| Photos (See all 72 | slideshow) | Videos (see all 3) |
| Ralph Fiennes | ... | Count Laszlo de Almásy | |
| Juliette Binoche | ... | Hana | |
| Willem Dafoe | ... | David Caravaggio | |
| Kristin Scott Thomas | ... | Katharine Clifton | |
| Naveen Andrews | ... | Kip | |
| Colin Firth | ... | Geoffrey Clifton | |
| Julian Wadham | ... | Madox | |
| Jürgen Prochnow | ... | Major Muller | |
| Kevin Whately | ... | Sgt. Hardy | |
| Clive Merrison | ... | Fenelon-Barnes | |
| Nino Castelnuovo | ... | D'Agostino | |
| Hichem Rostom | ... | Fouad | |
| Peter Rühring | ... | Bermann | |
| Geordie Johnson | ... | Oliver | |
| Torri Higginson | ... | Mary | |
| Liisa Repo-Martell | ... | Jan | |
| Raymond Coulthard | ... | Rupert Douglas | |
| Philip Whitchurch | ... | Corporal Dade | |
| Lee Ross | ... | Spalding | |
| Anthony Smee | ... | Beach Interrogation Officer | |
| Matthew Ferguson | ... | Young Canadian Soldier | |
| Jason Done | ... | Kiss Me Soldier | |
| Roger Morlidge | ... | Sergeant - Desert Train | |
| Simon Sherlock | ... | Private - Desert Train | |
| Sebastian Schipper | ... | Interrogation Room Soldier | |
| Fritz Eggert | ... | Interrogation Room Soldier | |
| Sonia Mankaï | ... | Arab Nurse (as Sonia Mankai) | |
| Rim Turkhi | ... | Aicha (as Rim Turki) | |
| Sebastian Rudolph | ... | Officer In Square | |
| Thoraya Sehill | ... | Interpreter In Square | |
| Sondos Belhassen | ... | Woman with Baby In Square (as Sondess Belhassen) | |
| Dominic Mafham | ... | Officer - El Taj | |
| Gregor Truter | ... | Corporal - El Taj | |
| Salah Miled | ... | Bedouin Doctor | |
| Abdellatif Hamrouni | ... | Ancient Arab | |
| Samy Azaiez | ... | Kamal | |
| Habib Chetoui | ... | Al Auf | |
| Philippa Day | ... | Officer's Wife (as Phillipa Day) | |
| Amanda Walker | ... | Lady Hampton | |
| Paul Kant | ... | Sir Ronald Hampton |
Directed by | |||
| Anthony Minghella | |||
Writing credits(WGA) | ||
| Michael Ondaatje | (novel) | |
| Anthony Minghella | (screenplay) | |
Produced by | |||
| Steve E. Andrews | .... | associate producer (as Steve Andrews) | |
| Scott Greenstein | .... | executive producer | |
| Alessandro von Norman | .... | line producer (as Alessandro Von Normann) | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
| Paul Zaentz | .... | associate producer | |
| Saul Zaentz | .... | producer | |
Original Music by | |||
| Gabriel Yared | |||
Cinematography by | |||
| John Seale | (director of photography) | ||
Film Editing by | |||
| Walter Murch | |||
Casting by | |||
| Michelle Guish | |||
| David Rubin | |||
Production Design by | |||
| Stuart Craig | |||
Art Direction by | |||
| Aurelio Crugnola | |||
Set Decoration by | |||
| Aurelio Crugnola | |||
| Stephenie McMillan | |||
Costume Design by | |||
| Gary Jones | (co-costume designer) | ||
| Ann Roth | |||
Makeup Department | |||
| Mustapha Ben Chaabane | .... | hair assistant: Tunisia | |
| Mustapha Ben Chaabane | .... | makeup assistant: Tunisia | |
| Giusy Bovino | .... | chief hair stylist (as Giusi Bovino) | |
| Louise Constad | .... | makeup artist: Ms. Binoche and Ms. Scott Thomas | |
| Elisabetta De Leonardis | .... | hair stylist | |
| Giuseppe Desiato | .... | makeup artist | |
| Antonio Maltempo | .... | makeup artist | |
| Maria Rizzo | .... | hair stylist: second unit | |
| Maria Rizzo | .... | makeup artist: second unit | |
| Alessandra Sampaolo | .... | makeup artist | |
| Ferid Sfaki | .... | hair assistant: Tunisia | |
| Ferid Sfaki | .... | makeup assistant: Tunisia | |
| Fabrizio Sforza | .... | makeup artist | |
| Chris Fitzgerald | .... | prosthetic painter (uncredited) | |
