Directed by | |||
| Gérard Oury | |||
Writing credits(in alphabetical order) | ||
| Francis Veber | ||
Produced by | |||
| Alain Poiré | .... | producer | |
Original Music by | |||
| Wojciech Kilar | |||
Cinematography by | |||
| Robert Fraisse | |||
Film Editing by | |||
| Catherine Kelber | |||
Casting by | |||
| Françoise Menidrey | |||
Production Design by | |||
| Gérard Viard | |||
Art Direction by | |||
| Laurent Piron | |||
Costume Design by | |||
| Catherine Leterrier | |||
Makeup Department | |||
| Gina Lola Benzina | .... | makeup artist (as Lydie Canga) | |
| Lucía Bretones-Méndez | .... | key makeup artist | |
| Agathe Dupuis | .... | key hair stylist | |
Second Unit Director or Assistant Director | |||
| Nathalie Alexandre | .... | assistant director | |
| David Artur | .... | assistant director | |
| Michel Cheyko | .... | second unit director | |
| Christopher Gachet | .... | second assistant director | |
| Bernard Seitz | .... | first assistant director | |
| Isabelle Thévenet | .... | first assistant director (as Isabelle Perrin-Thévenet) | |
Art Department | |||
| Guy Monbillard | .... | set dresser | |
Sound Department | |||
| Gilbert Crozet | .... | post-synchronization | |
| Maurice Laumain | .... | sound editor | |
| Bernard Le Roux | .... | sound mixer | |
| Pascal Mazière | .... | foley artist | |
| Alain Sempé | .... | sound | |
| Michel Trouillard | .... | assistant sound editor | |
| Claude Villand | .... | sound mixer | |
| Olivier Villette | .... | sound assistant | |
Visual Effects by | |||
| Seb Caudron | .... | digital compositor | |
| Delphine Domer | .... | visual effects | |
| Thomas Duval | .... | compositing supervisor | |
| Michel Koelblen | .... | visual effects | |
| Pitof | .... | visual effects supervisor | |
| Jean-Paul Rovela | .... | roto artist training | |
| Antoine Simkine | .... | visual effects executive producer: Duboi | |
| Rip Hampton O'Neil | .... | director of reseach and development: DuboiColor (uncredited) | |
Stunts | |||
| Patrick Cauderlier | .... | stunts | |
| Sébastien Lagniez | .... | stunts | |
Animation Department | |||
| Cédric Houplain | .... | animator | |
| Bruno Le Provost | .... | digital artist | |
| Nicolas Rey | .... | animator | |
| Bettina von den Steinen | .... | animator | |
Casting Department | |||
| Marie-France Michel | .... | extras casting | |
Costume and Wardrobe Department | |||
| Yvette Bonnay | .... | assistant costumer | |
| Fanny Jakubowicz | .... | assistant costumer | |
Editorial Department | |||
| Antoine Battistelli | .... | assistant editor | |
| Dorian Rigal-Ansous | .... | assistant editor | |
Music Department | |||
| Paul Lavergne | .... | soundtrack album producer | |
Other crew | |||
| Jean Brun | .... | administrator | |
| Roger Pera | .... | administrator | |
| Dominique Segall | .... | unit publicist | |
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| My Father the Hero | Rushmore | Batman | Broken Flowers | Me, Myself & Irene |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb France section |
An industrialist and his chauffer are murdered, one by mistake, one on purpose. No time to cry. Their fantomes become visible in a matter of seconds. That leads to a relationship in which the industrialist tries to maintain the class distinction, not very succesfully. We get to see the family relationships and the intricate net of sexual shenanigans. The young son of the tycoon is the only one who really mourns and gets involved in a chase with the murderer. Excellent special effects with fantomes that can go through things or are being gone through. Very beautiful sequence in wich the characters get into a video game with Egyptian decors. Light and funny.