The epic adventures of the legendary Baran the Bandit following his release from prison. After serving 35 years, it is no surprise that the world has changed dramatically. Still, Baran ... See full summary »
Armed with a license to kill, Secret Agent James Bond sets out on his first mission as 007 and must defeat a weapons dealer in a high stakes game of poker at Casino Royale, but things are not what they seem.
A drama based on an ancient Chinese proverb that breaks life down into four emotional cornerstones: happiness, pleasure, sorrow and love. A businessman bets his life on a horse race; a gangster sees the future; a pop star falls prey to a crime boss; a doctor must save the love of his life.
Sarah Michelle Gellar,
Ali Osman is a former bully of city of Istanbul. But lately he gives up bully and starts to operate a synthetic pitch. He often meets his old friends, former bullies, too. One day Ali Osman... See full summary »
The epic adventures of the legendary Baran the Bandit following his release from prison. After serving 35 years, it is no surprise that the world has changed dramatically. Still, Baran can't help but be shocked to discover that his home village is now underwater thanks to the construction of a new dam. He then heads for Istanbul to get revenge upon his former best friend, the man who snitched on him and stole his lover Keje. Along the way, Baran teams up with Cumali, a tough young punk who finds the thief's old-fashioned ways rather quaint. When Cumali gets into deep trouble with a crime boss, Baran adds another vengeful task to his roster. Written by
[to Cumali, on the hotel rooftop]
Don't be afraid, you will just go to soil, then you will become soil, then you will walk to the body of a flower with waters. From there, you will reach the essence. A bee will get to the essence of the flower. Maybe, maybe that bee will be me.
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Yavuz Turgut's "Eskiya," which came out almost a decade ago, is he perfect illustration of how unique Turkish cinema can be when it combines elements of Western crime genre films and Anatolian folk dramas, which have been the basis for Turkish films since Muhsin Ertugrul directed films some 75 years ago. The film has some major flaws, but these are mostly in terms of production. The script and its' direction are fairly crisp, and the acting by veteran comic Sener Sen, in a serious role here, and Ugur Yucel, who was also great in Ali Ozgenturk's "Balalayka," is quite exceptional. The film features a haunting score, deep symbolism (particularly in the final scenes) and timely social themes. I think the later is one of the reasons why it has not been popular with those who are more unfamiliar with Turkey, but it is this very element which makes the film more than just a routine gangster film. The film is also considerably more violent than most Turkish films, though many (particularly '70s films of the late Yilmaz Guney) made for brutal cinematic experiences. Another interesting aspect of this film is that it shows a crime family taking its' lifestyle from Anatolia into Istanbul, which reminded me of how Marlon Brando took up where he left off upon leaving Sicily for New York. "Eskiya/The Bandit" is not as exceptional as either "Yol" or "Uzak/Distant" but it is quite a moving film and I gather since it outgroosed "Titanic" in Turkey, it was quite the crowd-pleaser.The film was also made at a time when film production in Turkey was at an all-time low, but the industry has thankfully picked up considerably.
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