Tang Sanzang, a Buddhist trying to protect a village from three demons, his emerging feelings for Miss Duan, the demon hunter who helps him repeatedly, and Sanzang's trans-formative encounter with the Monkey King.
Two cops--both best friends and partners--both become the subject of a beautiful news reporter's documentary. The two soon find themselves competing for screen time as well as the love of the reporter while after a murderous arms dealer.
Blackie Ko Shou Liang
Comic artist Cheung befriends Tat, who he believes is a triad godfather. Tat provides useful information for Cheung's new comic strip, but the joke is on Cheung when the cops start solving cases with clues from his comic strip.
Shing plays tyrant father to Ti (Sandra Ng) and orphan Shui (Stephen Chow). When he finds out that they are actually a couple, he banishes Shui from his habitat but true love has Ti ... See full summary »
Tommy Leung Ga-shu
Sandra Ng Kwan Yue,
Set in Imperial China, Stephen Chiau plays Fat, a guard in the Forbidden City. But unlike his colleagues he doesn't know anything about Kung Fu or other martial-arts, because he uses his time to make futuristic inventions. So when the emperor is kidnapped and the world most beautiful geisha comes to town Fat has to use his brain to get things done. Written by
Many of the same sort of visual gags found in Shaolin Soccer and Kung Fu Hustle get their first sparks here. The comedy is very broad, as usual for an HK production, and the production is uneven at times. The kung-fu is more crazy-fu and shot in dizzying super wide angle close- ups. In contrast the non-fighting portions are photographed nicely.
Chow is a good comic actor following in the footsteps of notable actors like Fu Sheng, Jacky Chan and others. The relationship between Chow's character and the wife is very well done for this type of film. There are lots of anachronistic media references and sometimes the film seems more like a TV show. Much of the action seems to be influenced by Ng See Yuen's Shaolin Drunkard films of the 1980's, not that that's bad at all.
Not as polished as Chow's later films but good fun.
5 of 5 people found this review helpful.
Was this review helpful to you?