Ted Kramer's wife leaves her husband, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
Beginning in the 1930's, "The English Patient" tells the story of Count Almásy who is a Hungarian map maker employed by the Royal Geographical Society to chart the vast expanses of the Sahara Desert along with several other prominent explorers. As World War II unfolds, Almásy enters into a world of love, betrayal, and politics that is later revealed in a series of flashbacks while Almásy is on his death bed after being horribly burned in a plane crash. Written by
Anthony Hughes <firstname.lastname@example.org>
Almost every reverse angle shot following a desert vista was done on a soundstage due to budgetary constraints. See more »
After the plane crash when Katharine has been moved to the cave, Laszlo leaves her with some supplies to hold her over until he can return with help. When Katharine is having problems with a flashlight, she smacks the light against her palm and looks into the light's reflector. The bulb shown in this shot is a halogen high-performance type lamp which was not available until 1959 (in A.C./household bulbs. These bulbs were not available for flashlight use until the late 1970's/early 1980's when longer lasting alkaline batteries were available to supply these extremely bright and power thirsty bulbs. See more »
The war's over - you told me yourself. How can it be desertion?
It's not over everywhere. I didn't mean literally.
[looking at Almasy]
When he dies I'll catch up.
[looking over the small cache of provisions]
It's not safe here. The whole country's crawling with Bandits and Germans and God knows what. It's madness. I can't allow it. You're not alright, this is natural. It's shock. For all of us. Hana?
I need morphine. A lot. And a pistol.
[clutching at straws, about Almasy]
And what if he ...
[...] See more »
Disclaimer in end credits: "While a number of the characters who appear in this film are based on historical figures, and while many of the areas described - such as the Cave of Swimmers and its surrounding desert - exist and were explored in the 1930s, it is important to stress that this story is a fiction and that the portraits of the characters who appear in it are fictional, as are some of the events and journeys." See more »
I like this movie above all others. It is "multi-layered"; there is so much to see and appreciate. Every viewing brings a new appreciation of the story-line, the plot and the characters. Faultlessly acted and extremely enjoyable if you take the time to watch it and appreciate it. I love the interaction between the players; the subtle relationships; the period atmosphere. Ralph Fiennes is perfectly cast as the brooding lover and Geoffrey the wronged husband is beautifully underplayed by Colin Firth. The scene in the sand storm where Catherine & El-masy are discussing the different types of sand storms is one of the high-lights of the film and where the affair really starts. The other relationship between Hanna & El-masy is yet another "layer" of the movie which is totally enchanting (and heart-rending). A worthy winner of so many awards.
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