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Directed by | |||
| Joel Coen | |||
| Ethan Coen | (uncredited) | ||
Writing credits(WGA) | ||
| Ethan Coen | (written by) & | |
| Joel Coen | (written by) | |
Produced by | |||
| Tim Bevan | .... | executive producer | |
| John Cameron | .... | line producer | |
| Ethan Coen | .... | producer | |
| Eric Fellner | .... | executive producer | |
| Joel Coen | .... | producer (uncredited) | |
Original Music by | |||
| Carter Burwell | |||
Cinematography by | |||
| Roger Deakins | (director of photography) | ||
Film Editing by | |||
| Ethan Coen | (as Roderick Jaynes) | ||
| Joel Coen | (as Roderick Jaynes) | ||
Casting by | |||
| John S. Lyons | (as John Lyons) | ||
Production Design by | |||
| Rick Heinrichs | |||
Art Direction by | |||
| Thomas P. Wilkins | |||
Set Decoration by | |||
| Lauri Gaffin | |||
Costume Design by | |||
| Mary Zophres | |||
Makeup Department | |||
| John Blake | .... | key makeup artist | |
| Daniel Curet | .... | key hair stylist | |
| Bart Mixon | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Margaret Hayes | .... | post-production supervisor | |
| Gilly Ruben | .... | unit production manager | |
Special Effects by | |||
| Bruce R. Anderson | .... | special effects technician | |
| Wilfred Caban | .... | pyrotechnician | |
| Joe Carroll | .... | special effects technician | |
| Michael Kranz | .... | special effects technician | |
| Paul Murphy | .... | special effects coordinator | |
| Dieter Sturm | .... | snowmaker | |
| Yvonne Sturm | .... | snowmaker | |
Visual Effects by | |||
| John Alagna | .... | opticals | |
Stunts | |||
| Danny Downey | .... | stunt player | |
| Jery Hewitt | .... | stunt coordinator | |
| Jery Hewitt | .... | stunt player | |
| Jennifer Lamb | .... | stunt player | |
| Eddie L. Watkins | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Jim Bridges | .... | still photographer (as James Bridges) | |
| Robin Brown | .... | camera operator | |
| Peter Clemence | .... | best boy grip | |
| Tony Corapi | .... | electrician | |
| Ed Dally | .... | film loader | |
| Milo Durben | .... | dolly grip | |
| Tom Franchett | .... | electrician | |
| Adam Gilmore | .... | second assistant camera | |
| Andy Harris | .... | first assistant camera | |
| William H. Hobson | .... | company grip (as William Hobson) | |
| Jeremy Knaster | .... | best boy electrician | |
| Mitchell Andrew Lillian | .... | key grip (as Mitch Lillian) | |
| William Moore | .... | rigging gaffer | |
| Bill O'Leary | .... | chief lighting technician | |
| Timothy O'Toole | .... | video playback | |
| Joseph Slagerman | .... | company grip | |
| Michael Tackett | .... | still photographer | |
| Niel Williams | .... | company grip (as Neil Williams) | |
| Robin Brown | .... | director of photography: second unit (uncredited) | |
Casting Department | |||
| Jane Brody | .... | location casting | |
| Kathleen Chopin | .... | casting assistant | |
| Sandra Dawes | .... | extras casting (as Sandra D. Dawes) | |
| Christine Sheaks | .... | casting associate | |
Costume and Wardrobe Department | |||
| Virginia Burton | .... | costumer | |
| Sister A. Daniels | .... | costume supervisor (as Sister Daniels) | |
Editorial Department | |||
| Tricia Cooke | .... | associate editor | |
| Nick Dibeneditto | .... | negative cutter: N&D Films and Video | |
| David Diliberto | .... | first assistant editor (as Big Dave Diliberto) | |
| Daniel J. Geiger | .... | location assistant editor (as Daniel Geiger) | |
| Alma Kuttruff | .... | apprentice editor | |
| John Dowdell | .... | telecine colorist (uncredited) | |
Music Department | |||
| Carter Burwell | .... | conductor | |
| Carter Burwell | .... | orchestrator | |
| Emile Charlap | .... | music contractor | |
| Edmund Choi | .... | assistant to composer | |
| Michael Farrow | .... | music scoring mixer | |
| Shari Johanson | .... | associate music editor (as Shari Schwartz) | |
| Todd Kasow | .... | music editor (as Todd Kassow) | |
| John Moses | .... | musician: clarinet (uncredited) | |
| Paul Peabody | .... | musician: violin (uncredited) | |
Transportation Department | |||
| Dave Amberik | .... | driver | |
| Michael Arnold | .... | picture car coordinator | |
| Keith Carlson | .... | driver | |
| Dave Drentlaw | .... | driver (as David Drentlaw) | |
| Wade P. Ehlen | .... | driver | |
| David F. Evans | .... | driver | |
| Scott Michael Johnson | .... | driver (as Scott Johnson) | |
| Michael Kennedy | .... | transportation coordinator (as Michael J. Kennedy) | |
| Frank Ketchum | .... | transportation captain | |
| Eugene Kirsch | .... | driver (as Gene Kisch) | |
| Peter L. Mullin | .... | picture car assistant | |
| Ivy Poulliot | .... | driver | |
| John Rehborg | .... | driver | |
| Marti Smith | .... | driver (as Marty E. Smith) | |
| Tommy Ray Smith | .... | driver | |
Thanks | |||
| Mark Cady | .... | special thanks | |
| David Daugherty | .... | special thanks | |
| Deana Elwell | .... | special thanks | |
| Rick Finkelstein | .... | special thanks | |
| Peter D. Graves | .... | special thanks (as Peter Graves) | |
| Julie Hartley | .... | special thanks | |
| James Hautman | .... | special thanks | |
| Robert Hautman | .... | special thanks | |
| Michael Kuhn | .... | special thanks | |
| Aline Perry | .... | special thanks | |
| Malcolm Ritchie | .... | special thanks | |
| Russell Schwartz | .... | special thanks | |
| Stewart Till | .... | special thanks | |
| Mark Wolfe | .... | special thanks | |
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| IMDb USA section |
If you haven't seen this movie, do yourself a favour and see it. It is very well put together and the plot is constantly evolving into a deeper shade of creepiness. At times scary (not in the horror movie sense) and quite rich in dark humour, this is one of those movies that gives you a weird felling inside even an hour after its over. The music is quite appropriate and unlike Scarface, is timeless. The camera work is usually quite basic but whoever directed the photography had the enjoyable habit of giving us interestingly artistic segways between scenes. This is the first film so far that I've given a 10 out of 10. I was going to give it a 9, but I couldn't think of a reason to take any points from perfect.