Ted Kramer's wife leaves her husband, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
October 1944 in war torn Italy. Hana, a French-Canadian nurse working in a mobile army medical unit, feels like everything she loves in life dies on her. Because of the difficulty traveling and the dangers, especially as the landscape is still heavily booby-trapped with mines, Hana volunteers to stay behind at a church to care solely for a dying semi-amnesiac patient, who is badly burned and disfigured. She agrees to catch up to the rest of the unit after he dies. All the patient remembers is that he is English and that he is married. Their solitude is disrupted with the arrival at the church of fellow Canadian David Caravaggio, part of the Intelligence Service, who is certain that he knows the patient as a man who cooperated with the Germans. Caravaggio believes that the patient's memory is largely in tact and that he is running away from his past, in part or in its entirety. The patient does open up about his past, all surrounding his work as a cartographer in North Africa, which ... Written by
Anthony Minghella read the novel in one sitting after completing a previous shoot in New York; when he finished, he was completely disoriented and at first couldn't remember where he was, but he phoned Saul Zaentz the next morning to try and interest him in the project. Saul Zaentz not only read the book but discovered that author Michael Ondaatje was giving a reading near Saul Zaentz's home that weekend. See more »
Hana lays on a cot, an IV in her arm, donating blood. But when she rises off the cot just as the shelling begins in the next shot, the IV is gone. See more »
This... this, the hollow at the base of a woman's throat, does it have an official name?
Good God, man, pull yourself together.
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The producer and director wish to thank The Tozeur District Governor. See more »
I like this movie above all others. It is "multi-layered"; there is so much to see and appreciate. Every viewing brings a new appreciation of the story-line, the plot and the characters. Faultlessly acted and extremely enjoyable if you take the time to watch it and appreciate it. I love the interaction between the players; the subtle relationships; the period atmosphere. Ralph Fiennes is perfectly cast as the brooding lover and Geoffrey the wronged husband is beautifully underplayed by Colin Firth. The scene in the sand storm where Catherine & El-masy are discussing the different types of sand storms is one of the high-lights of the film and where the affair really starts. The other relationship between Hanna & El-masy is yet another "layer" of the movie which is totally enchanting (and heart-rending). A worthy winner of so many awards.
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