Snake Plissken is once again called in by the United States government to recover a potential doomsday device from Los Angeles, now an autonomous island where undesirables are deported.

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Cast

Cast overview, first billed only:
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Cuervo Jones (as George Corraface)
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Woman on Freeway
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Storyline

The year is 2013 and Snake Plissken is back but this time it's L.A., which through the agency of earthquakes has become an island of the damned. But something has gone wrong in this new moral order, because the President's daughter has absconded to L.A. with a detonation device, and Snake is commandeered to retrieve it. But just below the surface there is a coiled Snake ready to strike. Written by Anthony Pereyra {hypersonic91@yahoo.com}

Plot Summary | Plot Synopsis

Taglines:

Plan Your Escape.['LA' from 'Plan' and 'Escape' are highlighted] See more »


Motion Picture Rating (MPAA)

Rated R for violence and some language | See all certifications »

Parents Guide:

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Details

Official Sites:

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Release Date:

9 August 1996 (USA)  »

Also Known As:

John Carpenter's Escape from L.A.  »

Box Office

Budget:

$50,000,000 (estimated)

Opening Weekend:

$8,912,557 (USA) (9 August 1996)

Gross:

JPY 131,401,000 (Japan) (6 December 1996)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The scene where Snake and Eddie are on the Queen Mary walking toward their meeting with Hershe was filmed aboard the actual Queen Mary in Long Beach, in one of the ship's gutted and abandoned boiler rooms. The meeting itself was not filmed on board; the room may have been meant to resemble the ship's Second Class swimming pool, located on E Deck aft, which was destroyed in the 1968-71 conversion. See more »

Goofs

When Snake first encounters Cuervo in his limousine, his head tracks at three times the speed of Cuervo's car. See more »

Quotes

[first lines]
Female Narrator: In the late 20th century, hostile forces inside the United States grow strong. The city of Los Angeles is ravaged by crime and immorality. To protect and defend its citizens, the United States Police Force is formed. A presidential candidate predicts a millennium earthquake will destroy L.A. in divine retribution.
President: Like the mighty fist of God, Armageddon will descend upon the city of Los Angeles - the city of sin, the city of Gomorrah, the city of Sodom - and waters will rise and ...
[...]
See more »

Connections

Referenced in Metal Gear Solid 3: Snake Eater (2004) See more »

Soundtracks

I Love L.A.
Written and Performed by Randy Newman
Courtesy of Warner Bros. Records, Inc.
By Arrangement with Warner Special Products
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Frequently Asked Questions

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User Reviews

 
Cheesy, unrealistic, outdated and fun!
25 July 2003 | by (Canada) – See all my reviews

Sure, Snake Plissken is a relic from the ultra-macho 80s action craze. Sure, Carpenter's use of effects is often obvious (though occasionally brilliant). Sure, the film is nothing but a slab of highly fragrant cheese, but it's FUN cheese. It's unapologetic cheese. It's the extra $1.50 of gooey, greasy, slimey mozza that you throw onto your 16" meat-lover's... sure, it's excessive--maybe even unhealthy--but it makes the pizza.

Escape From L.A. is pure, unabashed, old-fashioned fun. It's one of those movies that everyone claims they hate, but they really love in that deep place, way down in their mind, where belching contests are still fun. It doesn't pretend to be anything more than entertainment--and it's good entertainment at that. When I first saw the trailers for this film, I groaned. Kurt Russell's faux-Eastwood-does-pirate routine rubbed me the wrong way, and I was unfamiliar with John Carpenter's work. After having seen the original Escape, Halloween, The Fog, Vampires, The Thing and especially Big Trouble In Little China I know that Carpenter is interested in one thing: giving his audience an escape from reality, and this film is perfect for that. It doesn't make a lot of sense, and it takes a lot of suspension of disbelief, but in to paraphrase Roger Ebert: Who can hate a film where Kurt Russell and a transsexual Pam Grier swoop from the sky in hang-gliders firing automatic weapons at an amusement park compound?

Add to the mix a delightful turn by Steve Buscemi and an amusing (albeit unrecognizable) cameo by Bruce "Don't Call Me Ash" Campbell, and you have a really fun, really dumb, really cool MOVIE!

Recommended for the 10 year old boy in all of us.


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