Ted Kramer's wife leaves her husband, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
October 1944 in war torn Italy. Hana, a French-Canadian nurse working in a mobile army medical unit, feels like everything she loves in life dies on her. Because of the difficulty traveling and the dangers, especially as the landscape is still heavily booby-trapped with mines, Hana volunteers to stay behind at a church to care solely for a dying semi-amnesiac patient, who is badly burned and disfigured. She agrees to catch up to the rest of the unit after he dies. All the patient remembers is that he is English and that he is married. Their solitude is disrupted with the arrival at the church of fellow Canadian David Caravaggio, part of the Intelligence Service, who is certain that he knows the patient as a man who cooperated with the Germans. Caravaggio believes that the patient's memory is largely in tact and that he is running away from his past, in part or in its entirety. The patient does open up about his past, all surrounding his work as a cartographer in North Africa, which ... Written by
According to Clive Merrison in a interview with Toby Hadoke he was on the film for a month but his role was cut to one scene. He also revealed that many other actors had their role totally deleted from the film. See more »
In the Tobruk interrogation center, the German officer wears the shoulder boards of a major and the SS collar insignia of a full colonel. See more »
Disclaimer in end credits: "While a number of the characters who appear in this film are based on historical figures, and while many of the areas described - such as the Cave of Swimmers and its surrounding desert - exist and were explored in the 1930s, it is important to stress that this story is a fiction and that the portraits of the characters who appear in it are fictional, as are some of the events and journeys." See more »
TEP is like a long cool drink of water after crawling across the Sahara to classic film buffs who have been too long deprived of that certain cinematic magic! Not only is it beautifully photographed, but the characters are perfectly portrayed. If you're looking for the film to be a mirror of the book, you will be seriously disappointed. Instead, it is an excellent "companion" to the book, and I think that is what Anthony Minghella intended. Ralph Fiennes is probably the most beautiful man in the world; not to mention a brilliant actor. Juliette Binoche is the posterchild for vulnerability and childlike enthusiasm. And, of course, I'll go see any film in which Kristin Scott Thomas is featured. She simply must be THE best actress since the likes of Deborah Kerr. So much was promised with this film, and so much is delivered!
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