Production Management | |||
| Franco Ballati | .... | unit production manager | |
| Edie Bleiman | .... | post-production supervisor | |
| Hamid Elleuch | .... | unit manager: Tunisia | |
| Lynn Kamern | .... | unit production manager | |
| Paul Webster | .... | head of production: Miramax (uncredited) | |
Second Unit Director or Assistant Director | |||
| Steve E. Andrews | .... | first assistant director (as Steve Andrews) | |
| Gianni Arduini | .... | first assistant director: second unit | |
| Meriem Beschaouch | .... | assistant director: Tunisia | |
| Andrea Girolami | .... | assistant director | |
| Moez Kamoun | .... | assistant director: Tunisia (as Mouez Kamoun) | |
| Moslah Kraiem | .... | assistant director: Tunisia | |
| Peter Markham | .... | second unit director | |
| Enrico Marrari | .... | second assistant director: second unit (as Andrea Marrari) | |
| Emma Schofield | .... | second assistant director | |
| Luigi Vallini | .... | assistant director | |
Art Department | |||
| Mohamed Bargaoui | .... | prop master: Tunisia | |
| Romano Bellucci | .... | construction manager | |
| Brian Bishop | .... | scenic artist | |
| Doug Bishop | .... | scenic artist | |
| Jamel Bizid | .... | assistant props: Tunisia | |
| John Bush | .... | assistant set decorator | |
| Bruce Cheesman | .... | props: second unit | |
| Steve Clarke | .... | stand-by painter (as Steve Clark) | |
| Giulia Chiara Crugnola | .... | draftsman | |
| Luciano Curti | .... | painter | |
| Stefania D'Amario | .... | art department assistant | |
| Franco Fumagalli | .... | assistant art director | |
| Bernie Hearn | .... | stand-by props | |
| Maurizio Jacopelli | .... | dressing props (as Maurizio Iacopelli) | |
| Taieb Jallouli | .... | assistant art director: Tunisia | |
| Neil Lamont | .... | assistant art director | |
| Luciano Magagnini | .... | dressing props | |
| Roberto Magagnini | .... | stand-by props | |
| Paola Mugnai | .... | fresco painter | |
| Mauro Nati | .... | dressing props | |
| Michela Papa | .... | production assistant: art department | |
| Stefano Pessione | .... | art department assistant | |
| Franco Pizzonia | .... | construction supervisor: Tunisia (as Francesco Pizzonia) | |
| Francesco Postiglione | .... | dressing props | |
| Alessandra Querzola | .... | assistant set decorator | |
| Luigi Quintili | .... | construction coordinator | |
| Mohsen Rais | .... | assistant set dresser: Tunisia | |
| Bruno Ranieri | .... | assistant fresco painter | |
| Kamel Riabi | .... | prop buyer: Tunisia | |
| Stuart Rose | .... | desert cars art director | |
| Mick Rossman | .... | stand-by painter | |
| Remo Sperati | .... | assistant fresco painter | |
| Tony Teiger | .... | property master | |
| Ty Teiger | .... | assistant property master: Tunisia | |
| Lucinda Thomson | .... | art department stand-by (as Lucinda Thompson) | |
| Mohamed Trimeche | .... | assistant props: Tunisia | |
| Peter Watson | .... | dressing props | |
| Paul Wescott | .... | painter | |
| Tony Wright | .... | storyboard artist | |
Sound Department | |||
| James Austin | .... | staff: The Saul Zaentz Film Center (as Jim Austin) | |
| Michael Axinn | .... | apprentice sound editor | |
| Don Banks | .... | boom operator (as Donald Banks) | |
| David Franklin Bergad | .... | assistant dialogue editor | |
| Mark Berger | .... | sound re-recording mixer | |
| Sara Bolder | .... | dialogue editor | |
| Loren Byer | .... | staff: The Saul Zaentz Film Center | |
| Frank Canonica | .... | staff: The Saul Zaentz Film Center | |
| Vince Casper | .... | staff: The Saul Zaentz Film Center | |
