6.8/10
28,759
122 user 58 critic

The Crucible (1996)

PG-13 | | Drama, History | 27 November 1996 (USA)
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A Salem resident attempts to frame her ex-lover's wife for being a witch in the middle of the 1692 witchcraft trials.

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Nominated for 2 Oscars. Another 4 wins & 25 nominations. See more awards »

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Cast

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Elizabeth Lawrence ...
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Judge Samuel Sewall
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Storyline

A small group of teen girls in 1692 Salem, Massachusetts caught in an innocent conjuring of love potions to catch young men are forced to tell lies that Satan had invaded them and forced them to participate in the rites and are then forced to name those involved. Thrown into the mix are greedy preachers and other major landowners trying to steal others' land and one young woman infatuated with a married man and determined to get rid of his innocent wife. Arthur Miller wrote the events and the subsequent trials where those who demanded their innocence were executed, those who would not name names were incarcerated and tortured, and those who admitted their guilt were immediately freed as a parable of the Congressional Communist witch hunts led by Senator Joe McCarthy in 1950's America. Written by John Sacksteder <jsackste@bellsouth.net>

Plot Summary | Add Synopsis

Taglines:

Arthur Miller's timeless tale of truth on trial.

Genres:

Drama | History

Motion Picture Rating (MPAA)

Rated PG-13 for intense depiction of the Salem witch trials | See all certifications »

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Details

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Release Date:

27 November 1996 (USA)  »

Also Known As:

As Bruxas de Salém  »

Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend:

$62,995 (USA) (29 November 1996)

Gross:

$7,340,103 (USA) (21 February 1997)
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Company Credits

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Technical Specs

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Sound Mix:

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Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Daniel Day-Lewis built the house he lived in as John Proctor, because of his habit of maintaining his character through the entire duration of the filming. See more »

Goofs

After John Proctor runs into the pond outside the church, his hair goes from being totally soaked in one shot to completely dry in the next. See more »

Quotes

Reverend Parris: For having committed the crime of witchcraft, Rebecca Nurse, George Jacobs, Mary Easty, John Willard, Martha Corey, Elizabeth Howe, John Proctor, Elizabeth Proctor, Mary Sibber, Hannah Bellows, Bridget Bishop and Sarah Osbourne are from this church with all its blessings and every hope of heaven hereby excommunicate.
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Connections

Referenced in Now & Forever (2002) See more »

Soundtracks

The Yanvalou Chant
Provided by Shakmah Winddrum
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User Reviews

 
excellent adaptation for the screen
20 April 2003 | by (La Rioja, Spain) – See all my reviews



There is nothing I like better than a good play for the stage, even when it is on screen. This is the second time I have been able to see this worthy conversion of Arthur Miller's classic play adapted to the screen. Nicholas Hytner certainly earnt his wages; and all the cast should have received a good pay-rise. Convincing scene-setting in Massachussets at the end of the 17th Century with heavy wood-framed farm buildings and typical North European immigrant peasants' clothing, all beautifully filmed. Arthur Miller himself collaborated on the script, allowing certain poetic licence in modernising some of the speech forms, which, in the original play – written around 1952-1953 – reflected speech patterns of the times.

I blow the dust off my 1973 Penguin copy of the play, and can follow some of the scenes almost verbatim. Thus the effect is dramaturgical rather than cinematographic, a little like Branaghan doing his versions of Shakespeare. A pleasing result indeed. Highly recommended for conoisseurs of fine acting in the classic sense. Neither of the two leading actors – Daniel Day-Lewis and Winona Ryder – will let you down.

The Salem Witches have been the cause of a few forays by writers, historians and so on: really the whole affair seems to typicalize people's appetites for forming psychosis-like manias, often on the grounds of nothing very concrete. I mean to say, the devil exists in the minds of those who invent it; the same cause as the `reds under the beds' phobia of the 1960s and 1970s, today transformed into `Islam Terror' around every corner. The clothing is different, but the mentality producing the phobias is not.

`The Crucible' in this excellent adaptation make this poignantly clear. My vote is slightly higher than the present IMDb average.


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