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Fargo (1996)

 -  Crime | Drama | Thriller  -  5 April 1996 (USA)
8.2
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Ratings: 8.2/10 from 334,387 users   Metascore: 85/100
Reviews: 772 user | 176 critic | 24 from Metacritic.com

Jerry Lundegaard's inept crime falls apart due to his and his henchmen's bungling and the persistent police work of the quite pregnant Marge Gunderson.

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Title: Fargo (1996)

Fargo (1996) on IMDb 8.2/10

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Top 250 #149 | Won 2 Oscars. Another 72 wins & 41 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
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Kristin Rudrüd ...
...
...
...
Sally Wingert ...
Kurt Schweickhardt ...
Larissa Kokernot ...
...
...
Shep Proudfoot (as Steven Reevis)
Warren Keith ...
Steve Edelman ...
Morning Show Host
Sharon Anderson ...
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Storyline

Jerry works in his father-in-law's car dealership and has gotten himself in financial problems. He tries various schemes to come up with money needed for a reason that is never really explained. It has to be assumed that his huge embezzlement of money from the dealership is about to be discovered by father-in-law. When all else falls through, plans he set in motion earlier for two men to kidnap his wife for ransom to be paid by her wealthy father (who doesn't seem to have the time of day for son-in-law). From the moment of the kidnapping, things go wrong and what was supposed to be a non-violent affair turns bloody with more blood added by the minute. Jerry is upset at the bloodshed, which turns loose a pregnant sheriff from Brainerd, MN who is tenacious in attempting to solve the three murders in her jurisdiction. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

A homespun murder story. See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for strong violence, language and sexuality | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

|

Language:

Release Date:

5 April 1996 (USA)  »

Also Known As:

Фарго  »

Box Office

Budget:

$7,000,000 (estimated)

Opening Weekend:

$137,301 (USA) (19 July 1996)

Gross:

$24,547,547 (USA) (4 April 1997)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Jerry Lundegaard's last name comes from Bob Lundegaard, movie critic for the Minneapolis Star and Tribune from 1973-1986. See more »

Goofs

In the opening scene where Jerry is towing the Ciera along the snow-covered roads, both cars are understandably covered with road grime, ice and salt. Later, when he pulls into the King of Clubs for the meeting, both cars are perfectly clean. See more »

Quotes

[first lines]
Jerry Lundegaard: I'm, uh, Jerry Lundegaard.
Carl Showalter: You're Jerry Lundegaard?
Jerry Lundegaard: Ya. Shep Proudfoot said...
Carl Showalter: Shep said you'd be here at 7:30. What gives, man?
Jerry Lundegaard: Shep said 8:30.
Carl Showalter: We've been sitting here an hour. He's
[motioning to Gaer]
Carl Showalter: peed three times already.
Jerry Lundegaard: I'm sure sorry. Shep told me 8:30. It was a mix-up, I guess.
See more »

Crazy Credits

A symbol similar to the Artist Formerly Known as Prince is in the credits as "victim in field", but it is not him, it is J. Todd Anderson, the storyboard artist. See more »


Soundtracks

Johnny's Theme
Written by Paul Anka and Johnny Carson
'The Tonight Show Starring Johnny Carson' Audio Supplied Courtesy of Carson Productions Group
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
What a flick!
2 March 2005 | by (Canada) – See all my reviews

If you haven't seen this movie, do yourself a favour and see it. It is very well put together and the plot is constantly evolving into a deeper shade of creepiness. At times scary (not in the horror movie sense) and quite rich in dark humour, this is one of those movies that gives you a weird felling inside even an hour after its over. The music is quite appropriate and unlike Scarface, is timeless. The camera work is usually quite basic but whoever directed the photography had the enjoyable habit of giving us interestingly artistic segways between scenes. This is the first film so far that I've given a 10 out of 10. I was going to give it a 9, but I couldn't think of a reason to take any points from perfect.


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