The legendary Native American chieftain refuses to go with his people peacefully to the reservation and starts a rebellion.

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Nominated for 2 Primetime Emmys. Another 1 nomination. See more awards »
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Cast

Credited cast:
...
Rest of cast listed alphabetically:
Victor Aaron ...
Touch the Clouds
...
Little Hawk
Frankie Avina ...
Grabber
...
Dr. McGillicuddy
...
Black Buffalo Woman
Terry Big Charles ...
Young Curly (as Terry Bigcharles)
...
Captain Fetterman
...
Young Man Afraid
...
(as Buffalo Child C. Koopepequanicit)
...
General Crook
Robert Pike Glymph ...
Mormon Man
...
Reporter
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Storyline

The legendary Native American chieftain refuses to go with his people peacefully to the reservation and starts a rebellion.

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Release Date:

7 July 1996 (USA)  »

Also Known As:

Crazy Horse, le plus grand d'entre nous  »

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Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

For a dream sequence, cinematographer Thomas Burstyn came up with the idea of having two cameras - one with color film, the other infrared black & white - shoot the exact same image, and then combining them in post-production. Clairmont Camera designed and built a rig that positioned one camera above the other and used mirrors to correctly align their respective images. This became known as the "Crazy Horse" or "Over/Under" rig, and is still available for rental at Clairmont. See more »

Goofs

Crazy Horse's horse wears iron shoes (visible during the vision quest scene) See more »

Quotes

General George Armstrong Custer: They are a brave people. Their time has passed. History moves on.
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User Reviews

 
Film does not resonate well with Sandoz's biography
21 July 2007 | by (United States) – See all my reviews

Though entertaining and well acted, the script doesn't follow Sandoz's biography. Sandoz who traveled more than any other researcher in Ogalala country compiled much of her biography from descendants and other community members who carry stories of Crazy Horse. According to Sandoz The Strange Crazy Horse a political critic - opposing three primary features of Ogalala society: 1) the idea of paying for brides with horses (dowry); 2) the idea that community acknowledgment and recognition are synonymous with an individuals' spiritual or metaphysical (for lack of better words) standing 3) the idea that there are a fixed number of formal ways in which to seek knowledge and understanding. Crazy Horse according to Sandoz felt that the influx of Horses had corrupted Oglala society somewhat and made it more (in contemporary terms) - wealth bound and greed ridden. He also she suggests felt that there were in some respects formalized aspects of the society that were too rigid and so conflicted with (in contemporary terms) basic human rights. Sandoz's Crazy Horse in essence supported Oglala culture and society strongly only as a reformer he, by example suggested several small adjustments to the culture so as to make it better.

Rather than being unique in this I imagine, he showed up at a time when the West was interested in Native people much like they are interested in Middle Eastern peoples today. War seems to create a sensationalist fascination with the other and so some attention was given his life in the popular media. Many of the biographies seem to contain details that conflict strongly with Sandoz, but no other researcher seems to have spent the same amount of time both in archives and in the communities. She has a pointed, detailed yet equivocal touch and so I trust her account better than any I have seen. This book (as is common) puts the film to shame.


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