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The Crucible (1996)

 -  Drama | History  -  27 November 1996 (USA)
6.9
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Ratings: 6.9/10 from 25,213 users  
Reviews: 115 user | 61 critic

A Salem woman accuses her ex-lover's wife of witchcraft.

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Title: The Crucible (1996)

The Crucible (1996) on IMDb 6.9/10

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Nominated for 2 Oscars. Another 12 wins & 15 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Elizabeth Lawrence ...
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Judge Samuel Sewall
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Martha Corey
Robert Breuler ...
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Storyline

The movie is centered around the Salem Massachusetts witch trials of 1692. The movie is based on the play "The Crucible" by Arthur Miller. He also wrote the screen play adaptation. Written by <dfmarean@Cove.com>

Plot Summary | Add Synopsis

Plot Keywords:

salem | massachusetts | witch | trial | girl | See more »

Taglines:

Arthur Miller's timeless tale of truth on trial.

Genres:

Drama | History

Motion Picture Rating (MPAA)

Rated PG-13 for intense depiction of the Salem witch trials | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

27 November 1996 (USA)  »

Also Known As:

Retorta  »

Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend:

ITL 436,864,000 (Italy) (14 February 1997)

Gross:

£2,282,422 (UK) (4 April 1997)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Jennifer Love Hewitt was considered for the role of Abigail Williams. See more »

Goofs

When Elizabeth Proctor is being brought to the court, the left rear wheel of the cart is not spinning. See more »

Quotes

Ezekiel Cheever: Purge your contempt and give us the name of the man who accused Putnam. You will say it, Corey.
Reverend Parris: Speak man, we cannot releant. What say you, Corey?
Giles Corey: More... Weight.
Reverend Parris: Lay on. You are commanded by the court. Lay On!
Giles Corey: AAH!
[he dies]
See more »

Connections

Referenced in You Don't Know Jack (2010) See more »

Soundtracks

The Yanvalou Chant
Provided by Shakmah Winddrum
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User Reviews

Powerful telling which uses the camera well to open the play up
4 May 2003 | by (United Kingdom) – See all my reviews

The day after Rev Parris finds his daughter and niece dancing in a group in the forest, several of the girls in the village are deep in sleep unable to be wakened. Rev Hale is called in to investigate and Abby Williams speaks up claiming witchcraft and that she and the other girls had been brought into it by the devil himself. As the investigation continues, Abby leads the claims on a twisted vendetta, eventually ending at the door of John Proctor and his family, the man she had an affair with and still loves.

I have never seen this on the stage, although my wife claims we did 2 years ago, and am unable to really compare this to other versions. However the first time I saw this film it grabbed me by the sheer force behind it. The plot is emotive and increasingly griping as it spirals out of control and Abby guides the justice of the court. The script is excellently written – sturdy yet capable of bringing out so much without trivialising or simplifying it. I defy anyone to not get sucked into this story as it is so well written.

Of course this would stutter a little without a suitably strong cast to carry it off. Happily the film is strong in performances and strong in depth. Day Lewis is deceptively light at the start, but the way he brings himself on during the film to his final shot is moving. Allen gives him able, albeit less showy, support. Ryder gives one of her best performances I've seen. Although she is required to be hysterical for much of the film she carries it off convincingly and, when needed, she is as menacing as a black hearted woman can be. Scofield is driven and well pitched but is helped by great support from Campbell and, more surprisingly, Gaynes (better known as Police Academy's Lassard). A rich cast of males in the chief support roles (Jones, Davison and Vaughan) really help – not only do they deliver the goods but their faces give the constant perception of depth.

The direction could easily have treated this as a stage production but Hytner opens it out without ever going over the top. The themes within the book are easily brought out and Hytner never stands in their way – he lets us take what we can from the material without too much flair in the way. Overall this is a fantastic version of the play – it is intelligent, well acted and very moving and involving. It may have the occasional weak link but those are pretty minor. Anyone with a passing interest in very good films should watch this.


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