The hit musical based on the life of Evita Duarte, a B-picture Argentinian actress who eventually became the wife of Argentinian president Juan Perón, and the most beloved and hated woman in Argentina.

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Cast

Cast overview, first billed only:
...
...
...
...
Victoria Sus ...
Julian Littman ...
...
Blanca
...
Elisa Duarte
Julia Worsley ...
María Luján Hidalgo ...
Young Eva (as Maria Lujan Hidalgo)
Servando Villamil ...
Cipriano Reyes
...
Perón's Mistress
...
Domingo Mercante
Gary Brooker ...
Juan Bramuglia
Maite Yerro ...
Julieta (as Mayte Yerro)
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Storyline

High-flying, adored! The film adaptation of the hit Broadway musical depicting the infamous real-life story of Eva "Evita" Duarte de Peron, the wife of President Juan Peron, who rose from poverty to become the most famous Argentine woman in history. Her huge political influence and constant charity works earned her scorn and fear from the military and upper classes but adoration and love from the workers and descamisados. Evita's legendary life is displayed before your eyes as the most hated and most beloved woman in Argentina. Written by O.G.

Plot Summary | Plot Synopsis

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The Most Anticipated Motion Picture Event of The Year


Motion Picture Rating (MPAA)

Rated PG for thematic elements, images of violence and some mild language | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

10 January 1997 (USA)  »

Also Known As:

Ebîta  »

Filming Locations:

 »

Box Office

Budget:

$55,000,000 (estimated)

Opening Weekend:

ITL 2,273,873,000 (Italy) (27 December 1996)

Gross:

$49,994,804 (USA) (25 April 1997)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The song "The Lady's Got Potential" originally appeared on the concept album for Evita with an entirely different set of lyrics. There was a subplot on the concept album that involved Che developing an insecticide with hope for financial success, and the original lyrics for "The Lady's Got Potential" centered around a comparison between the death of flies and the death of democracy. When the insecticide subplot was dropped on the show's journey to the stage, the song was dropped as well. However, Andrew Lloyd Webber and Tim Rice almost completely rewrote the song for inclusion in the film. See more »

Goofs

Evita's right arm position when she's listening to Magaldi singing. See more »

Quotes

Eva Perón: And as for fortune, and as for fame... I never invited them in, though it seemed to the world they were all I desired.
See more »

Connections

Referenced in Me casé con un boludo (2016) See more »

Soundtracks

Santa Evita
(uncredited)
Written by Tim Rice and Andrew Lloyd Webber
Performed by Antonio Banderas and the Chorus
Produced by Nigel Wright, Alan Parker, Andrew Lloyd Webber, and David Caddick
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User Reviews

 
A Great Film, Better With Each Viewing
12 September 2004 | by (Connecticut, USA) – See all my reviews

Saw this film just after release in Jan '97. Not much impressed. Wife bought the CD and began playing it on car trips. Music grew on me to the point where I found myself taking spins in the car alone, just to play the CD and totally absorb the experience.

One evening in '99, caught the film on TV and enjoyed a perfect ecstasy in relating the music to the scenes, which I had forgotten. Played the CD less frequently over the next few years. Then, this spring (2004), HBO began showing Evita repeatedly. Watched it night after night, becoming transfixed by the music, the dancing, the cinematography, the nuances of Pryce's portrayal of Peron.

Lately, I've been watching the DVD once a week, using the NEXT button to bypass the violence and the army/high society chants. What comes across is a softer, gentler story of "poor girl makes good, marries famous man." It's a story rich in melody -- the Latin beat of "Buenos Aires", the soft sax of "Another Suitcase" and "I'd be Good For You", the touching strings of "Don't Cry For Me" and "You Must Love Me.". And the film is framed in moody, unforgettable backdrops. To name just one, the all-pervading afternoon sun -- hot on the dusty plain, glowing hazily upon the bustling Buenos Aires streets, aslant along the long corridor and stairs, as Peron carries the dying Evita to her bed, and finally, an eery spotlight upon the draped casket lying in state.

Madonna is superb, both in voice and screen presence. Pryce's performance is a triumph of the actor's craft. Banderos is a perfect Che, although, in my view, he shines as a tertiary star behind Madonna and Pryce.

See Evita, if you haven't already. If you've seen it ten times, see it again. There is still more pleasure to take from this wonderful film with each viewing.


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