Good natured Reverend Henry Biggs finds that his marriage to choir mistress Julia is flagging, due to his constant absence caring for the deprived neighborhood they live in. On top of all ... See full summary »
Courtney B. Vance
The pilot of a rescue copter, Captain Karen Walden, died shortly before her helicopter crew was rescued after it crashed in Desert Storm. It first appears that she made a spectacular rescue of a downed helicopter crew, then held her own crew together to fight off the Iraqis after her copter crashed. Lt. Colonel Serling, who is struggling with his own demons from Desert Storm is assigned to investigate and award her the Medal of Honor. But some conflicting accounts, from her crew and soldiers in the area, cause him to question whether she deserves it. Written by
Brian W Martz <B.Martz@Genie.com>
Matt Damon not only went on an extreme diet, he would also run 13 miles a day. Unfortunately for him, as Damon was not an established star at the time, he had to do all this under his own steam without the help of a nutritionist. It would take Damon a good two years to get his body back to normal. See more »
Reflected in the TV screen in the General's Office See more »
[grabbing a recruit leaving an obstacle]
Just what the fuck do you think you're doing, soldier? Where are your men?
Right there, sir!
Yeah? What do you call that?
[gestures to one man who still hasn't made it through the obstacle]
You see that man? You and he are brothers! He depends on you! You depend on him! You *never* leave a man behind!
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A DESERT STORM veteran, Lt Col Nat Serling (played by Denzel Washington), is assigned the task of recommending whether or not to award the first (posthumous) combat Medal of Honor to a woman, Capt Karen Walden (played by Meg Ryan). In investigating the inconsistent mission accounts of Walden's surviving crew, Serling constantly flashes back to his own searing DESERT STORM experience and the Army's subsequent attempts to whitewash the incident, resolving that his investigation will not suffer the same fate. As Serling tries to rectify the competing competing accounts it becomes clear that director Edward Zwick has crafted a contemporary "Rashomon," complete with reminders that the truth is always subjective and our accounts of it typically affected by self-interest.
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