Robert Rath is a seasoned hitman who just wants out of the business with no back talk. But, as things go, it ain't so easy. A younger, peppier assassin named Bain is having a field day ... See full summary »
Stallone plays a cop who comes undone after witnessing a brutal scene on the job. He checks into a rehab clinic that specializes in treating law enforcement officials. Soon, he finds that his fellow patients are being murdered one by one.
Charles S. Dutton,
Lincoln Hawk (Stallone) is a struggling trucker who arm wrestles on the side to make extra cash while trying to rebuild his life. After the death of his wife, he tries to make amends with ... See full summary »
Years ago, Jack Carter left his Seattle home to become a Las Vegas mob casino financial enforcer. He returns for the funeral of his brother Richard 'Richie' after a car crash during a storm... See full summary »
Rachael Leigh Cook,
Trouble strikes when runaway robbers in a getaway car hit truck full of explosives in the tunnel connecting Manhattan and New Jersey. Survivors are left in a weakened tunnel blocked at both exits. As Kit Latura approaches the tunnel, he see the impact and knows he gotta take action. With time running out, he enters the tunnel through a system of maintenance walkways. Can he get the survivors out before the tunnel fills up? Written by
One reason Sylvester Stallone agreed to act in this movie was to help him overcome his fear of confined spaces. He'd agreed to appear in Cliffhanger (1993) to help him overcome his fear of heights. See more »
The survivors climb the stairs in the sandhog bunker to a small room below a maintenance parking lot. Since there were 8 steps to the hatch under the booth, then 20 steps to the parking lot, the lot was about 30 feet above the tunnel. The lowest point of the Hudson River is 93 feet deep, plus 10 feet of bedrock on top of the tunnel, so the lot would be under 60 feet of water. See more »
Geez, that cab driver sure knows a lot about rescue procedures. Hey, he's Sylvester Stallone! Sly plays Kit Latura, a disgraced EMS hotshot who was fired for a major men-killing mistake (even though he's still clearly the #1 guy in this particular line of work) and happens upon some major trouble. A couple of thieving imbeciles inadvertently cause an explosion in a tunnel under New York's Hudson River, trapping a multi-culti band of survivors between a rock and an impossible place. Latura volunteers to shimmy into the proverbial hell and lead the bedraggled few to---say it with me---'Daylight'. Would he have been as gung ho if he'd known he'd get so wet?
Label this one 'Die Hard' in a tunnel or 'The Po-Sly-don Adventure'. In fact, director Rob Cohen probably screened 'The Poseidon Adventure' a few times while prepping his film. That's my favourite of the absurd '70s catastrophe flicks and 'Daylight' strikes the same notes, often successfully. There's water and fire, rats and stereotypes, it's dank and dark, and you're never sure which mid-level movie star will die next. And credit where it's due, there's even plenty of pathos in the "we all gotta work together" vein and touching scenes of quiet humanity that stop an inch short of treacle. I was moved more than usual by a Stallone picture.
The movie made squat at the box office back in December '96, but it's worth a DVD rental for its solid craftsmanship. The F/X and sound design are money. As for the acting, the lead characters (Stallone, Amy Brenneman, Viggo Mortensen) aren't especially memorable, but some of the lower-billed performers (Stan Shaw & Colin Fox, to name two) escape the movie with some dignity. The only real villain is human idiocy---people go where they're not supposed to go and do things they're not supposed to do. 'Daylight' is formulaic, but it's still better than most disaster crap I've seen.
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