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The English Patient (1996)

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At the close of WWII, a young nurse tends to a badly-burned plane crash victim. His past is shown in flashbacks, revealing an involvement in a fateful love affair.

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Writers:

(novel), (screenplay)
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1,363 ( 320)
Won 9 Oscars. Another 49 wins & 66 nominations. See more awards »

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Cast

Cast overview, first billed only:
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...
...
...
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Kip
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...
...
...
Sgt. Hardy
Clive Merrison ...
Fenelon-Barnes
Nino Castelnuovo ...
D'Agostino
Hichem Rostom ...
Fouad
Peter Rühring ...
Bermann
Geordie Johnson ...
Oliver
...
Mary
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Storyline

October 1944 in war torn Italy. Hana, a French-Canadian nurse working in a mobile army medical unit, feels like everything she loves in life dies on her. Because of the difficulty traveling and the dangers, especially as the landscape is still heavily booby-trapped with mines, Hana volunteers to stay behind at a church to care solely for a dying semi-amnesiac patient, who is badly burned and disfigured. She agrees to catch up to the rest of the unit after he dies. All the patient remembers is that he is English and that he is married. Their solitude is disrupted with the arrival at the church of fellow Canadian David Caravaggio, part of the Intelligence Service, who is certain that he knows the patient as a man who cooperated with the Germans. Caravaggio believes that the patient's memory is largely in tact and that he is running away from his past, in part or in its entirety. The patient does open up about his past, all surrounding his work as a cartographer in North Africa, which ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

In love, there are no boundaries. See more »

Genres:

Drama | Romance | War

Motion Picture Rating (MPAA)

Rated R for sexuality, some violence and language | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| | |

Release Date:

6 December 1996 (USA)  »

Also Known As:

El paciente inglés  »

Box Office

Budget:

$27,000,000 (estimated)

Opening Weekend:

$278,439 (USA) (15 November 1996)

Gross:

$78,651,430 (USA) (5 September 1997)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Early into the production, Anthony Minghella fell over and broke his ankle. Therefore for much of the shoot he was either in plaster or crutches. See more »

Goofs

When an Egyptian worker hits his head on the overhanging wall of the cave, the rock flexes. See more »

Quotes

Caravaggio: In Italy, you get chickens, but no eggs. In Africa there were always eggs, but... never chickens. Who separated them?
See more »

Crazy Credits

Disclaimer in end credits: "While a number of the characters who appear in this film are based on historical figures, and while many of the areas described - such as the Cave of Swimmers and its surrounding desert - exist and were explored in the 1930s, it is important to stress that this story is a fiction and that the portraits of the characters who appear in it are fictional, as are some of the events and journeys." See more »


Soundtracks

The Darktown Strutters' Ball
(1917) (uncredited)
Music and Lyrics by Shelton Brooks
Sung a cappella by Kristin Scott Thomas
Later sung a cappella by Ralph Fiennes
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Frequently Asked Questions

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User Reviews

Epic story that mixes lust with a mystery story – worthy stuff but a touch too slow
26 February 2002 | by (United Kingdom) – See all my reviews

Tuscany WW2. Traumatised by the loss of anyone she cared for or loved, Canadian nurse Hana stays behind her unit with a dying patient, Count Laszlo de Almásy. de Almásy is burnt all over and has lost his memory. When a vengeful, mysterious thief arrives at their abandoned monastery with a past that seems to include de Almásy , and as Hana reads from his book, memories return regarding his past. He relives his story of lust and love and the destructive force that forbidden passion unleashed upon his life.

This is quite a modern epic. It has the running time of an epic, it has the gorgeous cinematography of an epic, it has the acting of an epic and it has a story of love (lust) against the backdrop of major events in history. Even though it changes or leaves out a significant amount of the original novel it still manages to be a great mix of passionate desire and mystery. The mystery of the story is represented by the thief Caravaggio who casts light on what he knows of de Almásy's past (as he sees it) while the love story is unfolded as it develops in a passionate affair between him and Katherine, a colleagues' wife. The story is compelling enough to carry the long running time, at times the pace seems a little slow and when I saw it in my local multiplex there were some moments where large portions of the audience seemed to be shifting in their seats.

The ‘love' of the story was interesting as it seems to be contrasted with Hana's relationship with Kip the bomb disposal expert. While de Almásy's relationship with Katherine starts as lust and desire before growing into what seems to be love (or could be grief at the result of their affair), Hana's is portrayed as purer and more careful as she fears those she loves will die. This difference helped me see that the film did want to show the destructive power of lust and affairs, however the fact that the central relationship was based more on lust than love took away from the emotional core of the story.

The acting is almost impeccable. Fiennes is excellent even when he is lost behind an unrecognisable mask of burnt flesh. Thomas is actually very good, I find she tends to be very wooden in some things but this type of very English character brings the best out of her. Binoche is excellent as Hana and carries the heart of the film. Dafoe is truly excellent - his element of the story is the mystery and he does it well. He is a great actor and deserves to be in things this good. The support cast include plenty of good actors including Colin Firth, Jurgen Prochnow and Naveem Andrews.

The film is beautifully shot - even though it's all a bit too picturesque to be real! However the director can handle himself well with many different scenes - a tense bomb diffusal, a passionate love scene, a dangerous sand storm etc. Overall the slow pace may frustrate some younger audiences but this is a really good film that draws it's values from classy sources.


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