Good natured Reverend Henry Biggs finds that his marriage to choir mistress Julia is flagging, due to his constant absence caring for the deprived neighborhood they live in. On top of all ... See full summary »
Courtney B. Vance
The pilot of a rescue copter, Captain Karen Walden, died shortly before her helicopter crew was rescued after it crashed in Desert Storm. It first appears that she made a spectacular rescue of a downed helicopter crew, then held her own crew together to fight off the Iraqis after her copter crashed. Lt. Colonel Serling, who is struggling with his own demons from Desert Storm is assigned to investigate and award her the Medal of Honor. But some conflicting accounts, from her crew and soldiers in the area, cause him to question whether she deserves it. Written by
Brian W Martz <B.Martz@Genie.com>
When Capt. Walden's helicopter is circling the Iraqi tank and attempting to neutralize it, there is a quick split second where the tank is in the foreground and the helicopter behind it. At that exact moment, you can clearly see a man with dark brown hair in a blue shirt and khaki pants on or near the tank. See more »
I work at the Pentagon, Sergeant, so I'll admit I'm a little slow on the uptake, otherwise I'd say that you just threatened me. Did you just threaten me, soldier? Because if you did, let me respond to you...
[turns off tape recorder]
Let me respond to you this way. I'm an officer, and therefore, by proclamation, a gentleman, but don't abuse that, son. Don't get in my crosshairs, because I'll have no compunction whatsoever about getting up to my neck in yo' ass. Do you understand me?
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A DESERT STORM veteran, Lt Col Nat Serling (played by Denzel Washington), is assigned the task of recommending whether or not to award the first (posthumous) combat Medal of Honor to a woman, Capt Karen Walden (played by Meg Ryan). In investigating the inconsistent mission accounts of Walden's surviving crew, Serling constantly flashes back to his own searing DESERT STORM experience and the Army's subsequent attempts to whitewash the incident, resolving that his investigation will not suffer the same fate. As Serling tries to rectify the competing competing accounts it becomes clear that director Edward Zwick has crafted a contemporary "Rashomon," complete with reminders that the truth is always subjective and our accounts of it typically affected by self-interest.
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