| Amanda Chan | .... | staff: The Saul Zaentz Film Center | |
| Tobin Davis | .... | assistant dialogue editor (as Tobin Delaca Davis) | |
| Adriano Di Lorenzo | .... | sound assistant | |
| Adam Dornbusch | .... | sound department intern | |
| Richard Duarte | .... | foley mixer | |
| Malcolm Fife | .... | foley editor | |
| Grant Foerster | .... | staff: The Saul Zaentz Film Center | |
| Steve Fontano | .... | assistant foley mixer | |
| Anna Geyer | .... | staff: The Saul Zaentz Film Center | |
| Aura Gilge | .... | assistant sound effects editor (as Aura Belle Gilge) | |
| Pat Jackson | .... | supervising sound editor | |
| Rick Kahn | .... | staff: The Saul Zaentz Film Center | |
| Stephen Kearney | .... | assistant sound effects editor | |
| Michael Kelly | .... | staff: The Saul Zaentz Film Center | |
| Mark Levinson | .... | adr supervisor | |
| Scott Levitin | .... | staff: The Saul Zaentz Film Center | |
| Kyrsten Mate | .... | sound effects editor (as Kyrsten Mate Comoglio) | |
| Kathy McVey | .... | staff: The Saul Zaentz Film Center | |
| Marnie Moore | .... | foley artist | |
| Walter Murch | .... | sound re-recording mixer | |
| Douglas Murray | .... | sound effects editor (as Douglas S. Murray) | |
| Jennifer Myers | .... | foley artist | |
| Christopher Newman | .... | sound recordist (as Chris Newman) | |
| John Nutt | .... | dialogue editor | |
| Margie O'Malley | .... | foley artist | |
| Dan Olmsted | .... | staff: The Saul Zaentz Film Center | |
| David Parker | .... | sound re-recording mixer | |
| Jim Pasque | .... | staff: The Saul Zaentz Film Center | |
| Mark Paul | .... | staff: The Saul Zaentz Film Center | |
| Richard Quinn | .... | adr editor | |
| Scott G. Roberts | .... | staff: The Saul Zaentz Film Center (as Scott Roberts) | |
| David Roesch | .... | staff: The Saul Zaentz Film Center | |
| Gianni Sardo | .... | sound mixer: second unit | |
| Roy Segal | .... | staff: The Saul Zaentz Film Center | |
| Ivan Sharrock | .... | sound recordist | |
| Steve Shurtz | .... | staff: The Saul Zaentz Film Center | |
| Greg Simon | .... | staff: The Saul Zaentz Film Center | |
| Dianna Stirpe | .... | dialogue editor | |
| Marc-Jon Sullivan | .... | boom operator (as Marc Jon Sullivan) | |
| Diego Taborda | .... | sound department intern | |
| John Timperley | .... | sound engineer | |
| Joe Tysl | .... | staff: The Saul Zaentz Film Center | |
| Jennifer L. Ware | .... | sound effects editor | |
| Laurie Wentworth | .... | staff: The Saul Zaentz Film Center | |
| Jeff Whittle | .... | staff: The Saul Zaentz Film Center | |
| Mary Works | .... | assistant dialogue editor | |
| Marilyn S. Zalkan | .... | first assistant sound editor | |
| Liberata Zocchi | .... | sound transfer: Rome | |
| Frank Canonica | .... | supervising sound recordist: mix stage (uncredited) | |
| Ann Kroeber | .... | additional sound effects (uncredited) | |
| Peter Steinbach | .... | additional sound effects (uncredited) | |
Special Effects by | |||
| Vince Abbott | .... | animatronic designer: Jim Henson's Creature Shop (as Vincent Abbott) | |
| Marion Appleton | .... | artwork: Jim Henson's Creature Shop | |
| Fausto Baldinelli | .... | effects crew | |
| Raffaele Battistelli | .... | effects crew | |
| Nigel Booth | .... | prosthetic makeup artist: English patient, Jim Henson's Creature Shop | |
| Sam Broadbent | .... | fabricator: Jim Henson's Creature Shop | |
| Karen Cassie | .... | production supervisor: Jim Henson's Creature Shop | |
| Mel Coleman | .... | mold maker: Jim Henson's Creature Shop | |
| Richard Conway | .... | special effects supervisor | |
