
They will face considerable competition from Oscar nominees like Benedict Cumberbatch, who has already won an Emmy for his role in “Sherlock,” and Ian McKellen, who goes head-to-head with Hopkins in “The Dresser. »
- Jenelle Riley
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