An extremely successful dentist goes off the deep end after he catches his wife cheating on him.
Director:
Writers:
Awards:
- 3 wins & 4 nominations.
- See more »
Photos and Videos
Cast verified as complete
Corbin Bernsen | ... |
Dr. Alan Feinstone
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Linda Hoffman | ... |
Brooke Feinstone
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Michael Stadvec | ... |
Matt
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Ken Foree | ... |
Detective Gibbs
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Tony Noakes | ... |
Detective Sunshine
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Molly Hagan | ... |
Jessica
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Patty Toy | ... |
Karen
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Jan Hoag | ... |
Candy Wittridge
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Virginya Keehne | ... |
Sarah Andrews
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Earl Boen | ... |
Marvin Goldblum
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Christa Sauls | ... |
April Reign
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Mark Ruffalo | ... |
Steve Landers
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Lise Simms | ... |
Paula Roberts
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Joanne Baron | ... |
Mrs. Saunders
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Brian McLaughlin | ... |
Jody
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Aixa Maldonado | ... |
Maria (scenesDeleted)
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Christopher Kriesa | ... |
Mr. Schaeffer
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Sal Viscuso | ... |
Matthew Zeigler
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Betsy Monroe | ... |
Young Female
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Brian Yuzna | ... |
Attendant
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Michael Guerin | ... |
Student #1
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Shanna Igoe | ... |
Student #2
(as Shanna Corinne)
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Michael E. Rodgers | ... |
Nervous Patient
(as Michael Rodgers)
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Diana Tash | ... |
Opera Singer
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Directed by
Brian Yuzna |
Written by
Dennis Paoli | ... | (written by) & |
Stuart Gordon | ... | (written by) and |
Charles Finch | ... | (written by) |
Produced by
Mark Amin | ... | executive producer |
Sheri Bryant | ... | associate producer |
Pierre David | ... | producer |
Phillip B. Goldfine | ... | co-producer |
Emmanuel Itier | ... | consulting producer |
Robert Lansing Parker | ... | line producer |
Noël A. Zanitsch | ... | co-producer |
Music by
Alan Howarth |
Cinematography by
Levie Isaacks |
Editing by
Christopher Roth |
Editorial Department
Lynn Dupre | ... | apprentice editor |
Herb Hickey | ... | color timer |
Richard Jordan | ... | executive in charge of post-production |
Keith H. Sauter | ... | first assistant editor |
Casting By
Carol Lefko |
Production Design by
William V. Ryder |
Art Direction by
Robyn Coburn |
Costume Design by
Warden Neil |
Makeup Department
Joshua Blyden | ... | additional makeup artist |
Rob Burman | ... | braces: Sarah |
Mitchell J. Coughlin | ... | key designer: Kevin Yagher Productions, inc (as Mitch Coughlin) |
Michael Deak | ... | shop crew: Christopher Nelson |
John Paul Fedele | ... | shop crew: Christopher Nelson (as Jon Fedele) |
Anthony C. Ferrante | ... | special makeup effects supervisor |
Jessica Flannery | ... | additional makeup artist |
Sam Greenmun | ... | special makeup effects artist |
