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Directed by | |||
| Joel Coen | |||
| Ethan Coen | (uncredited) | ||
Writing credits(WGA) | ||
| Ethan Coen | (written by) & | |
| Joel Coen | (written by) | |
Produced by | |||
| Tim Bevan | .... | executive producer | |
| John Cameron | .... | line producer | |
| Ethan Coen | .... | producer | |
| Eric Fellner | .... | executive producer | |
| Joel Coen | .... | producer (uncredited) | |
Original Music by | |||
| Carter Burwell | (music by) | ||
Cinematography by | |||
| Roger Deakins | (director of photography) | ||
Film Editing by | |||
| Ethan Coen | (as Roderick Jaynes) | ||
| Joel Coen | (as Roderick Jaynes) | ||
Casting by | |||
| John S. Lyons | (casting by) (as John Lyons) | ||
Production Design by | |||
| Rick Heinrichs | |||
Art Direction by | |||
| Thomas P. Wilkins | |||
Set Decoration by | |||
| Lauri Gaffin | |||
Costume Design by | |||
| Mary Zophres | |||
Makeup Department | |||
| John Blake | .... | key makeup artist | |
| Daniel Curet | .... | key hairstylist | |
| Bart Mixon | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Margaret Hayes | .... | post-production supervisor | |
| Gilly Ruben | .... | unit production manager | |
Special Effects by | |||
| Bruce R. Anderson | .... | special effects technician | |
| Wilfred Caban | .... | pyrotechnician | |
| Joe Carroll | .... | special effects technician | |
| Michael Kranz | .... | special effects technician | |
| Paul Murphy | .... | special effects coordinator | |
| Dieter Sturm | .... | snowmaker | |
| Yvonne Sturm | .... | snowmaker | |
Visual Effects by | |||
| John Alagna | .... | opticals | |
Stunts | |||
| Danny Downey | .... | stunt player | |
| Jery Hewitt | .... | stunt coordinator | |
| Jery Hewitt | .... | stunt player | |
| Jennifer Lamb | .... | stunt player | |
| Eddie L. Watkins | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Jim Bridges | .... | still photographer (as James Bridges) | |
| Robin Brown | .... | camera operator | |
| Peter Clemence | .... | best boy grip | |
| Tony Corapi | .... | electrician | |
| Ed Dally | .... | film loader | |
| Milo Durben | .... | dolly grip | |
| Tom Franchett | .... | electrician | |
| Adam Gilmore | .... | second assistant camera | |
| Andy Harris | .... | first assistant camera | |
| William H. Hobson | .... | company grip (as William Hobson) | |
| Jeremy Knaster | .... | best boy electrician | |
| Mitchell Andrew Lillian | .... | key grip (as Mitch Lillian) | |
| William Moore | .... | rigging gaffer | |
| Bill O'Leary | .... | chief lighting technician | |
| Timothy O'Toole | .... | video playback | |
| Joseph Slagerman | .... | company grip | |
| Michael Tackett | .... | still photographer | |
| Niel Williams | .... | company grip (as Neil Williams) | |
| Robin Brown | .... | director of photography: second unit (uncredited) | |
Casting Department | |||
| Jane Brody | .... | location casting | |
| Kathleen Chopin | .... | casting assistant | |
| Sandra Dawes | .... | extras casting (as Sandra D. Dawes) | |
| Christine Sheaks | .... | casting associate | |
Costume and Wardrobe Department | |||
| Virginia Burton | .... | costumer | |
| Sister A. Daniels | .... | costume supervisor (as Sister Daniels) | |
Editorial Department | |||
| Tricia Cooke | .... | associate editor | |
| Nick Dibeneditto | .... | negative cutting by: N&D Films and Video | |
| David Diliberto | .... | first assistant editor (as Big Dave Diliberto) | |
| Daniel J. Geiger | .... | location assistant editor (as Daniel Geiger) | |
| Alma Kuttruff | .... | apprentice editor | |
| John Dowdell | .... | telecine colorist (uncredited) | |
Music Department | |||
| Carter Burwell | .... | music conducted by | |
| Carter Burwell | .... | music orchestrated by | |
| Emile Charlap | .... | music contractor | |
| Edmund Choi | .... | assistant to composer | |
| Michael Farrow | .... | music scoring mixer | |
| Todd Kasow | .... | music editor (as Todd Kassow) | |
| Shari Schwartz | .... | associate music editor | |
| John Moses | .... | musician: clarinet (uncredited) | |
| Paul Peabody | .... | musician: violin (uncredited) | |
Transportation Department | |||
| Dave Amberik | .... | driver | |
| Michael Arnold | .... | picture car coordinator | |
| Keith Carlson | .... | driver | |
| Dave Drentlaw | .... | driver (as David Drentlaw) | |
| Wade P. Ehlen | .... | driver | |
| David F. Evans | .... | driver | |
| Scott Michael Johnson | .... | driver (as Scott Johnson) | |
| Michael Kennedy | .... | transportation coordinator (as Michael J. Kennedy) | |
| Frank Ketchum | .... | transportation captain | |
| Eugene Kirsch | .... | driver (as Gene Kisch) | |
| Peter L. Mullin | .... | picture car assistant | |
| Ivy Poulliot | .... | driver | |
| John Rehborg | .... | driver | |
| Marti Smith | .... | driver (as Marty E. Smith) | |
| Tommy Ray Smith | .... | driver | |
Thanks | |||
| Mark Cady | .... | special thanks | |
| David Daugherty | .... | special thanks | |
| Deana Elwell | .... | special thanks | |
| Rick Finkelstein | .... | special thanks | |
| Peter D. Graves | .... | special thanks (as Peter Graves) | |
| Julie Hartley | .... | special thanks | |
| James Hautman | .... | special thanks | |
| Robert Hautman | .... | special thanks | |
| Michael Kuhn | .... | special thanks | |
| Aline Perry | .... | special thanks | |
| Malcolm Ritchie | .... | special thanks | |
| Russell Schwartz | .... | special thanks | |
| Stewart Till | .... | special thanks | |
| Mark Wolfe | .... | special thanks | |
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| A History of Violence | The Departed | Repo Men | Before the Devil Knows You're Dead | The Black Dahlia |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Crime section |
| IMDb USA section |
Nobody seems to know that Fargo is first and foremost a beautiful and very simple love story about two ordinary rural small town American people and secondly a superbly acted crime murder mayhem movie, probably the best that has ever been filmed. Every character is genuine, believable, and Home, not Hollywood, spun. The suspense rolls in and out like a San Francisco fog. The side shows that are built in are amazing (sheriff's conversation at a bar with old acquaintance - stamp conversations - breakfast makings). The whole film is an American Shakesphere. I actually know frequent moviegoers who have not seen Fargo (and Sling Blade and Shine). I feel a special sorrow for them. Back to Fargo, every time I watch it I don't want it to ever end. I even sometimes find myself wishfully thinking I could move up there, it's a Lake Wobegone, and then the movie would never end. Fargo is as close to capturing and portraying real life as a director and bunch of actors can get. I wish IMDb had a just one time eleven so I could crown it emperor above all.