| Photos (See all 13 | slideshow) |
| Ione Skye | ... | Frankie | |
| Jennifer Aniston | ... | Allison | |
| Mackenzie Astin | ... | David Shrader | |
| Michael Landes | ... | Rob | |
| Seymour Cassel | ... | Uncle Leo | |
| Sean Blackman | ... | Juice (as Sean San Jose Blackman) | |
| Michael Sterk | ... | B.J. | |
| Leslie Stevens | ... | Molly Monday | |
| Robert Kelker-Kelly | ... | Trent (as Robert Kelker Kelly) | |
| Robert Ernst | ... | Homeless Man | |
| Robert Harvey | ... | Dick in Sushi Bar | |
| Fred Gualco | ... | Policeman #1 | |
| Roger Craig | ... | Policeman #2 | |
| Louis Velez | ... | Sammy Davis | |
| Mai Huynh | ... | Poetry Reader | |
| Jennifer Steen | ... | Customer | |
| Puck Rainey | ... | Delivery Man (as David 'Puck' Rainey) | |
| Susan Rokisky Ring | ... | Woman at the Beach | |
| Madalyn Ring | ... | Girl at the Beach | |
| Eddie DeBartolo | ... | Frankie's Father (photo) | |
| Candy DeBartolo | ... | Frankie's Mother (photo) | |
| rest of cast listed alphabetically: | |||
| Thomas Loher | ... | Car Driver (uncredited) | |
| Steve Zukerman | ... | Chef (uncredited) | |
Directed by | |||
| Tiffanie DeBartolo | |||
Writing credits | ||
| Tiffanie DeBartolo | (written by) | |
Produced by | |||
| John Hackett | .... | executive producer | |
| Phyllis Housen | .... | co-producer (as Phyllis K. Housen) | |
| Charles Kirkwood | .... | associate producer | |
| Christopher Lloyd | .... | executive producer | |
| Rita Rokisky | .... | executive producer (as Rita J. Rokisky) | |
| Rita Rokisky | .... | producer (as Rita J. Rokisky) | |
Original Music by | |||
| Michael Andreas | (as Michael Andreas) | ||
Cinematography by | |||
| Guillermo Navarro | |||
Film Editing by | |||
| Thomas Fries | (as Tom Fries) | ||
| Phyllis Housen | (as Phylis K. Housen) | ||
Casting by | |||
| Melissa Skoff | |||
Production Design by | |||
| Gary T. New | (as Gary New) | ||
Art Direction by | |||
| John P. Jockinsen | (as John Jockinsen) | ||
Set Decoration by | |||
| Laurie Scott | |||
Costume Design by | |||
| Charles Winston | (as Charles E. Winston) | ||
Makeup Department | |||
| Jessica Clay | .... | hair stylist | |
| Nikki DeBartolo | .... | assistant makeup artist | |
| Suzanne Diaz | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Douglas Aarniokoski | .... | first assistant director (as Doug Aarniokoski) | |
| Brian Bettwy | .... | second assistant director | |
| David Rimer | .... | second second assistant director | |
Art Department | |||
| Mindis Jo Baker | .... | carpenter | |
| Scott Barrett | .... | on-set dresser | |
| Chuck Dutrow | .... | swing (as Charles R. Dutrow III) | |
| David Erickson | .... | painter | |
| Craig S. Hyman | .... | lead man | |
| Kerry Kate | .... | swing (as Kerry Patterson) | |
| Tim Kerner | .... | carpenter | |
| Tim Kerner | .... | foreman | |
| Carrie Nardello | .... | painter | |
| Eric Neff | .... | carpenter | |
| Tony Tringali | .... | carpenter | |
| Kirk Trutner | .... | property master | |
| David Woodall | .... | construction coordinator | |
| Jim Woodall | .... | carpenter | |
Sound Department | |||
| Greg Back | .... | sound effects editor | |
| Greg Back | .... | sound re-recording mixer | |
| Larry Ellis | .... | dialogue editor | |
| Dan Gecenok | .... | sound effects editor | |
| Bob Gitzen | .... | sound mixer | |
| Larry Goeb | .... | dialogue editor | |
| Robin Harlan | .... | foley artist | |
| Steve Jaszkowiak | .... | foley mixer | |
| Steve Jaszkowiak | .... | sound re-recording mixer | |
| Scott Kinzey | .... | boom operator | |
| Sarah Monat | .... | foley artist | |
| David Silberberg | .... | boom operator | |
| Donald P. Zappala | .... | adr editor (as Donald Zappala) | |
| Joseph Zappala | .... | sound re-recording mixer (as Joe Zappala) | |
Camera and Electrical Department | |||
| Sean Antle | .... | grip | |
| Jeff Bayer | .... | still photographer | |
| Alan J.F. Betrancourt | .... | first assistant camera: "b" camera | |
| Alan Cohen | .... | first assistant camera (as Al Cohen) | |
| Jason 'Jake' Cross | .... | grip (as Jason Cross) | |
| John W. DeBlau | .... | gaffer (as John DeBlau) | |
| Rick Edmondson | .... | electrician | |
| Jim 'Crash' Irons | .... | best boy grip | |
| Timothy James Kane | .... | second assistant camera (as Timothy Kane) | |
| Lorna Leslie | .... | additional assistant camera | |
| Chris Lindsay | .... | electrician | |
| Chris Lindsey | .... | grip | |
| Lance Martin | .... | assistant camera | |
| Chris McCracken | .... | grip | |
| Russell McElhatton | .... | camera operator: "b" camera | |
| Kurt Naugle-Taylor | .... | electrician | |
| Sean Prichard | .... | best boy electric | |
| Tim Soronen | .... | dolly grip (as Tim 'Stuffy' Soronen) | |