Kerry Gudjohnsen | ... | shop crew: J.M. Logan |
Patricia Gundlach | ... | key hair stylist / key makeup artist |
J.M. Logan | ... | key special makeup effects |
Jennifer McManus | ... | braces: Sarah |
Christopher Allen Nelson | ... | special makeup effects artist |
Ken Rex | ... | effects: adult oversized mouth |
Todd Rex | ... | shop crew: J.M. Logan |
Kevin Yagher | ... | effects: adult oversized mouth |
Shelley Yustak | ... | shop crew: Christopher Nelson |
Jennifer Slinger | ... | mirror image shop crew (uncredited) |
Production Management
Andrew Gladston | ... | assistant: Mr. Goldfine |
Donna Solomon | ... | contractual auditor: Trimark |
Meltem Vogler | ... | production controller: Trimark |
Cami Winikoff | ... | executive in charge of production |
Second Unit Director or Assistant Director
Maximillian D. Day | ... | additional second assistant director: second unit |
Richard Gonzales | ... | second second assistant director |
Deanna Kelley | ... | second assistant director: second unit |
Maria Melograne | ... | additional first assistant director: second unit (as Maria L. Melograne) |
John Nelson | ... | first assistant director: second unit |
Ross Novie | ... | first assistant director |
Thomas F. Troy | ... | second assistant director |
Art Department
Bret Bahe | ... | carpenter |
Noelle Charles | ... | lead scenic |
Michael A. Clark | ... | carpenter |
Therese Clinton | ... | assistant props |
Kira Cunningham | ... | on-set dresser |
Sam Dean | ... | propmaker |
Manuele Fernandez | ... | second lead |
Jack Gould | ... | swing gang |
Erika S. Katz | ... | set designer |
Roger Kelton | ... | construction coordinator |
Scott Kitchen | ... | gang boss |
Roy R. Koerbel | ... | carpenter (as Roy Koerbel) |
Joseph Lacasse | ... | scenic (as Joseph L. Lacasse, Jr) |
Barry Lehrman | ... | set designer |
John S. Ogden | ... | general forman |
Larry Ort | ... | swing gang |
Sage Oswald | ... | scenic |
Alejandro Poli | ... | leadman |
Roberto G. Ramirez | ... | scenic |
Karan L. Reinstein | ... | scenic |
Charles Scaife | ... | on-set dresser |
Pat Scanlon | ... | set designer |
Robert Sekula | ... | scenic |
Heather Shira | ... | scenic |
Peter L. Snowden | ... | scenic consultant |
Nick Sternberg | ... | swing gang |
Stefan Wilcox | ... | property master |
Tim Wincott | ... | scenic |
Sound Department
Gregory Beaumont | ... | foley editor / sound effects |
Lenise Bent | ... | foley mixer |
Beau Biggart | ... | adr mixer |
Leslie Bloome | ... | foley artist (as Leslie Bloom) |
Ed Carr | ... | re-recording mixer |
Matt Colleran | ... | sound re-recordist |
Richard F.W. Davis | ... | foley editor / sound effects |
Ron Harris | ... | adr recordist |
Monett Holderer | ... | foley artist |
Alan Howarth | ... | special sound effects |
Jerry Jacobson | ... | dialogue editor |
Adam Kroloff | ... | sound effects editor |
Doug Madick | ... | foley artist |
Bruce Nazarian | ... | supervising sound editor |
Richard Partlow | ... | foley artist (as Rick Partlow) |
Dennis Patterson | ... | re-recording mixer / supervising sound editor |
Joel Shryack | ... | adr editor / dialogue editor |
Tony Smyles | ... | production sound mixer |
Ace Williams | ... | boom operator |
Lance Wiseman | ... | adr editor / dialogue editor |
Sallye Stotsbery | ... | foley artist (uncredited) |
Diana Tash | ... | solo performance (uncredited) |
Special Effects by
Michael Burnett | ... | special effects thanks |
Shea Clayton | ... | special effects assistant |
Anthony C. Ferrante | ... | effects director: second unit |
Steve Johnson | ... | special effects thanks |
Randy Leong | ... | special effects thanks (as Dr. Randy Leong) |
Christopher Allen Nelson | ... | special effects: Brooke |
