The epic adventures of the legendary Baran the Bandit following his release from prison. After serving 35 years, it is no surprise that the world has changed dramatically. Still, Baran ... See full summary »
Sadik is one of the rebellious youth who has been politically active as a university student and became a left-wing journalist in the 70's, despite his father's expectations of him becoming... See full summary »
The film is about the introduction of television to a small village in southeast Anatolia in 1974. Employing a tragicomic language, it tells of the efforts of Emin who is the village idiot ... See full summary »
Idealist Nazim returns home to his family in Istanbul after a 15-year gap away teaching in a remote Kurdish village in eastern Turkey. Becoming a taxi driver he meets a single mother who ... See full summary »
Based on a true event, Pardon tells the tragicomic story of three friends who end up in prison when they are mistaken as members of a terrorist organization. Ibrahim's fear of uniforms ... See full summary »
Failed magician Iskender decides to do a tour to save his career, but has to bring his grumpy and senile father along. The tour is quite unexpectedly interrupted when a bride actually disappears from the stage.
Ali Osman is a former bully of city of Istanbul. But lately he gives up bully and starts to operate a synthetic pitch. He often meets his old friends, former bullies, too. One day Ali Osman... See full summary »
The landowner (Agha) of the Haraptar village marries off his old father with the young and beautiful Kiraz. But on the nuptial night, his father dies and everthing starts to go bad for the ... See full summary »
The epic adventures of the legendary Baran the Bandit following his release from prison. After serving 35 years, it is no surprise that the world has changed dramatically. Still, Baran can't help but be shocked to discover that his home village is now underwater thanks to the construction of a new dam. He then heads for Istanbul to get revenge upon his former best friend, the man who snitched on him and stole his lover Keje. Along the way, Baran teams up with Cumali, a tough young punk who finds the thief's old-fashioned ways rather quaint. When Cumali gets into deep trouble with a crime boss, Baran adds another vengeful task to his roster. Written by
This movie is exclusively regarded as the savior and the turning point of the Turkish cinema which was desperately struggling against the foreign films since 1980 and having difficulty to attract the domestic audience. See more »
[to Cumali, on the hotel rooftop]
Don't be afraid, you will just go to soil, then you will become soil, then you will walk to the body of a flower with waters. From there, you will reach the essence. A bee will get to the essence of the flower. Maybe, maybe that bee will be me.
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The 'rebirth' of Turkish cinema is rejoiced with perhaps one of the finest movies to ever appear in Turkey. It appears the sudden pause of the Turkish cinema due to the lacking quality against the western movie market has resumed, transforming yesilcam and its unique and familiar style into something that is more recognizable by the 'new generation'. Movies like Kahbe Bizans, Abuzer Kadayif, Eskiya, and TV series like Ikinci Bahar and Yilan Hikayesi are some of the finest examples of this. Yet these are far more than simple replications of the western styles, these contain an element of the Turkish culture and people that we are so used to seeing. This is the essence of the brilliance beneath Eskiya. The way it accurately reflects our troubles and the way we deal with them.
Beginning with the first scene, we become aware of the how incredibly well written the script is and the realism and truthfulness beneath the characters. This realism in fact is drawn to such a scale that at no poin t in the movie, do we feel anger at any character, or identify one as evil; merely the victims of the horrible system in which we live in, and the incidents we read in the papers everyday. While national problems such as migration, organized crime, and poverty are all central themes to the movie, so are human emotions like betrayal and revenge. Even the bizarre ending filled with numerous deaths appears very natural.
The acting also is quite remarkable. Sener Sen, being a great actor, portrays Baran superbly, while Ugur Yucel with his unquestionable talent does his part and every other role is cast with incredible thought and consideration. The climax I thought shows this the best, Sener Sens monologue on the rooftop scene had tears coming out of my eyes.
Overall, it would be very unjust to say that this is the greatest Turkish movie to be ever filmed because, being a kid of the new generation, I would simply be completely blocking out 50+ years of yesilcam. However with it's great script, the warmth we feel towards the characters, and the amazing performances by the actors, this is one of the best and it most certainly is a symbol of the rebirth of Turkish cinema. If you are Turkish and haven't seen or heard about this movie, you probably slept through the last 5 years go see it now! And if you're not Turkish, you should still see it. I recommend it to anyone.
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