Suffering from writer's block and eagerly awaiting his writing award, Harry Block remembers events from his past and scenes from his best-selling books as characters, real and fictional, come back to haunt him.
A director is forced to work with his ex-wife, who left him for the boss of the studio bankrolling his new film. But the night before the first day of shooting, he develops a case of psychosomatic blindness.
Holden and Skylar are in love with each other. Skylar lives with a large and extended family on Manhattan. Her parents, Bob and Steffi have been married to each other for many years. Joe, a friend of theirs, who has a daughter, DJ, with Steffi. After yet another relationship, Joe is alone again. He flees to Venice, and meets Von, and makes her believe that he is the man of her dreams. However, their happiness is fake all the way, and she returns to her previous husband. Steffi spends her time with charity work, and manages to break up Skylars and Holdens relation when she introduces Skylar to a released jailbird, Charles Ferry. Written by
Holden (Ed Norton) and Skylar (Drew Barrymore) are engaged to be married but during the scene in the jewelery store Holden is wearing a wedding ring on his ring finger. (The man of course does not wear a ring until after the wedding). See more »
So, Everyone Says I Love You is pretty much the typical Woody Allen
comedy, complete with all the staples that define his oeuvre; lots of
neurotic characters, a performance from the man himself, New York
City...only this time, there's one big difference - it's also a
musical. It's well known that Woody Allen is a big fan of cinema, and
therefore it is not unreasonable to assume that this film is Allen's
tribute to the classic musicals of yesteryear. Everyone Says I Love You
is typically Woody Allen in spite of the obvious difference in genre to
the rest of his movies. I'm not a fan of musicals, and if I were to be
overly critical of this film; I would say that it would have been
better as a straight comedy-drama, without the musical element.
However, it's the musical side of the piece that gives it it's unique
edge, and dropping that from the film would have ensured that it isn't
the movie that Allen wanted it to be. Not to mention the fact that the
musical side of the movie makes it striking in the way that only Woody
Allen can be.
For this film, Woody Allen has put together a terrific cast. Of course,
a number of stars is part of Allen's trademark, but I think he outdid
himself with the cast of this movie, which includes the likes of Edward
Norton, Natalie Portman, Drew Barrymore, Julia Roberts, Goldie Hawn,
Tim Roth, Natasha Lyonne and Alan Alda. Not to mention Woody himself.
I'm not a fan of all of those film stars, but seeing a number of
familiar faces in a movie together is always a treat for a movie buff.
The song and dance sequences in the film aren't all that well put
together, as the songs are largely unimaginative and the film fails on
the whole to capture the grandeur of the classic musical. However, the
drama side of the movie is very strong; and as usual, Woody's script is
funny, touching and obscure in equal measure. He's given himself the
best part, and has most of the other characters commenting on how great
he is, but Woody Allen without a huge ego just isn't Woody Allen. I
don't rate this as a movie at the very peak of Allen's filmography, but
it's a strong one and it's recommended to his fans.
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