Karl Foyle and Paul Prentice were best mates at school in the Seventies. But when they meet again in present-day London things are definitely not the same. Karl is now Kim, a transsexual, ...
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Somerset, 1958. Eva enters adulthood with good humor, keeping house for her absent-minded father, letting her younger sister Janie in on the secrets of growing up, working at a furniture ... See full summary »
Gerald is a yuppie-like transvestite in his thirties. His wife arrives home earlier than expected and discovers female attire spread over their apartment. Not knowing anything about his ... See full summary »
Father Greg Pilkington (Linus Roache) is torn between his call as a conservative Catholic priest and his secret life as a homosexual with a gay lover, frowned upon by the Church. Upon ... See full summary »
The novel opens with Jenny Bunn's arrival at her lodging-house. She's a young, strikingly beautiful, provincial Northern woman who has moved to a London suburb to take her first teaching ... See full summary »
Harold Guppy moves into the Beasley household as a lodger. Before long Mrs. Beasley falls for him and eventually ends up in his bed. Her 13-year old daughter Joyce is aware of what is ... See full summary »
Ludovic is a transgender girl who is coming out. She talks of marrying her neighbor's son and can not understand why everyone is so surprised about it. Her family and neighbors struggle ... See full summary »
Georges Du Fresne,
Karl Foyle and Paul Prentice were best mates at school in the Seventies. But when they meet again in present-day London things are definitely not the same. Karl is now Kim, a transsexual, and she has no desire to stir up the past while she's busy forging a neat and orderly new life. Prentice, on the other hand, has charm but is a social disaster stuck in a dead-end job. His main talent is for getting them both into trouble. Amid the squabbles, they start to fall in love. One night, Kim invites Prentice to a romantic dinner at her flat. Prentice, finding the seduction unexpectedly effective, freaks out. He proceeds to make a public display of both of them and winds up in court. Humiliated and angry, Kim runs away. Only she can save Prentice now, but will true love triumph for a new made woman and an aging punk? Written by
Aside from any psycho-analytical considerations (in which I have no competence), this film really worked for me. I typically give a wide berth to pictures of this ilk, but I was really captivated by the sense that these characters were really living the circumstances in which they found themselves. I'm not going to blather on about how relevant blah blah, but the fact is that Nobody is immune from the possibility that an experience like this might present itself in real life, and it is thought-provoking to reflect on how it might affect ME. This is a complex subject, uncomfortable to many, but explored here in a way that was good sociology, good psychology, and damned fine cinema. Whatever your hang-ups are (or aren't), enjoy this film.
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