Traveling dentist O'Connell traverses South America on his motorcycle for the 'Eversmile' foundation of New Jersey, in a fight not only against caries, but also against fear, ignorance, ... See full summary »
Famous film director Guido Contini struggles to find harmony in his professional and personal lives, as he engages in dramatic relationships with his wife, his mistress, his muse, his agent, and his mother.
When Lucy Honeychurch and chaperone Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting... See full summary »
Helena Bonham Carter,
A small group of teen girls in 1692 Salem, Massachusetts caught in an innocent conjuring of love potions to catch young men are forced to tell lies that Satan had invaded them and forced them to participate in the rites and are then forced to name those involved. Thrown into the mix are greedy preachers and other major landowners trying to steal others' land and one young woman infatuated with a married man and determined to get rid of his innocent wife. Arthur Miller wrote the events and the subsequent trials where those who demanded their innocence were executed, those who would not name names were incarcerated and tortured, and those who admitted their guilt were immediately freed as a parable of the Congressional Communist witch hunts led by Senator Joe McCarthy in 1950's America. Written by
John Sacksteder <email@example.com>
During Melanie Lynskey's January 2015 interview with Marc Maron, she says that she auditioned for a role in The Crucible and went as far in the casting process as reading with Daniel Day-Lewis, but she didn't get the part. She didn't say which part she auditioned for, but she did specify that it was not the role of Abigail Williams (the part Winona Ryder eventually played). See more »
In the scene where John Proctor goes out into the pond, when the camera cuts back to the crowd onshore, an airplane condensation trail can clearly be seen in the sky. See more »
The Salem witch trials that occurred from February 1692 to May 1693 resulted in 19 people hung, another slowly crushed to death and over 150 imprisoned. Historian George Lincoln Burr described it as a notorious case of mass hysteria and vivid cautionary tale about the dangers of isolationism, religious extremism, false accusations and lapses in due process.
Since I love history and am a fan of Daniel Day-Lewis you would think that I'd love 1996' "The Crucible." But over the years I've seen a couple of clips from it and the film turned me off for some reason. It just struck me as so over-the-top. Yes, I realize that filmmakers always have to amp up the dramatics because they only have two hours to tell their story, but I mean over-the-top melodrama in the sense of "Mary Shelley's Frankenstein" (1994). If you liked the way that film was done you'll probably love this one.
Anyway, I finally decided to actually view "The Crucible" and give it the chance it deserves. It does have a lot going for it -- quality actors, authentic sets, costumes and locations (shot in Massachusetts and Nova Scotia) and a dialogue-driven approach. Unfortunately, the film's very first scene struck me as inauthentic. It shows several young girls escaping into the forest in the middle of the night to dance under the moonlight (one nude) and cast spells, led by a black woman from the village. This scene was ten times wilder than anything at Woodstock and yet we're to believe all these young Puritan girls felt liberated enough to do this in 1692? Right. I realize that something like this supposedly happened but it's just so amped-up in the movie that it strikes an unbelievable chord.
I dismissed it, however, and continued to give the movie a chance, but the story and dialogue just failed to draw me into the dramatics.
I think it's worth watching for the reasons cited above and the fact that it does give you a picture of what it was like back then, overdone as it is, and it does inspire you to research the events. Other than these factors, though, the movie fails, particularly with its hyper-melodramatic approach.
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