| Sam Conway | .... | effects crew | |
| Dave Eltham | .... | senior effects technician (as David Eltham) | |
| Barry Fowler | .... | mold maker: Jim Henson's Creature Shop (as Barry Folwer) | |
| Marie Fraser | .... | foam department: Jim Henson's Creature Shop | |
| Adrian Getley | .... | foam department: Jim Henson's Creature Shop | |
| Tamzine Hanks | .... | fabricator: Jim Henson's Creature Shop | |
| Graham High | .... | sculptor: Jim Henson's Creature Shop | |
| Jeremy Hunt | .... | sculptor: Jim Henson's Creature Shop | |
| Terry James | .... | mold maker: Jim Henson's Creature Shop | |
| Val Jones | .... | hair designer: Jim Henson's Creature Shop | |
| Louisa Jordan | .... | fabricator: Jim Henson's Creature Shop | |
| Andy Lee | .... | foam department: Jim Henson's Creature Shop (as Andy Lees) | |
| Giancarlo Mancini | .... | senior effects technician: Italy | |
| Esteban Mendoza | .... | fabricator: Jim Henson's Creature Shop | |
| Karina Randall | .... | foam department: Jim Henson's Creature Shop | |
| Jason Reed | .... | animatronic designer: Jim Henson's Creature Shop (as Jason Read) | |
| Andy Roberts | .... | animatronic designer: Jim Henson's Creature Shop | |
| Francesco Sabelli | .... | effects crew | |
| Kelly Sant | .... | silicone department: Jim Henson's Creature Shop | |
| Terry Sibley | .... | mold maker: Jim Henson's Creature Shop | |
| Paul Stentiford | .... | effects crew | |
| John Stephenson | .... | visual supervisor: Jim Henson's Creature Shop | |
| Tim Willis | .... | senior effects technician | |
| Kenny Wilson | .... | mold design supervisor: Jim Henson's Creature Shop | |
| Simon Clutterbuck | .... | special effects (uncredited) | |
| Dave Kelly | .... | chargehand: Jim Henson's Creature Shop (uncredited) | |
| Simon Rose | .... | animatronics trainee (uncredited) | |
Visual Effects by | |||
| Richard Bain | .... | visual effects designer: Digital Film | |
| Ian Chisholm | .... | film outputting: Digital Film | |
| Frazer Churchill | .... | visual effects designer: Digital Film | |
| Chris Emond | .... | visual effects opticals: Jim Henson's Creature Shop | |
| Andrew Hall | .... | computer generated designer: Digital Film (as Andy Hall) | |
| Matthew Holben | .... | visual effects facility producer: Digital Film | |
| Dennis Lowe | .... | visual effects supervisor: Digital Film | |
| Julian Mann | .... | computer generated designer: Digital Film | |
| Charlie Noble | .... | visual effects designer: Digital Film | |
| Matthew Plummer | .... | assistant visual effects producer: Digital Film | |
| Paul Riddle | .... | visual effects designer: Digital Film | |
| Keith Roberts | .... | computer generated designer: Digital Film | |
| Neal Scanlan | .... | creative project supervisor: Jim Henson's Creature Shop | |
| Mark Stannard | .... | visual effects designer: Digital Film | |
| Arthur Windus | .... | digital line producer: Digital Film | |
| Erik De Boer | .... | animator: MPC (uncredited) | |
| Dan Glass | .... | visual effects compositor: Digital Film (uncredited) | |
| Roma O'Connor | .... | production coordinator (uncredited) | |
| Joe Pavlo | .... | digital artist (uncredited) | |
| Kevin Phelan | .... | scanning and recoding producer: CFC London (uncredited) | |
Stunts | |||
| David Ambrosi | .... | stunt rigger | |
| Jim Dowdall | .... | stunt supervisor | |
| Steve Griffin | .... | stuntman (as Steve Street-Griffin) | |
| Paul Heasman | .... | stuntman | |
| Riccardo Mioni | .... | stuntman | |
| Franco Maria Salamon | .... | stunt coordinator (as Franco Salomon) | |
| Lee Sheward | .... | stuntman | |