| Rick Stribling | .... | key grip | |
Casting Department | |||
| Nancy Hayes | .... | extras casting: San Francisco | |
| M.L. Tanner | .... | casting: San Francisco | |
Costume and Wardrobe Department | |||
| Sasha Levinson | .... | costumer | |
| Tami Stover | .... | costume intern | |
Editorial Department | |||
| Vivian Hengsteler | .... | negative cutter | |
| Kristine McPherson | .... | first assistant editor | |
| Chuck Winston | .... | color timer | |
Music Department | |||
| John Laraio | .... | composer: additional music | |
| Timothy Nielsen | .... | music editor | |
Other crew | |||
| Christopher J. Bauer | .... | production coordinator | |
| Linda Crowder | .... | production assistant | |
| Jeffrey Dean | .... | office production assistant | |
| Bernice Doerfler | .... | office production assistant | |
| Nathan Easterling | .... | set production assistant | |
| Timothy M. Gray | .... | production assistant | |
| Susannah Greason | .... | location manager | |
| Shannon Kenny | .... | script supervisor (as Shannon E. Kenny) | |
| Gloria Kirkwood | .... | production accountant | |
| Tracy Mercer | .... | key office production assistant | |
| Josh Newkirk | .... | set production assistant | |
| Aaron Penn | .... | key set production assistant | |
| Lisa Rosenson | .... | set production assistant | |
| Tony Stanford | .... | production coordinator | |
| David Van Woert | .... | production assistant | |
| Jason Patnode | .... | production assistant (uncredited) | |
Thanks | |||
| Willmont Matthew | .... | special thanks | |
| Frank Sinatra Jr. | .... | special thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| hello?? no board yet, huh?? | Starr-9 |
| What Dr. Seuss book is read? | ilssaridor |
| This movie sucked !!! | kdy_9 |
| Random | katrina_janae |
| Is this movie? | fish293 |
| soundtrack anyone? | jrascollins |
|
|
|
|
|
| Kings & Queen | My Own Private Idaho | Enter the Void | Howl | Outside Providence |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Romance section | IMDb USA section |
Dream for an Insomniac is not a bad movie, nor is it a particularly good one. Writer/Director DeBartolo in her first attempt at doing either produces a film that has bright moments, a few good ideas, very little meaningful dialogue, and some moderately entertaining scenes.
The black-and-white to color transition when Frankie first meets David Schrader is perhaps the most metaphorical and artistic achievement this movie makes. It is unfortunate that it is neither touching as a metaphor nor very artistic.
The majority of the film centers around the interplay between Frankie and David. The interaction between the characters is labored and unbelievable, the dialogue being little more than witty banter and archaic quotes swapped back and forth. If DeBartolo had any intentions of the audience empathizing with the characters she failed to write them in such a way to elicit such empathy. Frankie remains reminiscent of a love-struck schoolgirl throughout the film, a glutton for punishment, while David Schrader feels two-faced, reluctant to leave his girlfriend but quite friendly and flirtatious with Frankie, who is quite obviously in love with him. If these characters existed in the real world, they would both seem too neurotic, emotionally unstable, needy, and self-centered to spend time getting to know. And yet in spite of this, DeBartolo manages to put together a film that is not terrible.
Aniston's character, an aspiring actress who speaks in false accents during conversations to become believable in them, provides a solid supporting character that is much needed throughout the film. Juice, the slacker musician, finds his way on screen just about exactly when some comic relief is due. Some of the conversations, especially the one concerning the Holy Trinity of rock and roll, seem similar to something that could actually be heard in the real world, or at least the world of Generation X. And the subplot of Rob, the coffee-shop waiter reluctant to tell his father that he is a practicing homosexual, is actually quite endearing and entertaining.
Dream for an Insomniac would have been a much better film had DeBartolo stepped down the massive intellectual undertones running rampant in the dialogue, given both main characters a healthy dose of Prozac, and focused on the basic but meaningful theme of romance in the 90s instead of showing off her obviously impressive knowledge of memorable quotes through her characters. If anything less than extraordinary is a waste of your time, then so is Dream for an Insomniac. If, however, you are willing to settle for a decent first attempt at a movie by a newcomer to writing and directing, lay down a couple of bucks for this film at your local video store.