The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
When two brothers organize the robbery of their parents' jewelry store the job goes horribly wrong, triggering a series of events that sends them, their father and one brother's wife hurtling towards a shattering climax.
Philip Seymour Hoffman,
After thirteen and half years in prison for kidnapping and murdering the boy Park Won-mo, Geum-ja Lee is released and tries to fix her life. She finds a job in a bakery; she orders the ... See full summary »
Jerry works in his father-in-law's car dealership and has gotten himself in financial problems. He tries various schemes to come up with money needed for a reason that is never really explained. It has to be assumed that his huge embezzlement of money from the dealership is about to be discovered by father-in-law. When all else falls through, plans he set in motion earlier for two men to kidnap his wife for ransom to be paid by her wealthy father (who doesn't seem to have the time of day for son-in-law). From the moment of the kidnapping, things go wrong and what was supposed to be a non-violent affair turns bloody with more blood added by the minute. Jerry is upset at the bloodshed, which turns loose a pregnant sheriff from Brainerd, MN who is tenacious in attempting to solve the three murders in her jurisdiction. Written by
The Danish band Diefenbach take their name from the character Riley Diefenbach in this movie. See more »
In Ludegaard's first plan to raise money, he asks Wade for seed money for a $750,000 parking lot project. Wade refuses to give him the money, but offers him a 10% finder's fee. If he took the finder's fee, he would have had $75,000 instead of the $40,000 he would have had from his second plan of splitting the $80,000 ransom with the kidnappers. However, the ransom demand was $1 million; Jerry only told the kidnappers it was $40,000. See more »
If you haven't seen this movie, do yourself a favour and see it. It is very well put together and the plot is constantly evolving into a deeper shade of creepiness. At times scary (not in the horror movie sense) and quite rich in dark humour, this is one of those movies that gives you a weird felling inside even an hour after its over. The music is quite appropriate and unlike Scarface, is timeless. The camera work is usually quite basic but whoever directed the photography had the enjoyable habit of giving us interestingly artistic segways between scenes. This is the first film so far that I've given a 10 out of 10. I was going to give it a 9, but I couldn't think of a reason to take any points from perfect.
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