A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
Jerry works in his father-in-law's car dealership and has gotten himself in financial problems. He tries various schemes to come up with money needed for a reason that is never really explained. It has to be assumed that his huge embezzlement of money from the dealership is about to be discovered by father-in-law. When all else falls through, plans he set in motion earlier for two men to kidnap his wife for ransom to be paid by her wealthy father (who doesn't seem to have the time of day for son-in-law). From the moment of the kidnapping, things go wrong and what was supposed to be a non-violent affair turns bloody with more blood added by the minute. Jerry is upset at the bloodshed, which turns loose a pregnant sheriff from Brainerd, MN who is tenacious in attempting to solve the three murders in her jurisdiction. Written by
Joel Coen: [Stanley Kubrick] Carl says he's in town for "just a little of the ol' in-and-out," a reference to A Clockwork Orange (1971). When Carl and Gaear are driving outside Minneapolis, the song 'These Boots are Made for Walkin' can be heard on the radio, a reference to Full Metal Jacket (1987), which features the same song. Some shots during the kidnapping, such as breaking the door down, are a tribute to The Shining (1980). See more »
When Jerry is talking to Wade outside the diner, an Infiniti dealership can be seen in the background across the street. The Infiniti line of luxury cars were not introduced until 1989. See more »
Nobody seems to know that Fargo is first and foremost a beautiful and very simple love story about two ordinary rural small town American people and secondly a superbly acted crime murder mayhem movie, probably the best that has ever been filmed. Every character is genuine, believable, and Home, not Hollywood, spun. The suspense rolls in and out like a San Francisco fog. The side shows that are built in are amazing (sheriff's conversation at a bar with old acquaintance - stamp conversations - breakfast makings). The whole film is an American Shakesphere. I actually know frequent moviegoers who have not seen Fargo (and Sling Blade and Shine). I feel a special sorrow for them. Back to Fargo, every time I watch it I don't want it to ever end. I even sometimes find myself wishfully thinking I could move up there, it's a Lake Wobegone, and then the movie would never end. Fargo is as close to capturing and portraying real life as a director and bunch of actors can get. I wish IMDb had a just one time eleven so I could crown it emperor above all.
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