A director is forced to work with his ex-wife, who left him for the boss of the studio bankrolling his new film. But the night before the first day of shooting, he develops a case of psychosomatic blindness.
Suffering from writer's block and eagerly awaiting his writing award, Harry Block remembers events from his past and scenes from his best-selling books as characters, real and fictional, come back to haunt him.
Holden and Skylar are in love with each other. Skylar lives with a large and extended family on Manhattan. Her parents, Bob and Steffi have been married to each other for many years. Joe, a friend of theirs, who has a daughter, DJ, with Steffi. After yet another relationship, Joe is alone again. He flees to Venice, and meets Von, and makes her believe that he is the man of her dreams. However, their happiness is fake all the way, and she returns to her previous husband. Steffi spends her time with charity work, and manages to break up Skylars and Holdens relation when she introduces Skylar to a released jailbird, Charles Ferry. Written by
The actors sing their own songs except for Drew Barrymore, who convinced Woody Allen that her singing was too awful even for the realistic singing voices he was after. She said she doesn't even sing in the shower. See more »
In Venice when Woody Allen is singing "I'm Through With Love" the vaporetto boat in the background is going backwards, along with a smaller boat a little later. See more »
Y'know over the years I often wondered what would have happened if we stayed together.
Well, that's something we never gonna know. We've managed to produce a fabulous daughter though. She got your looks, fortunately, and my... magic personality.
See more »
Not just any filmmaker should be entrusted with the delicate and precarious genre of the musical. Woody Allen would probably be the last person I'd expect to see work up a musical. He's gotten a lot more experimental in some of his more recent works, so it's of no surprise. I think what makes this film work is in its charm and the love of 30's musicals that is behind it. This really is an ode to the old black and white musicals and to the classic love stories of the same period. Now, on the level of Woody Allen's catalog, this one does not rank very high, but in comparison to television shows that have the occasional musical episode, this one hits its mark. The reason I mention the last comment is because there are some actors in here that never would they be expected to sing in a film. Maybe they shouldn't have, but there is just a lot of love behind this production that you've just gotta smile.
9 of 10 people found this review helpful.
Was this review helpful to you?