| Julian Spencer | .... | stuntman | |
Animation Department | |||
| Paul J. Franklin | .... | computer animator (uncredited) | |
Casting Department | |||
| Deirdre Bowen | .... | casting: Canada | |
| Brendan Donnison | .... | voice casting: loop group | |
| Risa Kes | .... | casting: Germany | |
Costume and Wardrobe Department | |||
| Alfredo Bocci | .... | set costumer: second unit | |
| Gabriella Generosi | .... | seamstress | |
| Amel Helali | .... | wardrobe assistant: Tunisia | |
| Lilia Lakhoua | .... | wardrobe assistant: Tunisia | |
| Iris Horta Lemos | .... | key costumer | |
| Donna Maloney | .... | key costumer | |
| Kamel Marmouche | .... | wardrobe assistant: Tunisia | |
| Adriana Mattiozzi | .... | costumer | |
| Tim McKelvey | .... | key costumer | |
| Carlo Poggioli | .... | assistant to costume designer | |
| Franca Rotondo | .... | seamstress | |
| Salvatore Salzano | .... | costumer | |
| Montacer Skhiri | .... | wardrobe assistant: Tunisia | |
| Claudette Lilly | .... | costume buyer (uncredited) | |
Editorial Department | |||
| Edie Bleiman | .... | first assistant editor: avid | |
| Gary Burritt | .... | negative cutter | |
| Rosmary Conte | .... | first assistant editor: film | |
| Sean Cullen | .... | apprentice editor | |
| Dan Farrell | .... | first assistant editor: film (as Daniel Farrell) | |
| Robert Grahamjones | .... | assistant film editor | |
| Scott Guitteau | .... | assistant film editor | |
| Pat Jackson | .... | associate editor | |
| Glenn Kasprzycki | .... | telecine operator | |
| Robin Lee | .... | assistant film editor | |
| Harris Leibowitz | .... | telecine operator | |
| William Pine | .... | color timer (as Bill Pine) | |
| Franca Silvi | .... | assistant film editor | |
| Jeffery Stephens | .... | assistant film editor | |
| Blake Danforth | .... | assistant editor (uncredited) | |
| Michael Kelly | .... | post-production (uncredited) | |
| Matvey Shatz | .... | color timer (uncredited) | |
Music Department | |||
| John Constable | .... | musician: piano solo | |
| Keith Grant | .... | music recording engineer | |
| Ronnie Hazlehurst | .... | conductor: Shepheard's Hotel Jazz Orchestra | |
| Ronnie Hazlehurst | .... | music arranger | |
| Ling Ling Li | .... | assistant music editor | |
| Harry Rabinowitz | .... | conductor: The Academy of St. Martin in the Fields | |
| Robert Randles | .... | music editor | |
| Georges Rodi | .... | music sound designer | |
| Michael Semanick | .... | music premix | |
| Fletcher Henderson | .... | music arranger (uncredited) | |
Transportation Department | |||
| Duncan Barbour | .... | special vehicle coordinator | |
| Mahmoud Ben Dhifallah | .... | transportation manager: Tunisia | |
| Andrea Borella | .... | transportation manager | |
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| Miracle at St. Anna | The Good Shepherd | The Best of Youth | Downfall | Munich |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
In a style reminiscent of the best of David Lean, this romantic love story sweeps across the screen with epic proportions equal to the vast desert regions against which it is set. It's a film which purports that one does not choose love, but rather that it's love that does the choosing, regardless of who, where or when; and furthermore, that it's a matter of the heart often contingent upon prevailing conditions and circumstances. And thus is the situation in `The English Patient,' directed by Anthony Minghella, the story of two people who discover passion and true love in the most inopportune of places and times, proving that when it is predestined, love will find a way.
