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Some time ago, Ashe Corven and his son Danny were killed when they stumbled across a pack of drug dealers murdering a fellow dealer. The dealers work for Los Angeles drug kingpin Judah Earl. Local tattoo artist Sarah, who has great knowledge of the crow legend because of what happened with her late friend Eric Draven, has been having dreams about Ashe and Danny. One night when a crow leads her to the scene of the murders of Ashe and Danny, Ashe appears before her. The crow has resurrected Ashe, so Ashe can go after Judah and his right hand man Curve. With the guidance of the crow, Ashe starts killing off Judah's men one by one, on his way to Judah. Written by
The following scenes were in the original 160 minutes long workprint version of the film, but were cut from the theatrical version by Miramax in order to make The Crow: City of Angels more like The Crow:
Sarah had a longer voice over in the beginning of the film.
While he is underwater Ashe remembers reading stories to Danny
The crow "lifts" (resurrects) Ashe.
After Sarah takes him to her loft and he wakes up, Ashe does not believe he is dead so Sarah takes the kitchen knife and stabs him with it. Scared Ashe than runs away as in theatrical version.
Ashe's last name (Corven) is clearly revealed as he runs back to his garage after his resurrection. The garage reads "Corven's Body Shop".
When Ashe is going after Spidermonkey at the Trinity Drug Plant, he takes Spidermonkey's gun and says, "Don't try this at home, kids!", shoots himself in the head and falls on ground. Then as Spidermonkey approaches, Ashe gets up, scaring Spidermonkey.
When Ashe destroys the Trinity Drug Plant, some thugs come to pick a fight with him. Ashe tells one of them that if he (the thug) has a gun he should shoot him (Ashe). The thug hesitates, and Ashe takes his gun, scaring the thugs and forcing them to flee.
After killing Nemo, Ashe confronts Holly Daze, the stripper who was talking to Nemo at Live Girl building. Ashe grabs her and looks into her eyes. He tells her that she should value what's left of her soul and to never come back "here" again.
In original version, when Ashe builds Danny's grave he does not burn his painting.
Originally, there was more dialogue and love scenes between Ashe and Sarah.
In original version Kali's and Curve's deaths happened the other way around.
In the scene where Ashe is being shot by thugs at bar while Curve escapes, Ashe grabs the shotgun he took earlier when he killed Nemo and kills the thugs.
Ashe/Curve motorcycle chase scene was longer.
When Curve screams "You think I'm afraid of you?!" he pees his pants because he is afraid of Ashe.
When Ashe blows up Curve's motorcycle with his shotgun, Curve is on the ground with his crotch on fire. Glimpse of this scene is still visible in theatrical version when Curve hits the ground.
After dragging the injured Curve into the water, Ashe steals Curves gun and puts it into his coat. It's hard to see in theatrical version, but once Curve starts floating away his gun disappears from his pants.
The Twins and Kali shoot at Sarah's apartment door features then trash Sarah's apartment and destroy her paintings.
Theatrical version of fight scene between Kali and Ashe was part of the re-shoots by Miramax studio. Original fight scene between them was longer. Kali uses a 2x4 and a sword. When Kali tries to slice Ashe with her sword, Ashe dodges and breaks Kali's arm. Ashe was also 'psychotic' in this scene, especially as he recites the 'Shh...hush little baby..' dialogue.
When Kali is thrown out of the window, a shadow of a giant crow morphing into Ashe is visible showing that the Crow and Ashe are one.
Kali's death is different. She is still alive, though crippled and unable to move, cause her back were broken after being thrown out of the window, and she is seen crawling along the ground. Dialogue between her and Ashe was also deleted. Ashe comes out of nowhere and Kali begs him to kill her because she is in pain. Ashe refuses and smiles as he stands over her, telling her that he has already sent her to Hell. While he leaves, some thugs come and rape Kali to death.
Judah reveals his motivations in wanting the crow's power, he tells Sarah when he has captured her about himself falling in icy water, drowning and nearly dying when he was younger and visiting hell before he was revived, which he enjoyed, leading to his obsession with the occult and becoming the way that he is.
At the Day of the Dead festival, two more characters called Louis and Amede are shown.
When Ashe is climbing Judah's headquarters, The Twins follow him. One falls off the building and ends up decapitated.
When the ghost of Danny is at the Day of the Dead festival, instead of Danny saying to Ashe "If you give up now, we won't be together." He says instead, "It is time to go now," and Ashe refuses, saying he has to save Sarah. By doing so, he gives up his chance to return to Heaven, cursing himself to live on earth for eternity (since he is already dead and hence can't die). Danny disappears, Ashe looks for him in the crowd and turns a drunk guy around, believing it was Danny.
