After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
After developing an addiction to the substance he uses to kill bugs, an exterminator accidentally murders his wife and becomes involved in a secret government plot being orchestrated by giant bugs in a port town in North Africa.
A man tries to uncover an unconventional psychologist's therapy techniques on his institutionalized wife, while a series of brutal attacks committed by a brood of mutant children coincides with the husband's investigation.
Riding across Manhattan in a stretch limo in order to get a haircut, a 28-year-old billionaire asset manager's day devolves into an odyssey with a cast of characters that start to tear his world apart.
A young woman develops a taste for human blood after undergoing experimental plastic surgery, and her victims turn into rabid, blood-thirsty zombies who proceed to infect others, which turns into a city-wide epidemic.
Since a road accident left him with serious facial and bodily scarring, a former TV scientist has become obsessed by the marriage of motor-car technology with what he sees as the raw sexuality of car-crash victims. The scientist, along with a crash victim he has recently befriended, sets about performing a series of sexual acts in a variety of motor vehicles, either with other crash victims or with prostitutes whom they contort into the shape of trapped corpses. Ultimately, the scientist craves a suicidal union of blood, semen, and engine coolant, a union with which he becomes dangerously obsessed. Written by
Matt A. Knapp <email@example.com>
In the UK this film is banned from sale or theatrical exhibition within the city of Westminster (London), although it is possible buy the DVD in greater London and (in theory) see the film at a cinema outside of Westminster (this was true at the time of cinematic release). Also, similar theatrical bans were placed in other parts of the UK cities (including Chester, Cardiff and Durham to name a few...) See more »
After Vaughan repeatedly crashes the left front bumper of his Lincoln into a junker James Ballard is sitting in, causing major damage to the bumper and the lights, Vaughan is soon shown driving on the highway with no damage to the bumper and both left lights operational. See more »
[talking into microphone as he walks around the car]
Don't worry. That guy's gotta see us. Don't worry. That guy's gotta see us... These were the confident last words of the brilliant, young Hollywood star James Dean as he piloted his Porsche 550 Spyder race car toward a date with death along a lonely stretch of California two-lane blacktop Route 466... Don't worry that guy's gotta see us. The year... 1955. The day... September 30. The time... Now. The first star of our show is Little Bastard. ...
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When Cronenberg's "Crash" came out in the theaters in Seattle, the audiences gave it standing ovations. Of course, that's Seattle! James Spader was thinner & sensuous playing the lead man's role. Debra Unger & he have quite the cinematic chemistry to generate steaming sexual scenes.
Car crashes are a group of fetishists' thing to get off on. Some re-stage famous fatal ones: Jimmy Dean's, Jane Mansfield's. The car crash fetish ring leader drives a town-car like JFK was assassinated in.
Holly Hunter is extremely surprising as she plays a bisexual car crash fetishist physician who is way into having sex in cars; most especially after near crashes.
I don't know how this film got away with a R rating! But, I'm glad it did! It's a scorching hot sexy motion picture with one heck of a deviant plot. I bet even director John Waters liked this one. . . .
Surprisingly, there is romance in the movie. Spader & Unger stay together throughout all other crash scenario flings. The most fascinating thing about Cronenberg's "Crash" is how true to life it is & was in Seattle, when it first came out.
"Crash" is a remarkable study of fetishism. That's why it is not pornographic. Yes, the numerous adult sex scenes are extremely graphic; but, Cronenberg prevents the subject matter from being degraded into pornography.
With an amazing star cast, "Crash" not only was, but still is, one of the most controversial movies today. Doubtless some of the audiences have to ask themselves, "Are there really people like these?" The answer is overwhelmingly, indeed there are. Cronenberg & cast was the group brave & brazen enough to get real about human sexualities.
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