8.1/10
507,357
846 user 211 critic

Fargo (1996)

Jerry Lundegaard's inept crime falls apart due to his and his henchmen's bungling and the persistent police work of the quite pregnant Marge Gunderson.

Directors:

, (uncredited)

Writers:

,
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Popularity
503 ( 58)

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Top Rated Movies #162 | Won 2 Oscars. Another 79 wins & 60 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
Kristin Rudrüd ...
...
...
...
Sally Wingert ...
Irate Customer's Wife
Kurt Schweickhardt ...
Car Salesman
Larissa Kokernot ...
...
Hooker #2
...
Shep Proudfoot (as Steven Reevis)
...
Steve Edelman ...
Morning Show Host
Sharon Anderson ...
Morning Show Hostess
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Storyline

Jerry works in his father-in-law's car dealership and has gotten himself in financial problems. He tries various schemes to come up with money needed for a reason that is never really explained. It has to be assumed that his huge embezzlement of money from the dealership is about to be discovered by father-in-law. When all else falls through, plans he set in motion earlier for two men to kidnap his wife for ransom to be paid by her wealthy father (who doesn't seem to have the time of day for son-in-law). From the moment of the kidnapping, things go wrong and what was supposed to be a non-violent affair turns bloody with more blood added by the minute. Jerry is upset at the bloodshed, which turns loose a pregnant sheriff from Brainerd, MN who is tenacious in attempting to solve the three murders in her jurisdiction. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

A lot can happen in the middle of nowhere. See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for strong violence, language and sexuality | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

|

Language:

Release Date:

5 April 1996 (USA)  »

Also Known As:

Фарго  »

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Box Office

Budget:

$7,000,000 (estimated)

Opening Weekend USA:

$730,265, 10 March 1996, Limited Release

Gross USA:

$24,611,975

Cumulative Worldwide Gross:

$36,000,000
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Joel Coen had Frances McDormand and John Carroll Lynch conceive a back-story for their characters to get the feel of them. They decided that Norm and Marge met while working on the police force, and when they were married, they had to choose which one had to quit. Since Marge was a better officer, Norm quit and took up painting. See more »

Goofs

When the kidnappers first enter Minneapolis, they are driving northbound on 35W, which means they're approaching from the south. Brainerd is north of the Twin Cities, so they should be approaching from the north. See more »

Quotes

[first lines]
Jerry Lundegaard: I'm, uh, Jerry Lundegaard.
Carl Showalter: You're Jerry Lundegaard?
Jerry Lundegaard: Ya. Shep Proudfoot said...
Carl Showalter: Shep said you'd be here at 7:30. What gives, man?
Jerry Lundegaard: Shep said 8:30.
Carl Showalter: We've been sitting here an hour. He's
[motioning to Gaer]
Carl Showalter: peed three times already.
Jerry Lundegaard: I'm sure sorry. Shep told me 8:30. It was a mix-up, I guess.
See more »

Crazy Credits

A symbol similar to the Artist Formerly Known as Prince is in the credits as "victim in field", but it is not him, it is J. Todd Anderson, the storyboard artist. See more »

Connections

Referenced in Mic Macs à Tire-Larigot (2009) See more »

Soundtracks

Feels So Good
Written and performed by Chuck Mangione
© 1977 Gates Music Inc. (BMI)
Courtesy of A&M Records, Inc.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
What a flick!

If you haven't seen this movie, do yourself a favour and see it. It is very well put together and the plot is constantly evolving into a deeper shade of creepiness. At times scary (not in the horror movie sense) and quite rich in dark humour, this is one of those movies that gives you a weird felling inside even an hour after its over. The music is quite appropriate and unlike Scarface, is timeless. The camera work is usually quite basic but whoever directed the photography had the enjoyable habit of giving us interestingly artistic segways between scenes. This is the first film so far that I've given a 10 out of 10. I was going to give it a 9, but I couldn't think of a reason to take any points from perfect.


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