More dialogue between Ashe and Judah during their fight.
Ashe pulls out Curve's gun which he took from him earlier and unloads it into Judah's chest. It has no effect. Ashe tries to punch Judah, but Judah crushes his hand.
During the fight scene, Danny's painting falls from Ashes coat and Judah rips it up.
In original version, Sarah and Ashe talk to each other just before Sarah dies. Ashe says he stayed on earth for her. Sarah gives Ashe her ring and tells him that "If two people really love each other, nothing can keep them apart.. nothing." Ashe cries. Sarah tells him that she'll wait for him, "Forever if i have to."
Ashe destroys Sarah's apartment so that he does not remember her anymore.
Ending was very different than the one which was re-shot for theatrical version. Scene where Ashe carries dead Sarah to the church was longer. It also featured Ashe wearing Sarah's ring like Brandon Lee's character Eric did in the first movie. When he sits down, he is looking at Sarah's ring. The word "Forever" is inscribed inside of it. The priest from earlier in the film enters the church and, knowing that Ashe is walking dead, asks why he is "still here". Ashe replies that he has no where to go. Priest then asks Ashe, "What will you do now, my son?", slightly angered Ashe replies (since he is cursed to walk the earth for eternity) "There are already many shadows in this city.. one more won't make a difference."
Performed by P.J. Harvey (as Polly Jean Harvey)
Produced by Flood, P.J. Harvey (as Polly Jean Harvey) & John Parish
Written by P.J. Harvey (as Polly Jean Harvey)
Published by EMI Blackwood Music Publishing Ltd.
o/b/o EMI Music Publishing/Hot Head Music Ltd (BMI)
All instruments P.J. Harvey (as Polly Jean Harvey) and John Parish
Mixed and Engineered by Flood
Recorded at Townhouse Three, Battersea
Mixed at Windmill Lane, Dublin
Licensed courtesy of Island Records Limited
P1996 Island Records Limited See more »
Though Hated by Fans, This Film is a Compelling and Unique Take on the Crow Legend
The first Crow film was a brilliant and Gothic re-visioning of a graphic Novel. Eric Draven was played by Brandon Lee who notoriously died during the making of the film. But even though he died, his work as the main protagonist was very memorable and chilling, and yet sympathetic and beautiful. It would be hard to top something like his performance. This sequel to THE CROW, entitled THE CROW: CITY OF ANGELS, takes place in a warped version of L.A. Death and filth litter the streets and the whole city is cast in an ugly and disturbing color of grotesque characters and dust. The lighting to this film is ugly and dark, not unlike CITY OF LOST CHILDREN or NOSFORATU, only more natural feeling. The main character of this film automatically achieves a more personal edge to why he would murder thugs because instead of his girlfriend being raped and murdered like in the first one, this time it is his son. So the loss of an innocent soul feels more justified by murder of the people who did it. Ashe is pulled out from a watery grave as a walking corpse sent to avenge his son. Unfortunitely there is indeed more to this than what seemed possible because the drug lord Judah has a connection to voodoo powers that could possibly disarm Ashe in his fight to avenge his own flesh and blood. Judah has connections to other worldly forces via a blind woman who he has used to gain power of the city. This film employs negative energy very well and the films setting feels lifeless. This way, the film allows us to feel more sorry for the people who live in it by giving us no limits of which the depravity can go. The musical score, while it is true it is not as effective as the first one, casts just the right amount of a somber spirit and hopelessness. This film is excessively gross and violent but doesn't become a distraction since the whole city is full of gross and violent tone. Fans of the Crow hated this film and I can see why. But I felt that this film's lifelessness worked well due to the constant feeling of depression and hate. Vincent Perez plays Ashe with the perfect amount of sympathy and the viewer can feel sorry for him. However, we cannot be scared of him because all of the barely human characters that surround him and much more frightening. When he kills his prey, we are delighted and happy that he got his revenge. The first film was a good combination of extremely violent content and gore mixed with morals and feeling. Nobody in this film has much emotion and feeling except for Ashe, who truly has more than enough. He is shown as a victim and continues to be a victim throughout because the city is so full of them. He cannot gain anything and he is understandably sad. When it comes right down to it, its hard to really compare the two films because the first film is so perfect and so beautiful and the second film, when compared to the first, feels so flawed and ugly. It is really all up to the viewer to decide. I thought this sequel was great and would gladly watch it again. I'd say anyone interested in the set design process of film making should definitely watch this along with the first film.
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