Some time ago, Ashe Corven and his son Danny were killed when they stumbled across a pack of drug dealers murdering a fellow dealer. The dealers work for Los Angeles drug kingpin Judah Earl. Local tattoo artist Sarah, who has great knowledge of the crow legend because of what happened with her late friend Eric Draven, has been having dreams about Ashe and Danny. One night when a crow leads her to the scene of the murders of Ashe and Danny, Ashe appears before her. The crow has resurrected Ashe, so Ashe can go after Judah and his right hand man Curve. With the guidance of the crow, Ashe starts killing off Judah's men one by one, on his way to Judah. Written by
Performed by NY Loose
Produced by Julian Raymond and Phil Kaffel for A Violent Society Productions with NY Loose
Written by Brijitte West
Published by Eleventh Child Music (BMI)
Recorded at A&M and Ocean Studios
Mixed by Phil Kaffel at Record Plant
NY Loose appear courtesy of Hollywood Records
P1996 Hollywood Records See more »
I adore the original film that starred Brandon Lee as the avenging angel brought back from the dead. Now a sequel was probably inevitable, and I remember being largely disappointed by it with its wearily cut-up story, dour performances and diluted action. Well nothing has changed the second time around. Again I can't knock that killer hard-rock / industrial sounding soundtrack, haunting score and the dark, Gothic embellishment creating an atmospherically catastrophe post-apocalyptic Los Angeles. It's dirty, smoggy and jarringly bleak. Jean Yves Escoffier's cinematography lenses it with the right free-spirited. However there's nothing overly memorable, or even powerfully gripping to draw any real emotion and interest form the suffocatingly drab and unimaginative narrative. By following the same patterns of the original's tragedy, it doesn't lay any new groundwork. It was a tediously repetitive mess that seemed more fantasy-based and conjures up a script that's weakly penned. Vincent Perez's avenging soul is unconvincingly void in a tortured performance, which doesn't create much heart-ache or grace. There's no imprint, or witty charisma that Lee evoked. Honestly I didn't feel anything. Richard Brooks flimsily strolls by with no impressionable stance as the head villain. Mia Kirshner gives a sound performance and Iggy Pop delightfully chews up the scenery to spit it out. Director Tim Pope can formulate some flourishing visuals and lasting poses, but when it came to setting everything in motion. Flat and unexciting comes to mind. His action set-pieces lacked zest and seemed to plod like they're sliced up music video clips. Never did it infuse any real sense of energy, thrills and urgency. In the end it feels just like a cheap, quick and empty rehash.
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