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The English Patient (1996)

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At the close of WWII, a young nurse tends to a badly-burned plane crash victim. His past is shown in flashbacks, revealing an involvement in a fateful love affair.

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Writers:

(novel), (screenplay)
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1,513 ( 288)
Won 9 Oscars. Another 49 wins & 66 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
...
Kip
...
...
...
...
Sgt. Hardy
Clive Merrison ...
Fenelon-Barnes
Nino Castelnuovo ...
D'Agostino
Hichem Rostom ...
Fouad
Peter Rühring ...
Bermann
Geordie Johnson ...
Oliver
...
Mary
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Storyline

October 1944 in war torn Italy. Hana, a French-Canadian nurse working in a mobile army medical unit, feels like everything she loves in life dies on her. Because of the difficulty traveling and the dangers, especially as the landscape is still heavily booby-trapped with mines, Hana volunteers to stay behind at a church to care solely for a dying semi-amnesiac patient, who is badly burned and disfigured. She agrees to catch up to the rest of the unit after he dies. All the patient remembers is that he is English and that he is married. Their solitude is disrupted with the arrival at the church of fellow Canadian David Caravaggio, part of the Intelligence Service, who is certain that he knows the patient as a man who cooperated with the Germans. Caravaggio believes that the patient's memory is largely in tact and that he is running away from his past, in part or in its entirety. The patient does open up about his past, all surrounding his work as a cartographer in North Africa, which ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

In memory, love lives forever. See more »

Genres:

Drama | Romance | War

Motion Picture Rating (MPAA)

Rated R for sexuality, some violence and language | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| | |

Release Date:

6 December 1996 (USA)  »

Also Known As:

El paciente inglés  »

Box Office

Budget:

$27,000,000 (estimated)

Opening Weekend:

$278,439 (USA) (15 November 1996)

Gross:

$78,651,430 (USA) (5 September 1997)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Both Naveen Andrews and Kevin Whately had to learn to ride motorcycles for the film. There was some concern that Andrews would not pass his test before filming began but he completed his course successfully. See more »

Goofs

Amount of water in the glass handed to Count László upon arriving at the army poster after walking out of the desert. See more »

Quotes

Caravaggio: You're in love with him, aren't you? Your poor patient. You think he's a saint because of the way he looks? I don't think he is.
Hana: I'm not in love with him. I'm in love with ghosts. So is he, he's in love with ghosts.
See more »

Crazy Credits

Disclaimer in end credits: "While a number of the characters who appear in this film are based on historical figures, and while many of the areas described - such as the Cave of Swimmers and its surrounding desert - exist and were explored in the 1930s, it is important to stress that this story is a fiction and that the portraits of the characters who appear in it are fictional, as are some of the events and journeys." See more »

Connections

Referenced in The Tracey Fragments (2007) See more »

Soundtracks

Pettin' in the Park
(1933)
Music by Harry Warren
Lyrics by Al Dubin
Published by Warner Bros. Recording
Courtesy of Turner Entertainment Co. from Gold Diggers of 1933 (1933)
See more »

Frequently Asked Questions

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User Reviews

 
Anthony Minghella's Heart and Mind
19 May 2009 | by (New Zealand) – See all my reviews

It is a strangely powerful and moving experience to see "The English Patient" again after Anthony Minghella's death. Most of his body of work is dedicated to one shattering point. The endless moral struggle of those who, consciously, walk a very thin line. In "The Talented Mr Ripley" Minghella moves away from Patricia Highsmith's amoral Tom Ripley to give the murderer a conscience. In "Breaking And Entering" Minghella gives Jude Law's character the need to confess and the rewards are chillingly moving. Here, in "The English Patient", the characters in love are never too far away from their corroding feeling of guilt. Ralph Finnes and Kristin Scott Thomas are extraordinary. They strip their characters from every pretense in a compelling complicity with us, the audience. Juliette Binoche is, quite simply, spectacular and her scenes with the wonderful Naveen Andrews are filled with a "Minghellian" sensual innocence. Anthony Minghella gave us films that were,one way or another, that elusive mix of art and commerce. He was true to himself but thought about his audience. He knew how to push our buttons without betraying his own. There is something clear, honest and startling about Minghella's opus. I miss him already but I'm grateful for the reflection of his soul he left behind.


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