Chris Yagher | ... | special effects thanks (as Mark Christopher Yagher) |
David P. Barton | ... | mechanical designer: Kevin Yagher Productions, inc (uncredited) |
Visual Effects by
Larry Arpin | ... | optical effects |
Stunts
Kurt Bryant | ... | stunt coordinator |
Rosine 'Ace' Hatem | ... | maria stunt double (as Rosine Ace Hadam) |
Brett A. Jones | ... | additional stunt coordinator |
Camera and Electrical Department
William Ambrose | ... | rigging grip |
Debra Antic Davidian | ... | first assistant camera |
Jürgen Baum | ... | director of photography: second unit |
Joel Bystrom | ... | grip |
Marco Cappetta | ... | assistant camera |
Ted Coakley III | ... | additional second assistant camera |
Jon 'Scooter' Cousins | ... | additional grip |
Brian Dapp | ... | first assistant camera: second unit |
Kyle Davis | ... | additional grip |
Lou Duskin | ... | camera cranes |
Dominik Feller | ... | additional lighting technician |
Christopher Franey | ... | additional best boy grip |
Camille Freer | ... | first assistant camera: second unit |
Scott Froschauer | ... | additional grip |
Dimitry Gelman | ... | grip: second unit |
David B. Goldenberg | ... | assistant camera: third unit |
Nathan Hathaway | ... | additional lighting technician |
Brad Heiner | ... | key grip |
Rick Hopper | ... | gaffer |
Blake B. Jackson | ... | grip |
Jayma L. Koerner | ... | additional first assistant camera / first assistant camera: second unit |
Baqi Kopelman | ... | gaffer: second unit |
Daniel Kopelman | ... | swing: second unit |
Michelle Leve | ... | best boy grip |
John A. Locke | ... | swing: second unit |
Richard A. Ludt | ... | best boy grip |
Victor Macias | ... | dolly grip |
Denis Maloney | ... | additional photographer |
Richard Menzia | ... | first assistant camera: second unit (as Sputnik) |
Mark Morris | ... | second assistant camera: second unit |
Mark Morris | ... | second assistant camera: second unit |
Feliks Parnell | ... | director of photography: second unit |
Jennifer Perkins | ... | additional lighting technician / gaffer: second unit |
Tom Quady | ... | best boy grip: second unit |
Thoma Reavis | ... | additional lighting technician |
Dale Robinette | ... | still photographer |
Joe Romeo | ... | additional lighting technician |
Clive Sacke | ... | first assistant camera: second unit |
Marc Salter | ... | best boy electric |
David Sammons | ... | second assistant camera |
Alex Schmidt | ... | additional grip |
Eric Trageser | ... | director of photography: second unit |
Doug Weinmann | ... | key grip: second unit |
Dietmar Wendelin | ... | key grip: second unit |
Daniel Yarussi | ... | director of photography: third unit |
Riccardo Zanarini | ... | second assistant camera: second unit |
Casting Department
Zoe Yuzna | ... | casting assistant |
Costume and Wardrobe Department
Beth Beasley | ... | on-set costumer |
Dian Camarillo | ... | wardrobe assistant |
Tony Villanueva | ... | costume supervisor |
Location Management
Ashley R. Friedman | ... | location manager (as Ashley Robert Friedman) |
Mike James Masumoto | ... | assistant location manager |
Music Department
Alan Howarth | ... | music performer |
Script and Continuity Department
Mark S. Thomas | ... | script supervisor |
Transportation Department
Loren Bess | ... | driver |
Robert C. Cawley | ... | driver: honeywagon (as Robert C. Cawley Jr.) |
Gary Cheek | ... | driver |
Shane Greedy | ... | transportation coordinator |
Thomas Stillman | ... | driver |
Additional Crew
Karl Armelin | ... | police technical advisor |
Ruben L. Astrada | ... | security officer |
Amy Bennett | ... | publicist |
Rebecca Bennett | ... | publicist |
Myron Bitting | ... | coordinator: LAPD |
