Lincoln, who's not yet 18, leads a straight life most of the time: he has a girl friend, goes to dances, jokes with guys. But he also has a secret life, in which he's drawn to dark places ...
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As Michael and Robert, a gay couple in New York, prepare for Robert's departure for a two-year work assignment in Africa, Michael must face Robert's true motives for leaving while dealing ... See full summary »
Lincoln, who's not yet 18, leads a straight life most of the time: he has a girl friend, goes to dances, jokes with guys. But he also has a secret life, in which he's drawn to dark places where he has sex with men he doesn't know. One night, while visiting a gay video arcade, he connects with John, a Vietnamese-born gay man, in his 20s probably, whose father was an African-American US soldier. John invites Lincoln to spend some carefree time with him, and Lincoln takes him to his father's boat. John then convinces Lincoln to take the boat into the Mississippi delta, where setting off some fireworks out of season precipitates betrayal and revenge. Written by
This is not a good film. The writer-director, in an interview, explained that he wrote the script, saw a Bergman film that influenced script changes, and then there were further changes when he hired the actor to portray the Vietnamese character. At that point, a total rewrite was needed. The stories don't hold together. Emphasis shifts from one character to another, seemingly secondary, character by the end of the film. Visually, it is too dark. Memphis is its locale and was important to its director, but there is no feel of Memphis in the film. Beyond that, the story isn't very interesting. I think this is one of those films that is very personal to its director, but doesn't have much to interest the rest of us. My life would not be interesting on film, either, which is why it is NOT on film.
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