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The English Patient (1996)

R  |   |  Drama, Romance, War  |  6 December 1996 (USA)
7.4
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Ratings: 7.4/10 from 131,270 users   Metascore: 87/100
Reviews: 453 user | 115 critic | 31 from Metacritic.com

At the close of WWII, a young nurse tends to a badly-burned plane crash victim. His past is shown in flashbacks, revealing an involvement in a fateful love affair.

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(novel), (screenplay)
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Won 9 Oscars. Another 59 wins & 53 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
...
Kip
...
...
...
...
Sgt. Hardy
Clive Merrison ...
Fenelon-Barnes
Nino Castelnuovo ...
D'Agostino
Hichem Rostom ...
Fouad
Peter Rühring ...
Bermann
Geordie Johnson ...
Oliver
...
Mary
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Storyline

Beginning in the 1930's, "The English Patient" tells the story of Count Almásy who is a Hungarian map maker employed by the Royal Geographical Society to chart the vast expanses of the Sahara Desert along with several other prominent explorers. As World War II unfolds, Almásy enters into a world of love, betrayal, and politics that is later revealed in a series of flashbacks while Almásy is on his death bed after being horribly burned in a plane crash. Written by Anthony Hughes <husnock31@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

In love, there are no boundaries. See more »

Genres:

Drama | Romance | War

Motion Picture Rating (MPAA)

Rated R for sexuality, some violence and language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

|

Country:

|

Language:

| | |

Release Date:

6 December 1996 (USA)  »

Also Known As:

El paciente inglés  »

Box Office

Budget:

$27,000,000 (estimated)

Opening Weekend:

$278,439 (USA) (15 November 1996)

Gross:

$78,651,430 (USA) (5 September 1997)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Almost every reverse angle shot following a desert vista was done on a soundstage due to budgetary constraints. See more »

Goofs

Whether the character Muller was actually a standartenführer or a sturmbannführer is really irrelevant, as there were no Waffen SS units attached to the Afrika Korps at the time of Tobruk's surrender. See more »

Quotes

Katharine Clifton: My darling. I'm waiting for you. How long is the day in the dark? Or a week? The fire is gone, and I'm horribly cold. I really should drag myself outside but then there'd be the sun. I'm afraid I waste the light on the paintings, not writing these words. We die. We die rich with lovers and tribes, tastes we have swallowed, bodies we've entered and swum up like rivers. Fears we've hidden in - like this wretched cave. I want all this marked on my body. Where the real countries are. Not boundaries...
See more »

Crazy Credits

The producer and director wish to thank The Tozeur District Governor. See more »

Connections

Referenced in Being Human: Lia (2011) See more »

Soundtracks

Cheek to Cheek
(1935)
Music and Lyrics by Irving Berlin
Irving Berlin Music Company
Performed by Fred Astaire
Courtesy of Columbia Records
By arrangement of Sony Music Licensing and Mrs. Fred Astaire
Performed by Ella Fitzgerald
Courtesy of Verve Records By arrangement with Polygram Film & TV Licensing
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Epic story that mixes lust with a mystery story – worthy stuff but a touch too slow
26 February 2002 | by (United Kingdom) – See all my reviews

Tuscany WW2. Traumatised by the loss of anyone she cared for or loved, Canadian nurse Hana stays behind her unit with a dying patient, Count Laszlo de Almásy. de Almásy is burnt all over and has lost his memory. When a vengeful, mysterious thief arrives at their abandoned monastery with a past that seems to include de Almásy , and as Hana reads from his book, memories return regarding his past. He relives his story of lust and love and the destructive force that forbidden passion unleashed upon his life.

This is quite a modern epic. It has the running time of an epic, it has the gorgeous cinematography of an epic, it has the acting of an epic and it has a story of love (lust) against the backdrop of major events in history. Even though it changes or leaves out a significant amount of the original novel it still manages to be a great mix of passionate desire and mystery. The mystery of the story is represented by the thief Caravaggio who casts light on what he knows of de Almásy's past (as he sees it) while the love story is unfolded as it develops in a passionate affair between him and Katherine, a colleagues' wife. The story is compelling enough to carry the long running time, at times the pace seems a little slow and when I saw it in my local multiplex there were some moments where large portions of the audience seemed to be shifting in their seats.

The ‘love' of the story was interesting as it seems to be contrasted with Hana's relationship with Kip the bomb disposal expert. While de Almásy's relationship with Katherine starts as lust and desire before growing into what seems to be love (or could be grief at the result of their affair), Hana's is portrayed as purer and more careful as she fears those she loves will die. This difference helped me see that the film did want to show the destructive power of lust and affairs, however the fact that the central relationship was based more on lust than love took away from the emotional core of the story.

The acting is almost impeccable. Fiennes is excellent even when he is lost behind an unrecognisable mask of burnt flesh. Thomas is actually very good, I find she tends to be very wooden in some things but this type of very English character brings the best out of her. Binoche is excellent as Hana and carries the heart of the film. Dafoe is truly excellent - his element of the story is the mystery and he does it well. He is a great actor and deserves to be in things this good. The support cast include plenty of good actors including Colin Firth, Jurgen Prochnow and Naveem Andrews.

The film is beautifully shot - even though it's all a bit too picturesque to be real! However the director can handle himself well with many different scenes - a tense bomb diffusal, a passionate love scene, a dangerous sand storm etc. Overall the slow pace may frustrate some younger audiences but this is a really good film that draws it's values from classy sources.


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