A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
Jerry works in his father-in-law's car dealership and has gotten himself in financial problems. He tries various schemes to come up with money needed for a reason that is never really explained. It has to be assumed that his huge embezzlement of money from the dealership is about to be discovered by father-in-law. When all else falls through, plans he set in motion earlier for two men to kidnap his wife for ransom to be paid by her wealthy father (who doesn't seem to have the time of day for son-in-law). From the moment of the kidnapping, things go wrong and what was supposed to be a non-violent affair turns bloody with more blood added by the minute. Jerry is upset at the bloodshed, which turns loose a pregnant sheriff from Brainerd, MN who is tenacious in attempting to solve the three murders in her jurisdiction. Written by
In the kidnappers' cabin, Bruce Campbell can be seen on the fuzzy TV screen. Bruce Campbell was in the Coen Brothers' The Hudsucker Proxy (1994) and has been in various films by Coen buddy Sam Raimi. The footage was not shot for this film, but was actually old footage of a regional soap opera in which Campbell appeared. See more »
As Geaer is running away from Marge onto the frozen lake, he is shot in the leg and falls. The boots and soles are still white. He had just been standing in a mess of blood near the wood chipper, and had blood on his heels as he started to run away. See more »
With no major stars or well-known names, the actors outshine many more familiar personages. The story is well thought out. The criminals don't try to ingratiate themselves with the audience which adds to its reality. The acting is most convincing and the writing is excellent. Even the cold of a North Dakota winter comes across. Every film course should make use of this movie to demonstrate how to make a very good film without relying on a bottomless budget.
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