| Cast overview, first billed only: | |||
| Ralph Fiennes | ... | ||
| Juliette Binoche | ... | ||
| Willem Dafoe | ... | ||
| Kristin Scott Thomas | ... | ||
| Naveen Andrews | ... | ||
| Colin Firth | ... | ||
| Julian Wadham | ... | ||
| Jürgen Prochnow | ... | ||
| Kevin Whately | ... |
Sgt. Hardy
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Clive Merrison | ... |
Fenelon-Barnes
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Nino Castelnuovo | ... |
D'Agostino
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Hichem Rostom | ... |
Fouad
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Peter Rühring | ... |
Bermann
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Geordie Johnson | ... |
Oliver
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| Torri Higginson | ... |
Mary
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October 1944 in war torn Italy. Hana, a French-Canadian nurse working in a mobile army medical unit, feels like everything she loves in life dies on her. Because of the difficulty traveling and the dangers, especially as the landscape is still heavily booby-trapped with mines, Hana volunteers to stay behind at a church to care solely for a dying semi-amnesiac patient, who is badly burned and disfigured. She agrees to catch up to the rest of the unit after he dies. All the patient remembers is that he is English and that he is married. Their solitude is disrupted with the arrival at the church of fellow Canadian David Caravaggio, part of the Intelligence Service, who is certain that he knows the patient as a man who cooperated with the Germans. Caravaggio believes that the patient's memory is largely in tact and that he is running away from his past, in part or in its entirety. The patient does open up about his past, all surrounding his work as a cartographer in North Africa, which ... Written by Huggo
I've seen a few movies in my time, but this one is exceptional. You'll have to watch it more than once to truly appreciate it, it is emotionally very complex, it explores love and passion at it's most extreme and it's cinematography is just breathtaking. The character of the Count is intensely passionate and tragic without him having to raise his voice or indeed leave his bed, the film is perfectly cast and perfectly acted. The film has a sort of mathematical precision and perfection to it which is rare these days. It combines action, love, tragedy, drama and politics all in one. This movie is unmissable, all the hype surrounding it and all the awards cannot begin to do it any justice. Hats off to Michael Ondaatje for writing the incredible book on which it is based.