Famous film director Guido Contini struggles to find harmony in his professional and personal lives, as he engages in dramatic relationships with his wife, his mistress, his muse, his agent, and his mother.
A small group of teen girls in 1692 Salem, Massachusetts caught in an innocent conjuring of love potions to catch young men are forced to tell lies that Satan had invaded them and forced them to participate in the rites and are then forced to name those involved. Thrown into the mix are greedy preachers and other major landowners trying to steal others' land and one young woman infatuated with a married man and determined to get rid of his innocent wife. Arthur Miller wrote the events and the subsequent trials where those who demanded their innocence were executed, those who would not name names were incarcerated and tortured, and those who admitted their guilt were immediately freed as a parable of the Congressional Communist witch hunts led by Senator Joe McCarthy in 1950's America. Written by
John Sacksteder <email@example.com>
I am not someone to randomly give out a perfect score for a movie...
...And I also happen to be a very critical person of most films. With that being said, The Crucible completely blows me away with its virtually flawless cinematic achievements!
Daniel Day-Lewis is absolutely superb as John Proctor; there is no other way to put it. He is simply perfect, from his bitter, withdrawn opening few lines to when he is accused of witchcraft by his former adulterous--and scorned--lover (Winona Ryder) and begins passionately fighting for his very life and existence--and, of course, his name.
Winona Ryder turns in a beautiful performance as the disturbed and tragic Abigail Williams: a Puritain orphan raised by her super-strict, brutal, and overall villainous uncle. She becomes infatuated with John Proctor, a married man and a bit of an outcast to their society, and is willing to do anything and everything to 'obtain' him, if you will.
Joan Allen's Oscar nomination for Best Supporting Actress was not undeserved. Her portrayal of the honest and saintly Elizabeth Proctor (not fake innocence, like Abigail's) was touching and a bit heart-wrenching toward the end (won't give that away here).
It wasn't just the awesome acting that won me over, but the authentic Old English dialog, the somewhat grainy cinematography (which provided an uneasy feeling in viewing the town of Salem), and wonderful sets and costumes that really made this a classic for me, and my all-time favorite movie. Highly recommend it! A perfect 10/10!
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