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Fargo (1996)

 -  Crime | Drama | Thriller  -  5 April 1996 (USA)
8.2
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Ratings: 8.2/10 from 335,358 users   Metascore: 85/100
Reviews: 773 user | 176 critic | 24 from Metacritic.com

Jerry Lundegaard's inept crime falls apart due to his and his henchmen's bungling and the persistent police work of the quite pregnant Marge Gunderson.

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Title: Fargo (1996)

Fargo (1996) on IMDb 8.2/10

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Top 250 #149 | Won 2 Oscars. Another 73 wins & 40 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Kristin Rudrüd ...
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...
Sally Wingert ...
Kurt Schweickhardt ...
Larissa Kokernot ...
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...
Shep Proudfoot (as Steven Reevis)
Warren Keith ...
Steve Edelman ...
Morning Show Host
Sharon Anderson ...
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Storyline

Jerry works in his father-in-law's car dealership and has gotten himself in financial problems. He tries various schemes to come up with money needed for a reason that is never really explained. It has to be assumed that his huge embezzlement of money from the dealership is about to be discovered by father-in-law. When all else falls through, plans he set in motion earlier for two men to kidnap his wife for ransom to be paid by her wealthy father (who doesn't seem to have the time of day for son-in-law). From the moment of the kidnapping, things go wrong and what was supposed to be a non-violent affair turns bloody with more blood added by the minute. Jerry is upset at the bloodshed, which turns loose a pregnant sheriff from Brainerd, MN who is tenacious in attempting to solve the three murders in her jurisdiction. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

An ordinary place, an extraordinary thriller See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for strong violence, language and sexuality | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

|

Language:

Release Date:

5 April 1996 (USA)  »

Also Known As:

Фарго  »

Box Office

Budget:

$7,000,000 (estimated)

Opening Weekend:

$137,301 (USA) (19 July 1996)

Gross:

$24,547,547 (USA) (4 April 1997)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The reference to "Midwest Federal... talk to ol' Bill Diehl" is a nod to film critic Bill Diehl, who wrote for the St. Paul Pioneer Press-Dispatch and interviewed the Coen Brothers shortly after the release of Blood Simple. (1984) Midwest Federal Savings was part of the savings and loan crisis, and folded--largely as the result of bad real estate investments--in 1989, two years after the story takes place. The Midwest Federal Building, the S&L's Minneapolis headquarters, was used for exterior shots of the building in which WJM was located on Mary Tyler Moore (1970). See more »

Goofs

Jean Lundegaard dials 911 from a phone in the upstairs bathroom. A few seconds later, the phone is disconnected. While most current 911 systems could automatically identify the address, that was not the case in 1987. The dispatcher might not have been able to take any further action. See more »

Quotes

[first lines]
Jerry Lundegaard: I'm, uh, Jerry Lundegaard.
Carl Showalter: You're Jerry Lundegaard?
Jerry Lundegaard: Ya. Shep Proudfoot said...
Carl Showalter: Shep said you'd be here at 7:30. What gives, man?
Jerry Lundegaard: Shep said 8:30.
Carl Showalter: We've been sitting here an hour. He's
[motioning to Gaer]
Carl Showalter: peed three times already.
Jerry Lundegaard: I'm sure sorry. Shep told me 8:30. It was a mix-up, I guess.
See more »

Crazy Credits

A symbol similar to the Artist Formerly Known as Prince is in the credits as "victim in field", but it is not him, it is J. Todd Anderson, the storyboard artist. See more »

Connections

References Psycho (1960) See more »

Soundtracks

Feels So Good
Written and performed by Chuck Mangione
© 1977 Gates Music Inc. (BMI)
Courtesy of A&M Records, Inc.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A masterpiece of Shakesperean proportions
11 November 2004 | by (Vancouver, Canada) – See all my reviews

I've always thought Fargo would make a great Shakesperean play; you could alter the modern elements and still have created a buzz 400 years ago in suburban England. Indeed, the plot is similar to Hamlet's, in that they both have characters we root for who create zany plans than end up spinning wildly out of control into bloodshed. Many people seem to like Fargo for its humorous qualities, its characterization of the Minnesotan culture and Frances McDormand- not me. I love Fargo for its brilliant writing, its tragic musical score, its tragic plot, William H Macy, Harve Presnell and Steve Buscemi, its ignorance of political correctness (how many movies can you remember when the only two minority characters were both revealed to be creeps).I want to draw attention to an overlooked reason why the film works so well - how well the music suits the visuals in this movie. Each murder scene is scored superbly, and other audio clues really add to the effect (for instance, notice how when the police officer asks Carl Showalter "What's this?" in reference to the abductee, a disquieting guitar sound is immediately played that has an instantaneous psychological effect on how you interpret the scene). I have seen this film over, well, an embarrassing number of times and have committed its screenplay, from start to finish, by memory. Fargo is the ultimate Coen Brothers movie, a brilliant tragedy, and restores my faith in Roger Ebert as he places this movie in as his fourth favorite movie of the '90s.


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