In 1932, the nation was shocked when the 14-month-old son of Charles Lindberg was kidnapped, held for ransom, and murdered. Two years later, Bruno Richard Hauptmann was arrested, convicted,... See full summary »
San Gimignano, in Toscana, alla fine degli anni '70. La fine degli ideali degli anni '70 vista in un piccolo microcosmo, pensando a platee più vaste di giovani in crisi. Giovanni, ... See full summary »
Based on the true story of a Russian serial killer who, over many years, claimed over 50 victims, mostly under the age of 17. In what was then a Communist state, the police investigations ... See full summary »
Max von Sydow
Ex-convict Hank Rogers is searching for his brother Jim, a newspaperman, and becomes involved with a group of people trying to conceal the death of the president of a large corporation so ... See full summary »
A doctor who is also a "mentalist" confesses to a murder. The only problem is that the murder he's confessed to hasn't happened yet--although dead bodies are now starting to turn up all ... See full summary »
Global warming has caused the more temperate regions of the earth to become uninhabitable. A group of several thousand Africans migrate across the dry oceans to Europe. But this so-called ... See full summary »
In 1932, the nation was shocked when the 14-month-old son of Charles Lindberg was kidnapped, held for ransom, and murdered. Two years later, Bruno Richard Hauptmann was arrested, convicted, and executed. This film dramatizes the investigation against Hauptmann, the trial, and the execution, painting a picture of a corrupt police force under pressure to finger a killer framing an innocent man by manufacturing evidence, paying-off and blackmailing witnesses, and covering up exculpatory evidence. Written by
Steve Derby <firstname.lastname@example.org>
Call me a bleeding-heart liberal, but I guess I'm a sucker for movies about people who are wrongly accused. This movie, however, failed to move me, even though I've read books on the subject and the case itself moves me. Rydell and Nicholson do a good job setting up the circumstances that led Hauptmann to become a suspect, and to even arouse suspicions in us, but the dialogue and individual scenes fall completely flat, because they're obvious and heavy-handed. To make matters worse, some of the actors, like David Paymer and Allen Garfield, seem to have been told they were in an over-acting contest. Walsh is good, as is the ever dependable Moriarty, but Rea seems lacking as Hauptmann.
3 of 6 people found this review helpful.
Was this review helpful to you?