It's WWII; flying above the African desert, Hungarian Count Laszlo de Almasy (Ralph Fiennes) is shot down, his biplane mistaken for an enemy aircraft. And though he survives the crash, he is severely burned. To his great good fortune, however, he is rescued by a tribe of nomads and winds up in a hospital. But existing conditions are governed by circumstances of war, and Almasy soon becomes one of many patients being transported via convoy to a different facility. Upon reaching Italy, he is too weak and ill to continue on, and a Canadian nurse, Hana (Juliette Binoche), volunteers to stay behind with him at an abandoned monastery.
Hana soon discovers that her charge is something of a man of mystery, as Almasy remembers nothing of his past, and not even his own name. Thought to be English, the only clues pointing to who he is are contained in a book found in his possession after the crash, but even they are as cryptic as Hana's patient. Slowly, however, under prompting from Hana, Almasy begins to remember bits and pieces of his life, and his story begins to unfold. And his memory is helped along even more by the appearance of a mysterious stranger named Caravaggio (Willem Dafoe), who suspects that Almasy is the man he's been looking for-- a man with whom he wants to settle a score. But, burned beyond recognition, Almasy may or may not be that man. Meanwhile, Almasy's memories continue to surface; memories of a woman he loved, Katherine Clifton (Kristin Scott Thomas)-- as well as memories of Katherine's husband, Geoffrey (Colin Firth). And, crippled in mind and body as he is, those memories become the only thing left to which he can cling with any hope at all, even as his life seems to be slipping farther away with each passing moment.
In addition to directing, Anthony Minghella also wrote the screenplay for this film, which he adapted from the novel by Michael Ondaatje. The result is an epic saga presented in the tradition of Lean's `Doctor Zhivago' and `Lawrence of Arabia'; a magnificent film that fills the screen and the senses with unprecedented grandeur and beauty. Simply put, Minghella's film is genius realized; crafted and delivered with a poetic perfection, watching it is like watching a Monet come to life. From the opening frames, Minghella casts a hypnotic spell over his audience that is binding and transporting, with a story that has an emotional beauty that equals the engagingly stunning and vibrant images brought to life by John Seale's remarkable cinematography; images that virtually fill the screen as well as the soul of the viewer. In every sense, this is a film of rare eloquence, with a striking emotional capacity that facilitates an experience that is truly transcendental. Nominated in twelve categories, it deservedly received a total of nine Oscars, including Best Picture, Director, Supporting Actress (Binoche) and Cinematography.
If one had to choose a single word to describe the `essence' of this film, it would be `excellence.' Even an extraordinary film, however, does not receive nine Oscars without performances that are extraordinary in kind; and the performances given by Ralph Fiennes and Kristin Scott Thomas here transcend the term `Oscar worthy.' Nominated for Best Actor for his portrayal of Almasy (Geoffrey Rush was awarded the gold for `Shine'), Fiennes has never been better, achieving an emotional depth with his character that is nearly palpable. Private and introspective, Almasy is not by his very nature an individual to whom the audience will be able to form an intimate connection; Fiennes, however, finds a way to open that emotional door just enough to let you in, enough so that you taste the honest passion welling up within him. And it works. Almasy does not seek your friendship; he will, however, gain your compassion.
Kristen Scott Thomas, too, received an Oscar nomination for Best Actress (Frances McDormand received the award for `Fargo') for her portrayal of Katherine, a woman whose stoic countenance masks the emotional conflict raging within her, born of the forbidden passion that enslaves her and yet to which she gives herself willingly, casting off her shackles of repression to embrace a love so strong it threatens to consume her. The reserve Katherine must maintain evokes the empathy of the audience, as Scott Thomas successfully mines the emotional depths of her character to the greatest possible effect. It's the kind of performance that draws you in and holds you fast, taking you as it does beyond that curtain of hypocrisy that dictates what must be if only for the sake of appearances, and allows you to experience a true sense of unbridled passion. Understated and shaded with subtlety, it's terrific work by Kristin Scott Thomas.
Binoche gives a stunning, affecting performance, as well, as the kindhearted nurse, Hana; it is her humanity, in fact, which defines love in it's purest sense and offers a balanced perspective of it within the context of the film. Her relationship with Kip (Naveen Andrews) affords us a glimpse of passion of another kind, which contrasts effectively with the intensity of that between Almasy and Katherine. `The English Patient' is a film that will move you and fill you emotionally; one you will not want to see end. 10/10.