Beginning in the 1930's, "The English Patient" tells the story of Count Almásy who is a Hungarian map maker employed by the Royal Geographical Society to chart the vast expanses of the Sahara Desert along with several other prominent explorers. As World War II unfolds, Almásy enters into a world of love, betrayal, and politics that is later revealed in a series of flashbacks while Almásy is on his death bed after being horribly burned in a plane crash. Written by
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Juliette Binoche knew she wanted to be in the film the minute she read the scene when Kip shows Hana the fresco paintings on the walls of a church. See more »
After the plane crash when Katharine has been moved to the cave, Laszlo leaves her with some supplies to hold her over until he can return with help. When Katharine is having problems with a flashlight, she smacks the light against her palm and looks into the light's reflector. The bulb shown in this shot is a halogen high-performance type lamp which was not available until 1959 (in A.C./household bulbs. These bulbs were not available for flashlight use until the late 1970's/early 1980's when longer lasting alkaline batteries were available to supply these extremely bright and power thirsty bulbs. See more »
You are a Canadian spy working for the Allies. Code-name Moose.
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Disclaimer in end credits: "While a number of the characters who appear in this film are based on historical figures, and while many of the areas described - such as the Cave of Swimmers and its surrounding desert - exist and were explored in the 1930s, it is important to stress that this story is a fiction and that the portraits of the characters who appear in it are fictional, as are some of the events and journeys." See more »
The greatest romance movie of all time? Probably...
I've seen a few movies in my time, but this one is exceptional. You'll have to watch it more than once to truly appreciate it, it is emotionally very complex, it explores love and passion at it's most extreme and it's cinematography is just breathtaking. The character of the Count is intensely passionate and tragic without him having to raise his voice or indeed leave his bed, the film is perfectly cast and perfectly acted. The film has a sort of mathematical precision and perfection to it which is rare these days. It combines action, love, tragedy, drama and politics all in one. This movie is unmissable, all the hype surrounding it and all the awards cannot begin to do it any justice. Hats off to Michael Ondaatje for writing the incredible book on which it is based.
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