Peter Block | ... | executive in charge of business affairs |
Michelle Clevenger | ... | craft service |
Michael Dean | ... | studio teacher (as Michael D. Dean) |
Dick Delson | ... | publicist |
Bruce Eisen | ... | executive in charge of business affairs (as Bruce David Eisen) |
Scott Handley | ... | animal trainer |
Deborah Ann Henderson | ... | production coordinator: Trimark |
Emmanuel Itier | ... | assistant: Mr. Yuzna |
James E. Keegan | ... | executive in charge of finance |
Deanna Kelley | ... | set production assistant |
Heather Kwiecinski | ... | manager of production |
Leslie Levy | ... | advisor: dental techniques |
Maeve Mannion | ... | production accountant |
Irene Matijick | ... | craft service |
Dylan McKenna | ... | assistant accountant |
Lee McLaren | ... | set production assistant |
Brian McMillan | ... | head animal trainer |
Richard Middleton | ... | assistant: Mr. Goldfine |
Diana Petras | ... | assistant production coordinator |
Eduardo Ricketts | ... | set production assistant (as Charlie Ricketts) |
Brian Roberts | ... | assistant production coordinator |
Tracy Roberts | ... | medic |
Erik G. Rogers | ... | set production assistant |
Albert G. Ruben | ... | insurance |
Denise Russell | ... | medic |
Robert Settle | ... | craft service |
Jet Shaw | ... | assistant animal trainer |
Darnell Shepherd | ... | set production assistant |
Leslie Spann | ... | set production assistant |
Laura Stuart | ... | production coordinator |
Ron F. Ward | ... | office production assistant |
Sean Weilbacher | ... | set production assistant (as Sean Timothy Weilbacher) |
Misty Dawn White | ... | post-production accountant |
Fabio Chadad | ... | translator: english-portuguese (uncredited) |
Bruno Dubernat | ... | voice dubbing French: Detective Gibbs (uncredited) |
Henry König | ... | voice dubbing Germany: Earl Boen (uncredited) |
Peter Lakenmacher | ... | voice dubbing Germany: Corbin Bernsen (uncredited) |
Joël Zaffarano | ... | voice dubbing French: Matt (uncredited) |
Thanks
Wayne Alexander | ... | special thanks |
Wayne Alexander | ... | special thanks |
Carol Diesel Allison | ... | special thanks |
Johann Benét | ... | thanks |
David Diaz | ... | in memory of |
John H. Digiulio | ... | special thanks (as John H. Digiulio, D.D.S., M.S.) |
Lawrence Goebel | ... | special thanks |
Jack Gould | ... | special thanks |
Clark Peterson | ... | special thanks |
Karan Reinstein | ... | special thanks |
Production Companies
Distributors
- RCV Film Distribution (1996) (Netherlands) (theatrical)
- Trimark Pictures (1996) (United States) (theatrical)
- TF1 Vidéo (1997) (France) (VHS)
- Audio Visual Enterprises (1997) (Greece) (VHS)
- BMG Video (1999) (Germany) (VHS)
- Bach Films (France) (Blu-ray)
- Cinemax (United States) (tv)
- Dragon Film Entertainment (DFE) (Germany) (video) (Laserdisc)
- HBO 3 (1998) (United States) (tv)
- Hollydan Works (1998) (Yugoslavia) (DVD)
- IPA Asia Pacific (2008) (Poland) (tv)
- Laser Paradise (2000) (Germany) (DVD)
- Lionsgate Films (2022) (United States) (Blu-ray)
- NSM-Löwen (2022) (Germany) (Blu-ray)
- Pioneer Entertainment (1997) (United States) (video) (Laserdisc)
- Pony Canyon (1996) (Japan) (VHS)
- RCV Home Entertainment (2001) (Netherlands) (DVD)
- RCV Home Entertainment (2001) (Netherlands) (VHS)
- Rai Movie (2016) (Italy) (tv)
- Rizzoli Corriere della Sera Home Video (RCS) (Italy) (VHS)
- SBP (1998) (Argentina) (VHS)
- Scanbox Entertainment (Finland) (DVD)
- Selecta Visión (2017) (Spain) (Blu-ray)
- Trimark Home Video (1998) (United States) (DVD)
- Trimark Pictures (1996) (Japan) (VHS)
- Veronica Television (1999) (Netherlands) (tv)
- Vestron Video (2022) (United States) (Blu-ray)
