Páll is an artistic and sensitive young man. Getting dumped by his girlfriend, Dagny, triggers his descent into madness. We follow him on his way to what seems like inevitable doom; at home... See full summary »
Old Thorgeir must leave his home far off in the Icelandic 'countryside' and move into a home for senior citizens in Reykjavik. There he meets an old friend from his childhood, Stella. ... See full summary »
Thirty-year-old Hlynur still lives with his mother and spends his days drinking, watching porn and surfing the net while living off unemployment checks. A girl is interested in him, but he ... See full summary »
Hilmir Snær Guðnason,
Hanna María Karlsdóttir
Two con men are enlisted in the Icelandic Police force after one of their cons. They police chief is forced to set them loose on the streets without any training or preparation, much to ... See full summary »
Karl Ágúst Úlfsson,
When Hildur - a beautiful high society girl and a regular guest in the national celebrity press - finds out that her boyfriend Jolli is about to go into jail, she realizes she has to learn ... See full summary »
Gunnar B. Gudmundsson
Ragnhildur Steinunn Jónsdóttir,
Davíð Þór Jónsson
Djoflaeyjan takes place in Reykjavik in the years following World War II. The British and American occupation army has left their bunkers behind. They became homes to hundreds of lower-class people who were pouring into the capital during those years. Djoflaeyjan tells the story of the struggle and often humorous life of people in the bunkers in those difficult times. Written by
Frimann Stefansson <firstname.lastname@example.org>
I have to disagree with the user that commented on the movie above me. You might think that this is my opinion as an Icelander, but this is truly my honest opinion from a motion picture point of view.
This story probably captures Icelandic viewers born from 1900 - 1950 even better than the rest, since they might remember this peculiar scenario, where the poor people of the country lived in US/UK military cabins. This story realistically describes life in those days if you had little financial capabilities and lived in Iceland, which took a big leap in that time frame in regards of technology and thinking. Actors put on quite a show, and the characters are of such variations that almost everyone can relate to some of them, whether if it's yourself or somebody you know.
I don't know why the other critic claimed that he didn't care whether the characters lived or died, but it seems to me that he wasn't really paying attention to the movie. I don't know if it's because it's mainly in Icelandic, or because of another reason (maybe not subtitled), but I recommend this movie to anyone who likes good movies that are not typical Hollywood movies.
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