The epic adventures of the legendary Baran the Bandit following his release from prison. After serving 35 years, it is no surprise that the world has changed dramatically. Still, Baran ... See full summary »
Sadik is one of the rebellious youth who has been politically active as a university student and became a left-wing journalist in the 70's, despite his father's expectations of him becoming... See full summary »
The film is about the introduction of television to a small village in southeast Anatolia in 1974. Employing a tragicomic language, it tells of the efforts of Emin who is the village idiot ... See full summary »
Based on a true event, Pardon tells the tragicomic story of three friends who end up in prison when they are mistaken as members of a terrorist organization. Ibrahim's fear of uniforms ... See full summary »
Idealist Nazim returns home to his family in Istanbul after a 15-year gap away teaching in a remote Kurdish village in eastern Turkey. Becoming a taxi driver he meets a single mother who ... See full summary »
The funny little details of everyday life; the simple things that makes us laugh. An unforgettable performance from Cem Yilmaz. Yilmaz captures the audience with his hilarious stories about... See full summary »
Failed magician Iskender decides to do a tour to save his career, but has to bring his grumpy and senile father along. The tour is quite unexpectedly interrupted when a bride actually disappears from the stage.
Ali Osman is a former bully of city of Istanbul. But lately he gives up bully and starts to operate a synthetic pitch. He often meets his old friends, former bullies, too. One day Ali Osman... See full summary »
The landowner (Agha) of the Haraptar village marries off his old father with the young and beautiful Kiraz. But on the nuptial night, his father dies and everthing starts to go bad for the ... See full summary »
The epic adventures of the legendary Baran the Bandit following his release from prison. After serving 35 years, it is no surprise that the world has changed dramatically. Still, Baran can't help but be shocked to discover that his home village is now underwater thanks to the construction of a new dam. He then heads for Istanbul to get revenge upon his former best friend, the man who snitched on him and stole his lover Keje. Along the way, Baran teams up with Cumali, a tough young punk who finds the thief's old-fashioned ways rather quaint. When Cumali gets into deep trouble with a crime boss, Baran adds another vengeful task to his roster. Written by
This movie is exclusively regarded as the savior and the turning point of the Turkish cinema which was desperately struggling against the foreign films since 1980 and having difficulty to attract the domestic audience. See more »
[to Cumali, on the hotel rooftop]
Don't be afraid, you will just go to soil, then you will become soil, then you will walk to the body of a flower with waters. From there, you will reach the essence. A bee will get to the essence of the flower. Maybe, maybe that bee will be me.
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Yavuz Turgut's "Eskiya," which came out almost a decade ago, is he perfect illustration of how unique Turkish cinema can be when it combines elements of Western crime genre films and Anatolian folk dramas, which have been the basis for Turkish films since Muhsin Ertugrul directed films some 75 years ago. The film has some major flaws, but these are mostly in terms of production. The script and its' direction are fairly crisp, and the acting by veteran comic Sener Sen, in a serious role here, and Ugur Yucel, who was also great in Ali Ozgenturk's "Balalayka," is quite exceptional. The film features a haunting score, deep symbolism (particularly in the final scenes) and timely social themes. I think the later is one of the reasons why it has not been popular with those who are more unfamiliar with Turkey, but it is this very element which makes the film more than just a routine gangster film. The film is also considerably more violent than most Turkish films, though many (particularly '70s films of the late Yilmaz Guney) made for brutal cinematic experiences. Another interesting aspect of this film is that it shows a crime family taking its' lifestyle from Anatolia into Istanbul, which reminded me of how Marlon Brando took up where he left off upon leaving Sicily for New York. "Eskiya/The Bandit" is not as exceptional as either "Yol" or "Uzak/Distant" but it is quite a moving film and I gather since it outgroosed "Titanic" in Turkey, it was quite the crowd-pleaser.The film was also made at a time when film production in Turkey was at an all-time low, but the industry has thankfully picked up considerably.
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