Set at the turn of the century, the story concerns a Polish poet living in Cracow who has decided to marry a peasant girl. The wedding is attended by a heterogenous group of people from all... See full summary »
A worker becomes a "man of iron" forged by experience, a son comes to terms with his father, a couple fall in love, a reporter searches for courage, and a nation undergoes historic change. ... See full summary »
In good old days Franz Maurer and his partners from secret police used to live like kings. Now, they all must adapt to new post-communist environment where they are scorned and losing all ... See full summary »
A group of students are spending the summer vacation at a university camp studying the science of linguistics. One of the camp directors, Jaroslaw, is a young professor who prefers the ... See full summary »
Biography of Camille Claudel. Sister of writer Paul Claudel, her enthusiasm impresses already-famous sculptor Auguste Rodin. He hires her as an assistant, but soon Camille begins to sculpt ... See full summary »
Kacper, a middle-aged high-school history teacher, begins to lose his eyesight. The medical diagnosis leaves no hope. Initially heartbroken, he attempts to hide his health problems from the outside world.
The story of some good people with a 'bourgeois' love of horses under repressive PZPR Stalinism
"Cwal" ("At Full Gallop" or "In Full Gallop"), is the story of a collection of good people living under the USSR-supported Stalinist-Communist single-party government of the Polish United Worker's Party (the 'Polska Zjednoczona Partia Robotnicza', or the 'PZPR') in the former 'People's Republic of Poland' (the 'Polska Rzeczpospolita Ludowa', or the 'PRL'), a satellite state of the Soviet Union.
This film, apparently largely based on the real childhood experiences of the director, Krzysztof Zanussi Zanussi (1939-, "Persona non grata" (2005), "Life as a Fatal Sexually Transmitted Disease" (2000)), shows just some of the suffering caused by the misguided Communist politics of 'class' envy and the resentment of 'bourgeois' hobbies in the former Eastern bloc (see Ksawery).
The good people of Poland are repeatedly denied and repressed as when Hubert is not permitted by the state to accept harmless packages from his father in England and when his eccentric Aunt Idalia (the beautiful and talented Maja Komorowska of Krzysztof Kieslowski's "Dekalog, jeden" and "Dekalog, dwa" (1989), Zanussi's "Kontrakt" (1980) and Andrzej Wajda's "Wesele" (1973) fame...) cannot easily (or legally) indulge in her 'bourgeois' passion of horse riding without winning the assistance of an ironically overfed government Minister or a pompous 'Socialist hero' the type of General Rossokovsky.
I would highly recommend this very entertaining and emotive film to anyone, including - no, especially - the Socialists of all parties.
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