- Vidmark Entertainment (1997) (United States) (VHS)
- Vidmark Entertainment (1997) (United States) (video) (Laserdisc)
- Vértice 360 (1997) (Spain) (VHS)
- XT Video Entertainment (2022) (Austria) (Blu-ray)
- XT Video Entertainment (2022) (Germany) (Blu-ray)
Special Effects
- 3-D Industrial Design (additional specialty props)
- Kevin Yagher Productions (adult oversized mouth)
- Mirror Image Effects (additional effects)
- Spectral Effects Studios (special effects thanks)
- Steve Johnson's XFX (special effects)
- Sticks & Stones (Sarah braces)
Other Companies
- AT&T (special thanks)
- Alexander, Halloran, Nau & Rose (special thanks)
- American Humane Association (animal action monitoring)
- Animal Rentals Unlimited (animals by)
- Ashfield Color Lab (video transfer)
- Austro Catering Services (catering)
- C.A.S.T. Security (cast security)
- Casala Ltd. (studio teacher)
- Cine-Com Payroll (payroll services)
- Citadel Records (soundtrack)
- DeForest Research (script clearance)
- Directors Sound & Editorial Services (dailies sound transfer)
- Gnome Productions (post-production sound)
- Hollywood Camera (camera and lenses)
- Hollywood Optical Systems (titles and opticals)
- Hollywood Studio Rental (special thanks)
- Ivy Sound Studios (additional music recorded at)
- J.L. Fisher (camera dollies)
- Jackson Shrub Supply (special thanks) (props)
- Leonetti Company (production equipment)
- Lori's Kitchen (catering)
- Magic Film and Video Works (negative conforming services)
- Montelito Post (music recording)
- Motion Picture Association (MPA) (approval certificate) (no. 34501)
- NT Audio Visual (optical soundtrack negative)
- Naya Spring Water (special thanks)
- Paramount Pictures Drapery Department (special thanks)
- Paramount Pictures Property Department (special thanks)
- Procter & Gamble Productions (PGP) (special thanks)
- Promusic Inc. (additional music courtesy of)
- RHH (insurance)
- S.C. Johnson & Son (special thanks)
- SteadiSystems (film stock)
- The Gnome Zone (foley facilities)
- The Magnolia Studios (adr facility)
- Ultra-Stero Laboratories (recorded in)
- Visual Icon (exclusive clip and still licensing)
- Wilcox Sound & Communications (walkie talkies)
Storyline
Plot Summary |
Dr. Feinstone has everything, a beautiful wife and a successful career in dentistry, but, when he discovers his wife in an affair, he realizes that behind every clean, white surface lies the stench of decay. Having gone insane, he enacts cruel dental torture on his patients.
Written by Jason Borchers |
Plot Keywords | |
Taglines | It's Time For Your Final Appointment See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
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Additional Details
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Filming Locations |
Box Office
Budget | $700,000 (estimated) |
Did You Know?
Trivia | The real-life serial killer dentist, Glennon Engleman (1928-1999), was not the inspiration for the story of the film. The idea for the movie came from Mark Amin, and was written by Charles Finch, Stuart Gordon and Dennis Paoli. However, Corbin Bernsen had played a character inspired by Engleman in Beyond Suspicion (1993), which has nothing to do with this movie. See more » |
Goofs | The light equipment can clearly be seen in Dr. Gibbs glasses a few times. See more » |
Movie Connections | Featured in Boogeymen: The Killer Compilation (2001). See more » |
Soundtracks | Vissi d'arte, vissi d'amore See more » |
Crazy Credits | Lead Assistant ... Shea "Blood Guy" Clayton. See more » |
Quotes |
Dr. Alan Feinstone:
I am an instrument of perfection and hygiene, the enemy of decay and corruption. A dentist. And I have a lot of work to do. See more » |