| Photos (See all 11 | slideshow) |
| Mathieu Amalric | ... | Paul Dedalus | |
| Emmanuelle Devos | ... | Esther | |
| Emmanuel Salinger | ... | Nathan | |
| Marianne Denicourt | ... | Sylvia | |
| Thibault de Montalembert | ... | Bob | |
| Chiara Mastroianni | ... | Patricia | |
| Denis Podalydès | ... | Jean-Jacques | |
| Jeanne Balibar | ... | Valérie | |
| Fabrice Desplechin | ... | Ivan | |
| Hélène Lapiower | ... | Le Mérou | |
| Michel Vuillermoz | ... | Frédéric Rabier | |
| Roland Amstutz | ... | Chernov | |
| Marion Cotillard | ... | Student | |
| Solenn Jarniou | ... | Pascale | |
| Philippe Duclos | ... | Spiritual Accompanist | |
| Elisabeth Maby | ... | Tatie | |
| Paule Annen | ... | Mrs. Chernov | |
| Anne-Katerine Normant | ... | Esther's Friend | |
| Vincent Nemeth | ... | Friend | |
| David Gabison | ... | Diocese Delegate | |
| Pierre-Emmanuel Dupire | ... | Children | |
| Erwan Le Youdec | ... | Children | |
| Jonathan Reyes | ... | Bob (enfant) | |
| Paolo Sergio Ribeiro | ... | Children | |
| Florence Ricard | ... | Children | |
| rest of cast listed alphabetically: | |||
| Alain Bellèche | |||
| Marie-Christine Carle | |||
| Barbara Chavy | |||
| Emeric Danco | |||
| Lucie Danco | |||
| Danièle De Croock | |||
| Jill Helmi | |||
| Muriel Hunet | |||
| Christian Letocart | |||
| Djemilla Racine | |||
Directed by | |||
| Arnaud Desplechin | |||
Writing credits(in alphabetical order) | ||
| Emmanuel Bourdieu | ||
| Arnaud Desplechin | ||
Produced by | |||
| Pascal Caucheteux | .... | producer | |
Original Music by | |||
| Krishna Levy | |||
Cinematography by | |||
| Stéphane Fontaine | |||
| Eric Gautier | |||
| Dominique Perrier-Royer | |||
Film Editing by | |||
| Laurence Briaud | |||
| François Gédigier | |||
Casting by | |||
| Stéphane Batut | |||
| Jeanne Biras | |||
| Claude Martin | |||
Art Direction by | |||
| Antoine Platteau | |||
Costume Design by | |||
| Claire Gerard-Hirne | |||
| Delphine Hayat | |||
Makeup Department | |||
| Nurith Barkan | .... | makeup artist | |
| Bernard Floch | .... | key makeup artist | |
| Isabelle Legay | .... | hair stylist | |
| Jane Milon | .... | hair stylist (as Jeanne Milon) | |
Production Management | |||
| Oury Milshtein | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Stéphane Batut | .... | crowd assistant director | |
| Aude Cathelin | .... | assistant director | |
| Bénédicte Darblay | .... | assistant director | |
| Alexandre Nazarian | .... | second second assistant director | |
Art Department | |||
| Jean-Marc Fiess | .... | assistant set decorator | |
| Katharinna Gault | .... | assistant set decorator | |
| Gary Marin | .... | assistant set decorator | |
| Françoise Rabut | .... | assistant set decorator | |
| Guillaume Watrinet | .... | property master | |
| Bruno Charoy | .... | property assistant (uncredited) | |
| Bruno Charoy | .... | props (uncredited) | |
Sound Department | |||
| Michel Casang | .... | boom operator | |
| Pascal Chauvin | .... | foley artist | |
| Pascal Dedeye | .... | foley artist | |
| Mathilde Grosjean | .... | sound editor | |
| Jean-Pierre Laforce | .... | sound | |
| Didier Lizé | .... | sound mixer | |
| Mathilde Muyard | .... | sound editor | |
| Laurent Poirier | .... | sound | |
Casting Department | |||
| Elsa Pharaon | .... | casting: children | |
Editorial Department | |||
| Christian Dutac | .... | color timer | |
| Beatrice Herminie | .... | apprentice editor | |
Other crew | |||
| Agnès Chabot | .... | press attache | |
| Agnès de Sacy | .... | script supervisor | |
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| Kings & Queen | Munich | Those Who Love Me Can Take the Train | Gebürtig | The Best of Youth |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb France section |
Sorry, I didn't really read the other comment because frankly it was just too wordy for me, and it didn't really explain anything or answer any questions.
So I'll keep it brief...
I (having lived in France and studied French for many years) also love French cinema and French actors, but I was one of the above aforementioned "bored" viewers. So it isn't just anti-intellectuals who would be willing this film to end. We all know French films can be slow-paced but this is just ridiculous.
My advice, steer clear. There are much better ways to spend 170 or so minutes of your life. Watching paint dry perhaps.