"Don't Be a Menace to South Central While Drinking your Juice in the Hood" is a parody of several U.S. films about being in the 'Hood', for instance "Boyz n the Hood", "South Central", "...
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Craig and Day Day have finally moved out of their parents houses and into their own crib. The cousins work nights at a local mall as security guards. When their house is robbed on Christmas... See full summary »
Story of a promising high school basketball star and his relationships with two brothers, one a drug dealer and the other a former basketball star fallen on hard times and now employed as a security guard.
"Don't Be a Menace to South Central While Drinking your Juice in the Hood" is a parody of several U.S. films about being in the 'Hood', for instance "Boyz n the Hood", "South Central", "Menace II Society", "Higher Learning" and "Juice". We follow Ashtray as he returns to the place he grew up in and meet his father and his basket-case friends. Crazy stuff happens. For example, Ashtray is older than his father and his best friend Loc Dog's grandmother is a trigger-happy old lady who blames her eccentric-looking kid for not being tough enough. Written by
Rune Dahl Fitjar <firstname.lastname@example.org>
Loc Dog warns Ashtray about how promiscuous Dashiki is, and does so by saying, "She got more kids than Ms. Wayans." That is a joke in which the actor Marlon Wayans (Loc Dog) is referring to his own mother, who has ten children. Four of them are in the movie: him, Kim Wayans (Mrs. Johnson), Shawn Wayans (Ashtray), and Keenen Ivory Wayans, who has a cameo as the mailman. See more »
When Toothpick and his gang are leaving the confrontation with Loc Dog and Ashtray at the "40's & 9's" store, they drive in reverse in a Pontiac GTO. However, you hear a gear change - Pontiac GTO's didn't come with two or more reverse speeds. See more »
Now kids, what do we say to a man that Mommy just met?
Are you my daddy?
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Robert Schimmel is listed in the opening credits, yet he does not appear anywhere in the film, and is missing from the end credits. See more »
Live Wires Connect
Written by Chad Butler (as Pimp C), Bun B, Keith Murray, Lord Jamar,
Zomba Enterprises Inc./310 Plus Publishing/Illiotic Music, Inc. (administered by Zomba Enterprises Inc.)/Brand Nubian/Def Jam Music (ASCAP)/Coco Buda
Performed by U.G.K. (as UGK) featuring Keith Murray and Lord Jamar
Produced by Lord Jamar for 7G Entertainment
UGK and Keith Murray appear courtesy of Jive Records
Lord Jamar appears courtesy of Elektra Entertainment/Elektra Entertainment Group
(P) 1996 Zomba Recording Corporation See more »
I was watching an old "Honeymooners" rerun with a friend and we came to Jackie Gleason's Ralph's inevitable "To the moon, Alice!" expression of frustration with his wife, and suddenly I realized that it WAS inevitable, so why were we laughing, having heard it a dozen times before? My friend pointed out that Gleason's timing - the manner in which he held his slow-burn, the widening of his eyes, the sudden "Bang! Zoom" take off into the line - was what always made it funny. We weren't laughing at the line so much at the performance of it.
"Don't Be A Menace" is the most obvious collection of predictable gags and bits I have seen in a long time, but it is by far the funniest. The Wayans are rather stuck - the genres they parody here have very rigid conventions, so much so that there is usually only one or two gags one can use to mock them - e.g., when a young gangsta warns us that many young men in the 'hood don't live to see their 21st birthday, we all know what's coming next. So the Wayans handle it in a manner that delays the punchline while emphasizing its obviousness. Thus we laugh with them, appreciating the way they pull it off, and recognizing the gangsta genre limit that's getting parodied, rather than at the bit itself.
Just about the whole movie operates on this level, and for this reason has become one of my favorite comedies. The Wayans capture every moment with a dead-on rhythm that blends the gags into a kind of music. Shawn plays the steady bass while Marlon does some wild riffing. Other characters and bits drop in and out like improvisation and sound effects. Keenan Wayans drops in every now and then like the voice on a scratch dub. The tempo could have been a little swifter, but the rhythm itself is excellent.
Comedy like this is very tricky, and I personally didn't think the Wayans' efforts in the "Scary Movie" films were quite as successful - but here they move it right along.
It's rude, it's crude, it's in-yor-face - and it's just a delight to watch.
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