Traveling dentist O'Connell traverses South America on his motorcycle for the 'Eversmile' foundation of New Jersey, in a fight not only against caries, but also against fear, ignorance, ... See full summary »
A small group of teen girls in 1692 Salem, Massachusetts caught in an innocent conjuring of love potions to catch young men are forced to tell lies that Satan had invaded them and forced them to participate in the rites and are then forced to name those involved. Thrown into the mix are greedy preachers and other major landowners trying to steal others' land and one young woman infatuated with a married man and determined to get rid of his innocent wife. Arthur Miller wrote the events and the subsequent trials where those who demanded their innocence were executed, those who would not name names were incarcerated and tortured, and those who admitted their guilt were immediately freed as a parable of the Congressional Communist witch hunts led by Senator Joe McCarthy in 1950's America. Written by
John Sacksteder <email@example.com>
Playwright Arthur Miller got his inspiration for "The Crucible" during the Hollywood black-listings. It reminded him of the paranoia, the finger-pointing and the all around outrageousness that the Salem Witch Hunt had possessed. Miller himself was called before The House of Representatives' Committee on Un-American Activities in 1956 to testify against his friends and, like his character John Proctor, refused to implicate them. See more »
When John Proctor and Elizabeth are having their private conversation towards the end of the movie, his teeth look normal. However once they return to judge and Rev. Hale, his teeth look rotted and decayed. When he his hanged (the same day) his teeth are normal again. See more »
[Martha's laughing at the girls after some dramatic testimony which culminated in them fainting]
How dare you mock them, Martha Corey?
What else are fools good for?
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The Raymond Rouleau French version of the fifties featuring Simone Signoret and Yves Montand as the Proctors seems to have vanished in the air.It's never on French TV and it's not available on tape or DVD either.In the fifties this could not be filmed in the USA ,because it was a highly topical issue,hence the Rouleau version which was first a stage production.
Actually,this masterwork is so strong that it can't be connected only with MCCarthyism.Its scope reaches far beyond.It's a plea for tolerance,freedom of thinking and dignity of the human being wherever and whenever they may be endangered.An excellent cast does the play justice.Daniel Day-Lewis gives a powerful performance (I say God is dead!)that few of his peers can equal.Wynona Ryder is efficient in her ambiguous part.Joan Allen gives a subdued but moving interpretation.Paul Scoffield personifies the inhuman law with authority.Bruce Davison ("Willard"'s hero ,1971).
All in all, a magnificent show ,thanks to all concerned.
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