In the early 1810s, Poles, part of Russia's client state of Lithuania, think independence will come if they join forces with Napoleon when he invades Russia. This unity of purpose, in one ... See full summary »
A man hops off a train by the small town where he claims he was before. His presence allows to bring out the inner feelings and beliefs of the inhabitants. A man who has hidden through all ... See full summary »
A classical singer who put his career on hold to raise a family gets a big break when a major company hires him for a televised New Year's Eve concert, but his shot at fame is threatened ... See full summary »
At the turn of the century, Lodz, Poland was a quick-paced manufacturing center for textiles, replete with cutthroat industrialists and unsafe working conditions. Three young friends, a ... See full summary »
Rose, an older woman living in Paris was born in Poland as a daughter of an aristocratic family. Her family house is now an impoverished home for the old people. Rose visited her property ... See full summary »
The story of some good people with a 'bourgeois' love of horses under repressive PZPR Stalinism
"Cwal" ("At Full Gallop" or "In Full Gallop"), is the story of a collection of good people living under the USSR-supported Stalinist-Communist single-party government of the Polish United Worker's Party (the 'Polska Zjednoczona Partia Robotnicza', or the 'PZPR') in the former 'People's Republic of Poland' (the 'Polska Rzeczpospolita Ludowa', or the 'PRL'), a satellite state of the Soviet Union.
This film, apparently largely based on the real childhood experiences of the director, Krzysztof Zanussi Zanussi (1939-, "Persona non grata" (2005), "Life as a Fatal Sexually Transmitted Disease" (2000)), shows just some of the suffering caused by the misguided Communist politics of 'class' envy and the resentment of 'bourgeois' hobbies in the former Eastern bloc (see Ksawery).
The good people of Poland are repeatedly denied and repressed as when Hubert is not permitted by the state to accept harmless packages from his father in England and when his eccentric Aunt Idalia (the beautiful and talented Maja Komorowska of Krzysztof Kieslowski's "Dekalog, jeden" and "Dekalog, dwa" (1989), Zanussi's "Kontrakt" (1980) and Andrzej Wajda's "Wesele" (1973) fame...) cannot easily (or legally) indulge in her 'bourgeois' passion of horse riding without winning the assistance of an ironically overfed government Minister or a pompous 'Socialist hero' the type of General Rossokovsky.
I would highly recommend this very entertaining and emotive film to anyone, including - no, especially - the Socialists of all parties.
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