Since his mother wants to watch TV, Axel, a young auto-mechanic, must recover her remote control, accidentally taken by his punk sister Maja. During his quest, he becomes involved in the ... See full summary »
Björn Jörundur Friðbjörnsson,
Thorarinn Oskar Thorarinsson
Simon a mysterious man with a past returns to Iceland with the intention to end his no good life. Before he can complete his task he meets a young women DÚA who he believes might be his ... See full summary »
Friðrik Þór Friðriksson
Ingvar Eggert Sigurðsson
A young girl breaks up from her petit bourgeoisie home and her piano lessons to lead an entirely new life, as one of the personnel at an institution for juvenile delinquents in a remote ... See full summary »
A desperate city-slicker engineer cheats his way into a small farming community, pretending to know how to save them by refinancing their slaughterhouse not knowing that he's walking into a... See full summary »
Olaf de Fleur Johannesson
Stefán Karl Stefánsson,
Ágústa Eva Erlendsdóttir,
Hilmir Snær Guðnason
Djoflaeyjan takes place in Reykjavik in the years following World War II. The British and American occupation army has left their bunkers behind. They became homes to hundreds of lower-class people who were pouring into the capital during those years. Djoflaeyjan tells the story of the struggle and often humorous life of people in the bunkers in those difficult times. Written by
Frimann Stefansson <firstname.lastname@example.org>
I have to disagree with the user that commented on the movie above me. You might think that this is my opinion as an Icelander, but this is truly my honest opinion from a motion picture point of view.
This story probably captures Icelandic viewers born from 1900 - 1950 even better than the rest, since they might remember this peculiar scenario, where the poor people of the country lived in US/UK military cabins. This story realistically describes life in those days if you had little financial capabilities and lived in Iceland, which took a big leap in that time frame in regards of technology and thinking. Actors put on quite a show, and the characters are of such variations that almost everyone can relate to some of them, whether if it's yourself or somebody you know.
I don't know why the other critic claimed that he didn't care whether the characters lived or died, but it seems to me that he wasn't really paying attention to the movie. I don't know if it's because it's mainly in Icelandic, or because of another reason (maybe not subtitled), but I recommend this movie to anyone who likes good movies that are not typical Hollywood movies.
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