Beginning in the 1930's, "The English Patient" tells the story of Count Almásy who is a Hungarian map maker employed by the Royal Geographical Society to chart the vast expanses of the Sahara Desert along with several other prominent explorers. As World War II unfolds, Almásy enters into a world of love, betrayal, and politics that is later revealed in a series of flashbacks while Almásy is on his death bed after being horribly burned in a plane crash. Written by
Anthony Hughes <firstname.lastname@example.org>
Kip is buttoning his shirt from the top down as he darts past Hana while leaving the barn. When he turns to face her a moment later, the buttons he buttoned are unbuttoned and two lower buttons are buttoned. See more »
The war's over - you told me yourself. How can it be desertion?
It's not over everywhere. I didn't mean literally.
[looking at Almasy]
When he dies I'll catch up.
[looking over the small cache of provisions]
It's not safe here. The whole country's crawling with Bandits and Germans and God knows what. It's madness. I can't allow it. You're not alright, this is natural. It's shock. For all of us. Hana?
I need morphine. A lot. And a pistol.
[clutching at straws, about Almasy]
And what if he ...
[...] See more »
Disclaimer in end credits: "While a number of the characters who appear in this film are based on historical figures, and while many of the areas described - such as the Cave of Swimmers and its surrounding desert - exist and were explored in the 1930s, it is important to stress that this story is a fiction and that the portraits of the characters who appear in it are fictional, as are some of the events and journeys." See more »
TEP is like a long cool drink of water after crawling across the Sahara to classic film buffs who have been too long deprived of that certain cinematic magic! Not only is it beautifully photographed, but the characters are perfectly portrayed. If you're looking for the film to be a mirror of the book, you will be seriously disappointed. Instead, it is an excellent "companion" to the book, and I think that is what Anthony Minghella intended. Ralph Fiennes is probably the most beautiful man in the world; not to mention a brilliant actor. Juliette Binoche is the posterchild for vulnerability and childlike enthusiasm. And, of course, I'll go see any film in which Kristin Scott Thomas is featured. She simply must be THE best actress since the likes of Deborah Kerr. So much was promised with this film, and so much is delivered!
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