The hit musical based on the life of Evita Duarte, a B-picture Argentinian actress who eventually became the wife of Argentinian president Juan Perón, and the most beloved and hated woman in Argentina.

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Cast

Cast overview, first billed only:
...
...
...
...
Victoria Sus ...
Julian Littman ...
...
Blanca
...
Elisa Duarte
Julia Worsley ...
María Luján Hidalgo ...
Young Eva (as Maria Lujan Hidalgo)
Servando Villamil ...
Cipriano Reyes
...
Perón's Mistress
...
Domingo Mercante
Gary Brooker ...
Juan Bramuglia
Maite Yerro ...
Julieta (as Mayte Yerro)
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Storyline

High-flying, adored! The film adaptation of the hit Broadway musical depicting the infamous real-life story of Eva "Evita" Duarte de Peron, the wife of President Juan Peron, who rose from poverty to become the most famous Argentine woman in history. Her huge political influence and constant charity works earned her scorn and fear from the military and upper classes but adoration and love from the workers and descamisados. Evita's legendary life is displayed before your eyes as the most hated and most beloved woman in Argentina. Written by O.G.

Plot Summary | Plot Synopsis

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The Most Anticipated Motion Picture Event of The Year


Motion Picture Rating (MPAA)

Rated PG for thematic elements, images of violence and some mild language | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

10 January 1997 (USA)  »

Also Known As:

Ebîta  »

Filming Locations:

 »

Box Office

Budget:

$55,000,000 (estimated)

Opening Weekend:

ITL 2,273,873,000 (Italy) (27 December 1996)

Gross:

$49,994,804 (USA) (25 April 1997)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Michelle Pfeiffer also was considered for the role of Eva Perón, and when the film was to be directed by Oliver Stone she even had taken a good few months voice training for the role. See more »

Goofs

Eva Peron's shoes change during the waltz scene with Che. Apparently Madonna began filming with higher heels, fell, and, fearing for her unborn baby, switched to lower heels with a clearly different strap set-up. Her hair also changes. See more »

Quotes

Eva Perón: What is the good of the strongest heart in a body that's falling apart? A serious flaw.
See more »

Connections

Referenced in Kronk's New Groove (2005) See more »

Soundtracks

Eva's Final Broadcast
(uncredited)
Written by Tim Rice and Andrew Lloyd Webber
Performed by Madonna and Chorus
Produced by Nigel Wright, Alan Parker, Andrew Lloyd Webber, and David Caddick
See more »

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User Reviews

 
Best role for Madonna
8 August 2005 | by (Milwaukee, WI) – See all my reviews

I used to think that there were a couple of absolutes in this world other than the standard issue ones. One is that I will always hate Andrew Lloyd Webber and another is that Madonna will never be a good actress. After seeing Alan Parker's 1996 musical "Evita" however, starring Madonna and featuring the music of Andrew Lloyd Webber, I have had to amend those two statements slightly.

"Evita" tells the true story of Eva Peron, the wife of Argentina's former president (and dictator) Juan Peron. In a story that was ready-made for Hollywood, she started out as the illegitimate and poor daughter of a man who dies when she is very young, sleeps with a mediocre nightclub singer at the age of 15 in order to gain passage to Buenos Aires, and from there begins her struggle to reach whatever achievements her ambitions require (which is a lot). Using her body to gain important friends (because, frankly, she didn't have any acting talent) she becomes an actress and radio star before she meets Juan Peron, at the time, an up and coming politician. They get married and the two work to get him elected as the president of Argentina on the platform that "they are workers too". When he is elected, Evita's popularity grows even more, to the point where her dreams of becoming the vice president of the country could be realized, until she is stricken with cancer and dies, essentially with the image of a saint, at the age of 32.

"Evita" is a gorgeous, lush film, full of thousands of extras, great location scenes and features a very talented cast. It acts almost as an incredibly big budgeted and elaborate music video, mainly because it features almost constant singing, and well, it stars one of the most visible music video stars of all time. Madonna finally found her part in this film, and no, it wasn't just easier because she didn't have a lot of speaking lines. It is clear that not only did she take voice lessons (which actually is true) because her voice quality was better than "normal", and has stayed that way since the making of this film, but she was able to knock off some decent dramatic moments. Banderas, though he spent a lot of the film looking pretty furious with the camera, doesn't have to prove any acting mettle (anyone who has seen him in an Almodovar film can attest to this) but did come up with a surprisingly good singing voice. Jonathan Pryce, who was curiously cast as Peron also did a good job, though his part was fairly minor, and even at that he was relegated to giving Evita a lot of loving looks. All in all, however, the slick production, some catchy music (I cannot believe I am actually saying that I actually really like a film featuring the music of the insipid, mainstream, gnome-like Webber) that is good enough to listen to extra-curricularly and performances that weren't bad made for a pretty good and very entertaining viewing.

Don't get me wrong – there are more than a few eye-rolling moments in "Evita", but the good definitely outweighs the bad, exponentially. The story, while coherent, was pretty mediocre, and I found that I felt that there were some things that were glossed over or trivialized with a cute musical number. Admittedly, however, this IS a musical and you don't sign up for a hard-hitting knowledge fest when you watch one. This wasn't the first time I had seen this film, and yet I still end up getting so wrapped up in the action that I end up bawling a couple of times, and this viewing was no exception. More importantly, though, I didn't feel like a doofus when I recommended it as a movie that three guys and I should watch together, because while it's slick and a musical, (and therefore, traditionally, a chick film) there's enough compelling elements to the film that will keep some guys happy as well. Good job, Parker and thanks a lot for blowing two of the absolutes I normally stand by. 6/10 --Shelly


17 of 27 people found this review helpful.  Was this review helpful to you?

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