The English Patient (1996)

User Rating:

7.2/10   

Director:

Anthony Minghella

Writers (WGA):

Michael Ondaatje (novel)
Anthony Minghella (screenplay)

Release Date:

15 November 1996 (USA)

Genre:

Romance | Drama | War

Tagline:

In love, there are no boundaries.

Plot:

At the close of WWII, a young nurse tends to a badly-burned plane crash victim. His past is shown in flashbacks, revealing an involvement in a fateful love affair.

Plot Keywords:

Crash | Nurse | Love | WWII | Flashback

Awards:

Won 9 Oscars. Another 41 wins & 37 nominations

Cast

Ralph Fiennes	...	Count Laszlo de Almásy
Juliette Binoche	...	Hana
Willem Dafoe	...	David Caravaggio
Kristin Scott Thomas	...	Katharine Clifton
Naveen Andrews	...	Kip
Colin Firth	...	Geoffrey Clifton
Julian Wadham	...	Madox
Jürgen Prochnow	...	Major Muller
Kevin Whately	...	Hardy
Clive Merrison	...	Fenelon-Barnes
Nino Castelnuovo	...	D'Agostino
Hichem Rostom	...	Fouad
Peter Rühring	...	Bermann
Geordie Johnson	...	Oliver
Torri Higginson	...	Mary

MPAA:

Rated R for sexuality, some violence and language.

Runtime:

162 min

Country:

USA | UK

Language:

English | German | Italian | Arabic

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

USA:R (certificate #34884) | Iceland:12 (video rating) | Iceland:14 (original rating) | Denmark:15 | South Korea:18 | Philippines:PG-13 | Brazil:16 | Argentina:13 | Australia:M | Canada:14A | Chile:14 | Finland:K-12 | France:U | Germany:12 (bw) | Hong Kong:IIB | Netherlands:12 | Norway:15 | Peru:14 | Portugal:M/12 | Singapore:M18 (re-rating) | Singapore:R(A) (original rating) | Spain:13 | Sweden:15 | UK:15

Filming Locations:

Cinecittà Studios, Cinecittà, Rome, Lazio, Italy

Company:

Miramax Films

Trivia:

Anthony Minghella read the novel in one sitting after completing a previous shoot in New York; when he finished, he was completely disoriented and at first couldn't remember where he was, but he phoned Saul Zaentz the next morning to try and interest him in the project. Saul Zaentz not only read the book but discovered that author Michael Ondaatje was giving a reading near Saul Zaentz's home that weekend.

Goofs:

Continuity: Kip is buttoning his shirt from the top down as he darts past Hana while leaving the barn. When he turns to face her a moment later, the buttons he buttoned are unbuttoned and two lower buttons are buttoned.

Quotes:

Hana: [crying, her face a frozen mask] I must be a curse. Anybody who loves me, anybody who gets close to me... or I must be cursed. Which is it?

Movie Connections:

Referenced in "Hrysa koritsia: (#1.14)" (2008)

Soundtrack:

Aria + Variation 1

One of the greatest achievements in all of cinema, peerlessly beautiful

Count Laszlo (Ralph Fiennes) has just been transferred to a hospital in Italy during World War II. He is horrifically burned from an ambush. His nurse Hana (Juliette Binoche) tends to him, body and mind, for she fears, quite rightly, that he may be a very troubled soul. In the course of his care, the Count starts to tell Hana of his recent past. It seems he worked in a government capacity in Africa, where he met a beautiful married lady named Katherine (Kristin Scott Thomas). Although they tried to avoid each other, they fell in love. After a brief affair, Katherine called it quits, leaving the Count desolate. Even so, the two would meet again, under heart-wrenching circumstances. Meanwhile, Hana herself falls for a Sihk man in the British bomb squad. Yet, the war is raging relentlessly. Can love exist when the world is in turmoil? This is a tremendous film, based on an equally fine but complex novel. The plot has many story lines that are woven together beautifully, each of them poignant beyond description. The script itself is elegant and contains many memorable lines. Fiennes is magnificent, both as the burn victim and as the man who thought love was a myth. Scott Thomas is also quite fine as the woman who fights against her passions. As for Binoche, she richly deserved the Oscar that she was presented, as her nurse is a shining example of hope in a hopeless situation. The scenery is utterly gorgeous, as are the costumes, the direction, and the production. If you have missed out on viewing this film, rectify that soon, very soon. The English Patient will remain one of the greatest achievements in film for centuries to come.