Emma Woodhouse seems to be perfectly content, a loving father whom she cares for, friends, and a home. But Emma has a terrible habit - matchmaking. She cannot resist finding suitors for her... See full summary »
Jonny Lee Miller
Emma Woodhouse has a rigid sense of propriety as regards matrimonial alliances. Unfortunately she insists on matchmaking for her less forceful friend, Harriet, and so causes her to come to ... See full summary »
At 10, Fanny Price, a poor relation, goes to live at Mansfield Park, the estate of her aunt's husband, Sir Thomas. Clever, studious, and a writer with an ironic imagination and fine moral ... See full summary »
Jonny Lee Miller,
Eight years earlier, Anne Elliot, the daughter of a financially troubled aristocratic family, was persuaded to break off her engagement to Frederick Wentworth, a young seaman, who, though ... See full summary »
At age 10, Fanny Price is sent by her destitute mother to live with her aunt and uncle, Sir Thomas and Lady Bertram. As a child she was often made to feel that she was the poor relation but... See full summary »
Royal Navy captain Wentworth was haughtily turned down eight years ago as suitor of pompous baronet Sir Walter Elliot's daughter Anne, despite true love. Now he visits their former seaside ... See full summary »
Widow Dashwood and her three unmarried daughters, Elinor, Marianne and Margaret, inherit only a tiny allowance. So they move out of their grand Sussex home to a more modest cottage in ... See full summary »
Emma Woodhouse is a congenial young lady who delights in meddling in other people's affairs. She is perpetually trying to unite men and women who are utterly wrong for each other. Despite her interest in romance, Emma is clueless about her own feelings, and her relationship with gentle Mr. Knightly. Written by
Philip Brubaker <email@example.com>
The red plaid Spencer worn by Toni Collette (Harriet Smith) at Ford's in the rain is the same costume worn by an extra in the Highbury Market Day scene in Emma (2009). See more »
Frank Churchill's hair changes length in the scenes when he says goodbye to Emma - shorter when he arrives and longer when he leaves. See more »
One does not like to generalize about so many people all at once, Mr. Knightley, but you may be sure that men know nothing about their hearts, whether they be six-and-twenty, or six-and-eighty.
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I was so impressed with Doug McGrath's film version of the Jane Austen novel "Emma," and I loved the music score by Rachel Portman so much, that when I went to the video store one day and discovered the two had re-united for "Nicholas Nickleby" I immediately rented it without any other consideration.
I have read the book, and for those overly-critical fans of this Jane Austen adaptation, I don't know what else McGrath could have done to more perfectly capture the spirit and major plot elements of Miss Austen's work, especially given the limitations of a two hour movie (which some have complained about being too long!). And as far as Gwen Paltrow's accent is concerned, I must confess I wasn't too familiar with her when I saw this at the theater initially, and I was absolutely convinced at the time that she was an English actress!
I am taken aback by those who criticized the film for its lush scenery. That is one of the things I enjoy and look forward to seeing in period pieces set in the English countryside. The film's beautiful backgrounds are a major contributor to its appeal and success. If your idea of escapist fare is something bleaker, then perhaps you should rent something like "Death Wish III!"
The English country settings are as attractive and charming as the cast, and combine with the story and soundtrack for entertainment that makes you not tire of repeat viewings. McGrath is a wonder at choreographing the interplay of subtle expressions that are so essential in conveying the complicated romantic intrigue that occurs in this story.
This refreshing movie could also be a clinic on how enjoyable a film can be minus sex, violence or even a villainous antagonist. The story is often amusing, endearing, and at times, quite touching.
I have seen many competent Jane Austen book adaptations but this is without question my favorite.
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