Shortly after WWII an American soldier (Norman) and a Polish refugee (Emilia) fall in deep love. Eventually he will return to USA and both expect that she will soon follow him. Emilia's ... See full summary »
A young man is facing death of his mother. A petty corruption at his job leads to him being framed and robbed of his only desire to climb mountains in Himalayas, as his father did and where... See full summary »
A group of students are spending the summer vacation at a university camp studying the science of linguistics. One of the camp directors, Jaroslaw, is a young professor who prefers the ... See full summary »
Voelz, studente di teologia in una cittadina del centro Europa, è fermamente convinto della esistenza del Bene e della Grazia. Dopo averla conosciuta da vicino, si innamora della moglie di ... See full summary »
Four stories of love: yearned-for, betrayed, found. In the confessional, a priest is confronted for the first time by his eleven-year-old daughter (and seeks advice from his mother); a ... See full summary »
The story of some good people with a 'bourgeois' love of horses under repressive PZPR Stalinism
"Cwal" ("At Full Gallop" or "In Full Gallop"), is the story of a collection of good people living under the USSR-supported Stalinist-Communist single-party government of the Polish United Worker's Party (the 'Polska Zjednoczona Partia Robotnicza', or the 'PZPR') in the former 'People's Republic of Poland' (the 'Polska Rzeczpospolita Ludowa', or the 'PRL'), a satellite state of the Soviet Union.
This film, apparently largely based on the real childhood experiences of the director, Krzysztof Zanussi Zanussi (1939-, "Persona non grata" (2005), "Life as a Fatal Sexually Transmitted Disease" (2000)), shows just some of the suffering caused by the misguided Communist politics of 'class' envy and the resentment of 'bourgeois' hobbies in the former Eastern bloc (see Ksawery).
The good people of Poland are repeatedly denied and repressed as when Hubert is not permitted by the state to accept harmless packages from his father in England and when his eccentric Aunt Idalia (the beautiful and talented Maja Komorowska of Krzysztof Kieslowski's "Dekalog, jeden" and "Dekalog, dwa" (1989), Zanussi's "Kontrakt" (1980) and Andrzej Wajda's "Wesele" (1973) fame...) cannot easily (or legally) indulge in her 'bourgeois' passion of horse riding without winning the assistance of an ironically overfed government Minister or a pompous 'Socialist hero' the type of General Rossokovsky.
I would highly recommend this very entertaining and emotive film to anyone, including - no, especially - the Socialists of all parties.
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