The epic adventures of the legendary Baran the Bandit following his release from prison. After serving 35 years, it is no surprise that the world has changed dramatically. Still, Baran ...
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Ali Osman is living a quiet life after years of struggle, murder and tears. And he is slowly slipping into dementia. He made his peace with the horrible life he had and waiting for his ... See full summary »
The film is about the introduction of television to a small village in southeast Anatolia in 1974. Employing a tragicomic language, it tells of the efforts of Emin who is the village idiot ... See full summary »
The landowner (Agha) of the Haraptar village marries off his old father with the young and beautiful Kiraz. But on the nuptial night, his father dies and everthing starts to go bad for the ... See full summary »
When Altan swipes prescription drugs from his brother Nuri's pharmacy, they soon find themselves on a dangerous but funny road trip to get rid of the stuff and escape the mafiosi Altan ... See full summary »
Failed magician Iskender decides to do a tour to save his career, but has to bring his grumpy and senile father along. The tour is quite unexpectedly interrupted when a bride actually disappears from the stage.
Lazy, uneducated students share a very close bond. They live together in the dormitory, where they plan their latest pranks. When a new headmaster arrives, the students naturally try to overthrow him. A comic war of nitwits follows.
The epic adventures of the legendary Baran the Bandit following his release from prison. After serving 35 years, it is no surprise that the world has changed dramatically. Still, Baran can't help but be shocked to discover that his home village is now underwater thanks to the construction of a new dam. He then heads for Istanbul to get revenge upon his former best friend, the man who snitched on him and stole his lover Keje. Along the way, Baran teams up with Cumali, a tough young punk who finds the thief's old-fashioned ways rather quaint. When Cumali gets into deep trouble with a crime boss, Baran adds another vengeful task to his roster. Written by
Yavuz Turgut's "Eskiya," which came out almost a decade ago, is he perfect illustration of how unique Turkish cinema can be when it combines elements of Western crime genre films and Anatolian folk dramas, which have been the basis for Turkish films since Muhsin Ertugrul directed films some 75 years ago. The film has some major flaws, but these are mostly in terms of production. The script and its' direction are fairly crisp, and the acting by veteran comic Sener Sen, in a serious role here, and Ugur Yucel, who was also great in Ali Ozgenturk's "Balalayka," is quite exceptional. The film features a haunting score, deep symbolism (particularly in the final scenes) and timely social themes. I think the later is one of the reasons why it has not been popular with those who are more unfamiliar with Turkey, but it is this very element which makes the film more than just a routine gangster film. The film is also considerably more violent than most Turkish films, though many (particularly '70s films of the late Yilmaz Guney) made for brutal cinematic experiences. Another interesting aspect of this film is that it shows a crime family taking its' lifestyle from Anatolia into Istanbul, which reminded me of how Marlon Brando took up where he left off upon leaving Sicily for New York. "Eskiya/The Bandit" is not as exceptional as either "Yol" or "Uzak/Distant" but it is quite a moving film and I gather since it outgroosed "Titanic" in Turkey, it was quite the crowd-pleaser.The film was also made at a time when film production in Turkey was at an all-time low, but the industry has thankfully picked up considerably.
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