Ted Kramer's wife leaves her husband, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
Beginning in the 1930's, "The English Patient" tells the story of Count Almásy who is a Hungarian map maker employed by the Royal Geographical Society to chart the vast expanses of the Sahara Desert along with several other prominent explorers. As World War II unfolds, Almásy enters into a world of love, betrayal, and politics that is later revealed in a series of flashbacks while Almásy is on his death bed after being horribly burned in a plane crash. Written by
Anthony Hughes <email@example.com>
Saul Zaentz provided $6,000,000 of the budget himself in return for a guarantee he would get final cut. See more »
The intervals of lightening seen as Kip, Caravaggio and Hardy carry Almásy around the well are too quick for a thunderstorm. See more »
I once heard of a captain who wore a patch over a good eye. The men fought harder for him.
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Disclaimer in end credits: "While a number of the characters who appear in this film are based on historical figures, and while many of the areas described - such as the Cave of Swimmers and its surrounding desert - exist and were explored in the 1930s, it is important to stress that this story is a fiction and that the portraits of the characters who appear in it are fictional, as are some of the events and journeys." See more »
Wang Wang Blues
Music by Gus Mueller, Buster Johnson (as "Buster" Johnson), and Henry Busse
Lyrics by Leo Wood
Published by Cromwell Music, Inc., EMI Feist Catalog, Inc., and Bienstock Publishing Co.
On behalf of Redwood Music Ltd.
Performed by Benny Goodman
Courtesy of Columbia Records By arrangement of Sony Music Licensing See more »
TEP is like a long cool drink of water after crawling across the Sahara to classic film buffs who have been too long deprived of that certain cinematic magic! Not only is it beautifully photographed, but the characters are perfectly portrayed. If you're looking for the film to be a mirror of the book, you will be seriously disappointed. Instead, it is an excellent "companion" to the book, and I think that is what Anthony Minghella intended. Ralph Fiennes is probably the most beautiful man in the world; not to mention a brilliant actor. Juliette Binoche is the posterchild for vulnerability and childlike enthusiasm. And, of course, I'll go see any film in which Kristin Scott Thomas is featured. She simply must be THE best actress since the likes of Deborah Kerr. So much was promised with this film, and so much is delivered!
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