Years ago, Jack Carter left his Seattle home to become a Las Vegas mob casino financial enforcer. He returns for the funeral of his brother Richard 'Richie' after a car crash during a storm... See full summary »
Rachael Leigh Cook,
Stallone plays a cop who comes undone after witnessing a brutal scene on the job. He checks into a rehab clinic that specializes in treating law enforcement officials. Soon, he finds that his fellow patients are being murdered one by one.
Charles S. Dutton,
Trouble strikes when runaway robbers in a getaway car hit truck full of explosives in the tunnel connecting Manhattan and New Jersey. Survivors are left in a weakened tunnel blocked at both exits. As Kit Latura approaches the tunnel, he sees the impact and knows he gotta take action. With time running out, he enters the tunnel through a system of maintenance walkways. Can he get the survivors out before the tunnel fills up? Written by
When the explosion reaches the mouth of the tunnel, the cars entering stop in straight lines. After Kit and his passengers get out of their car, completely different vehicles are scattered everywhere, and some have overturned. See more »
[as seeing a huge gush of water pouring into the damaged tunnel]
Excuse me Mr. Latura. But, are we gonna drown?
What's your name?
Okay, Ashley. I may find a way to stop this leak. So, it will keep us from drowning, that's the good news.
Okay, what's the bad news?
This water is 38 degrees. So, the only thing we have to worry about is Hypothermia.
Hypothermia. It's when your body loses heat and shuts down. When your body is getting tired, really, you're getting dead. Does that ...
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Don't Go Out With Your Friends Tonite
Written by L. Bryan, R. Bryan, D. Hoffpauir and K. Kerby
Performed by Ho-Hum
Courtesy of Universal Records
By Arrangement with MCA Special Markets and Products See more »
By 1996, no-one held out much hope for a Sylvester Stallone action movie. Where Daylight scores is by bucking expectations and being a good old-fashioned disaster movie. The opening scenes are spectacular, as we are introduced, one by one, to a couple of dozen protagonists, who all then enter a New York tunnel and get blown to smithereens. The rest of the film concerns the survivors' efforts to get free, aided by Stallone. It's a lot better than it has any right to be, and uses all the genre cliches to its advantage.
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