Beginning in the 1930's, "The English Patient" tells the story of Count Almásy who is a Hungarian map maker employed by the Royal Geographical Society to chart the vast expanses of the Sahara Desert along with several other prominent explorers. As World War II unfolds, Almásy enters into a world of love, betrayal, and politics that is later revealed in a series of flashbacks while Almásy is on his death bed after being horribly burned in a plane crash. Written by
Anthony Hughes <firstname.lastname@example.org>
The two biplanes used by the cartographers were original 1930s aircraft designs, the yellow one an American Stearman Model 75; the silver one a British De Havilland DH82 Tiger Moth. Of the two, the Stearman is unlikely to have been in the possession of a (British) civilian during the 1930s - nearly all were built for the US military as primary trainers. There were a few hundred civilian-operates Tiger Moths, however, and it is quite likely that a cartographer in the employ of the RGS would have access to one. Both types were heavily used before and during WW2 and many military surplus versions were operated by civilians postwar. See more »
Extras in the Cairo market are wearing burnooses (hooded robes) from Tunisia (filming location), not worn in Egypt. See more »
This - what is this?
It's a folk song.
No, no. It's Hungarian. My daijka sang it to me when I was a child growing up in Budapest.
It's beautiful. What's it about?
Szerelam means love. And the story, well, there's this Hungarian count. He's a wanderer. He's a fool. And for years he's on some kind of a quest for... who knows what. And then one day, he falls under the spell of a mysterious English woman. A harpy, who beats him, and hits him, he becomes her slave, and he sews her clothes, ...
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The producer and director wish to thank The Tozeur District Governor. See more »
The greatest romance movie of all time? Probably...
I've seen a few movies in my time, but this one is exceptional. You'll have to watch it more than once to truly appreciate it, it is emotionally very complex, it explores love and passion at it's most extreme and it's cinematography is just breathtaking. The character of the Count is intensely passionate and tragic without him having to raise his voice or indeed leave his bed, the film is perfectly cast and perfectly acted. The film has a sort of mathematical precision and perfection to it which is rare these days. It combines action, love, tragedy, drama and politics all in one. This movie is unmissable, all the hype surrounding it and all the awards cannot begin to do it any justice. Hats off to Michael Ondaatje for writing the incredible book on which it is based.
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